The Entertainment Forecast

What to Watch, and More! Week of June 26 – July 2

The return of Enola Holmes, Paul Simon in concert & America’s top female athletes!

The new ‘Enola Holmes’ adventure streams this week on Netflix.

FRIDAY, June 26
Life, Larry and the Pursuit of Un-Happiness
Larry David’s new sketch show stars a host of guest stars (including Barack Obama, who’s one of the producers!), a bunch of Curb Your Enthusiasm cohorts…and Larry David. Those who don’t know history are doomed…to watch Larry David repeat it (9 p.m., HBO).

Little Brother
A well-organized real estate agent’s carefully curated world is upended when his eccentric wild-card “little brother” unexpectedly reappears. Starring John Cena and Eric Andre (Netflix).

Paul Simon: The Quiet Celebration Concert
Live concert film recorded during the legendary singer-songwriter’s “A Quiet Celebration” Tour, an intimate evening spanning his vast career and celebrating new arrangements of timeless classics, deep cuts and new musical discoveries (Disney+ and Hulu).

SATURDAY, June 27
Single Black Tenant
Tia Mowery stars in this true-crime story as a woman who begins to suspect that the home she thought would save her may ultimately destroy her (8 p.m., Lifetime).

In the Eye of the Storm
New season begins of the high-stakes drama at the epicenter of recent natural disasters, as told through firsthand accounts and mobile phone footage filmed by everyday people caught in the maelstrom (10 p.m., Discovery).

SUNDAY, June 28
The BET Awards
Lauryn Hill will receive the Living Legend Icon Award at tonight’s live annual event honoring Black entertainers in film, music and other arenas (8 p.m., BET).

Black Americans and the Revolutionary War
Documentary that follows the stories of enslaved and eventually freed Black Americans who believed, exercised and fought for democracy for themselves, their families and their communities (10 p.m., PBS).

MONDAY, June 29
Adventure Time: Side Quests
Animated series about a young hero and his magical dog best friend as they embark on adventures across the fantastical land of Ooo. With voices by Sasha Knight and John DiMaggio (Disney+).

Disney Celebrates America: The Pursuit of Happiness
Two-hour event honors American “firsts” by turning Disney World into a portal for American stories, triumphs and traditions (8 p.m., ABC).

TUESDAY, June 30
The Crown Prince and the President
Examines the alliance between Crown Prince Mohammed bin Salman and President Donald Trump, and how Trump and Jared Kushner opened doors to arms deals, investments and personal profit, despite Saudi abuses (10 p.m., PBS).

Lexi Minetree stars as Elle Woods in the prequel to “Legally Blonde.”

WEDNESDAY, July 1
Elle
This prequel to Legally Blonde follows young Elle Woods (Lexi Minetree) in high school as she begins to become the young woman we met in the 2001 film. Reese Witherspoon, who starred as grownup Elle in the original film, is one of the producers (Prime Video).

Enola Holmes 3
Adventure chases detective Enola Holmes (Millie Bobby Brown) to Malta, where personal and professional dreams collide on tangled and treacherous case. With Henry Cavill and Helena Bonham Carter (Netflix).

THURSDAY, July 2
Gamechangers: America’s Top 25 Female Athletes
Interviews with star athletes, sports media voices and celebrities, celebrating the legacy and impact of the greatest female athletes in American sports history (Roku Channel).

Independence Day
1996 sci-fi action film about an attack by extraterrestrials stars Will Smith, Jeff Goldblum, Bill Pullman and Vivica A. Fox (8 p.m., ABC).

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In Sisters, Saints and Sybils (Thames & Hudson), photographer Nan Golden presents a highly personalized portrait using old family snapshots, her own photos and hospital reports to present the life story of her late sister. It’s visual tapestry exploring addiction, abuse, trauma and the medical community’s mistreatment of female mental health in the 20th century.

How have humans sought to predict the future? Prophesies (Thames & Hudson) traces the long—long—history of prediction and fortune telling, from ancient Egyptians to Roman augers, animals, supernatural signs, Aztec omens and Japanese divinations. I predict…you’ll dig it!

American music has often glorified “outlaws” and rule-breakers.  The Midnight Special (W.W. Norton) by Colin Asher tells the true story of the criminal-justice system’s impact on music makers, from Lead Belly to Johnny Cash and Tupac Shakur and many others who transcended their grim, dehumanizing existence with sounds of joy, rebellion and righteousness.

Ever wonder how a little faux-documentary frolic helped four lads from Liverpool make the leap from music to movies—and forever changed the way the world saw pop music? Find out in A Hard Day’s Night (Bloomsbury/British Film Institute), BBC broadcaster Samira Ahmed’s fascinating rewind to the 1960s and a black and white film that became a cinematic landmark.

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Calling all Deadheads! The Grateful Dead’s classic Steal Your Face live album from 1976 has been remastered for a special 50th anniversary edition. It’s full of road-tested rockers and then-new material from members’ solo projects—and it marked the return of the iconic group after a long self-imposed touring hiatus. (Order at dead.net).

BRING IT HOME

Paranoia has a new home in A Yard of Jackals (IndiePix Films), a gripping psychological thriller set in Chile about isolation, moral decay and a spirit being crushed under authoritarian rule. Includes commentary from director Diego Figueroa and filmmaker Inti Carrizo-Ortiz.

In the heist thriller Crime 101 (Alliance Home Entertainment), a jewel thief (Chris Hemsworth) lands the score of a lifetime but must evade a relentless detective closing in on his string of heists. With Mark Ruffolo, Barry Keogan, Jennifer Jason Leigh and Halle Berry. And a bit part by Nick Nolte!

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Movie Review: “Romería”

Spanish coming-of-age drama follows a young orphan’s deep dive into her murky past

Romería
Starring Ll
úcia Garcia, Mitch Martin & Tristán Ulloa
Directed by Carla Simón
Unrated

In select cities Friday, June 26; wide release to follow

A young orphaned woman journeys to her ancestral home in Spain seeking answers about her deceased parents in this poignant coming-of-age drama about family, fate, falsehoods, memories, misinformation, deceit, shame—and the sea.

In the opening scene, as Marina (Llúcia Garcia) arrives on a boat from Barcelona, from Spain’s opposite side, she tells us—in a narrative voice-over—about the temperament of the ocean, and how it can be “calm and peaceful” or “wild and choppy.”

She finds a bit of both of those conditions as she connects with long-estranged aunts, uncles, cousins and grandparents. She’s trying to uncover her roots to find out why, on her father’s death certificate, she’s not listed as a descendant. And that lack of documentation makes her feel rootless and restless, and also prevents her from getting financial assistance at a university.

Marina’s quest was sparked by reading her late mother’s journals. But there are still some missing pieces of the story. What made her mother and father die so young? Why did they never come visit her as a child, after she had relocated, across the country with an adopted family? Why do her younger cousins tell her they’ve been warned to stay away from her if she starts bleeding? What about the mysterious attraction to her hunky cousin, Nuno (Mitch Martin)?

Her icy, detached grandmother (Marina Troncoso) is obsessed with dying, and with keeping her swimming pool clean of debris; she lays down a stern warning for her grandchildren to shower before jumping in.. But when it comes to family, things sometimes get messy, just like outdoor swimming pools.

The Spanish word romeria means a pilgrimage, a sacred journey, and that certainly applies to Marina’s quest as she treks into her past to retrace—and reclaim—her bloodline. The filmreminds us that she’s on hallowed ground with several scenes that feature religious iconography, including a worship service in the bay on Ria de Vigo, an estuary in the Spanish oceanside community of Galicia.

Estuaries are where freshwater from mountains and streams meet saltwater in the oceans, creating thriving biosystems. In much the same way, Marina is an outsider from afar, now come to “mix” and meet with her family, itself a teeming ecosystem of history, traditions, relations—and secrets Her cousins also tell her that for the last few years of his life, her father was “hidden” away by his parents in their home. An uncle discloses tales of drugs, needles and wild bacchanalia partying. “What didn’t they do?” he tells Marina about her mother and father. “Love and drugs aren’t a good thing.”

The film is richly autobiographical for acclaimed director Carla Simón, who lost both her parents when she was just a child, just as Marina did, and under the same circumstances. And Marina carries around a movie camera, filming everything, declaring that she wants to study cinema at college—just like the director really did. At one point, Marina even tells a boating companion, who tries to snatch her camera, “I’ll film, you sail!”

The movie’s real discovery is Llúcia Garcia as Marina. This is her first movie, but she’s a natural, perfect in the role of a girl on the cusp of womanhood and discovery, finding out who she is and how she got there. Her smallest gestures—a bashful smile, a suppressed shock—convey the surface ripples on the choppy waters Marina is navigating. It’s no surprise she’s already received a Goya Award, Spain’s equivalent of the Oscars, for Top Newcomer.

In the film’s third act, Marina leaves a local celebration to follow an alley cat down a darkened street, leading her into a surreal extended flashback in which she gets to “see” her parents before she was born, her father as a sailor, her mom a languid party girl. (In an inventive twist, shaded by subtle differences in appearance and composure, Garcia also plays Marina’s mom.) Marina finds her mom’s secret journal, one she was never supposed to read, and we discover, along with her, the connective cycle of past and present, shedding new light onto things we’ve seen and heard previously.

And finally, Marina admits, “I really like the sea here.”

Don’t be put off by the Spanish subtitles. This sweet, finely nuanced dive down into the murky past is a trip well worth taking, as young Marina embraces her roots, gets her answers and sets sail in a new, steadier and more hopeful direction.

—Neil Pond

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The Entertainment Forecast

What to watch, and more! Week of June 19 – June 25

Butch & Sundance, Marilyn Monroe’s crime scene, Tom Hanks on America & the rising tide of human migration

FRIDAY, June 19
The Clash of Nations: Joe Lewis vs. Max Schmeling
Documentary about one of the most iconic rivalries in boxing history and how their late 1930s bouts came to symbolize the coming showdown between freedom and fascism (8 p.m., History Channel).

How to Make a Killing
Glen Powell and Margaret Qualley star in movie about a man disowned at birth by his obscenely wealthy family, now seeking to reclaim his inheritance—at any cost (8 p.m., HBO).

SATURDAY, June 20
Don’t Trust the Girls Upstairs
Remy Ma stars as a woman forced to confront her past when her life begins to unravel and she opens her home to her orphaned teenage niece (8 p.m., Lifetime).

SUNDAY, June 21
Celebrity Crime Scene: Marilyn Monroe
Re-examining the evidence to the enduring mystery of the screen goddess’ death in August 1962 (8 p.m., Fox).

House of the Dragon
Tonight begins season three of the series, above, set centuries before the events of Game of Thrones. With Matt Smith, Emma D’Arcy and Olivia Cooke (HBO).

MONDAY, June 22
Harry Wild
Fan-fave murder-mystery series starring Jane Seymour as a British crime-solver returns for its new season (Acorn TV).

The Last Ship
Eric Dane and Adam Baldwin star in this series (originally on TNT) about the crew of a U.S. Navy destroyer that has somehow avoided a global pandemic that’s wiped out most of the world’s population. See seasons 1 to 3 streaming on Netflix.

TUESDAY, June 23
Movies by Director George Roy Hill
Get your Paul Newman and Robert Redford fix on with a trio of classic flicks from the late director: The Sting, Butch Cassidy and the Sundance Kid and The Great Waldo Pepper (8 p.m., TCM).

The Welcome Table
Documentary about climate change causing massive migrations of humans across the globe. Where will all those people go? (9 p.m., HBO).

WEDNESDAY, June 24
Expedition Unknown
Global explorer Josh Gates returns for an all-new season, exploring far-flung jungles, remote waters and vastcaves hunting for vanished civilizations (9 p.m., Discovery). 

The American Experiment
Tom Hanks is part of this sweeping five-part documentary series reexamining the improbable achievement of America’s founding and the radical question at its center: Can a people govern themselves? (Netflix).

THURSDAY, June 25
CMA Fest Presented by SoFI
The music event of the summer, filmed in June at CMA Fest in Nashville, features all-star performances and surprise collaborations from country music’s hottest acts, including Blake Shelton, Keith Urban, Jelly Roll and Carly Pearce (8 p.m., ABC).

Avatar: The Last Airbender
Season two begins of the animated TV spinoff of the hit sci-fi movie series, about a future world broken into warring kingdoms based on the elements of water, earth, fire and air (Netflix).

NOW HEAR THIS

Steve Martin and Edie Brickell join The Steep Canyon Rangers for Next Act (Yep Roc Records), which reconnects the acclaimed group with its bluegrass roots. Tracks include “Circling the Drain,” “Hard Times” and “Babylon Stone.”

BRING IT HOME


Now you can own the entire first season of the hit HBO prequel to Game of Thrones. A Knight of the Seven Kingdoms stars Peter Caffey as the lowborn titular knight, and Dexter Sol Arsell as the young prince he takes as his squire. The DVD features exclusive behind-the-scenes and bonus content.

Mira Sorvino, John Savage, and TikTok phenom Jessica Hosam star in The Goat (MVD Entertainment), an Arabic-Italian drama about a 11-year-old girl fleeing a forced marriage and making a perilous journey across the desert—with a goat.

The classic “slasher flick” franchise I Know What You Did Last Summer (AV Entertainment) was turned into a TV series by Amazon. Now you can scare yourself silly with all episodes of its first (and only) season in 2021, about a group of friends stalked by a brutal killer. Starring Madison Iseman, Bill Heck and Brianne Tju. Buy HERE.

A 1996  Ah-nold classic gets a 30th anniversary salute in the new 4K restoration of Eraser (Warner Bros. Home Entertainment), about a U.S. Marshal (Arnold Schwarzenegger) tasked with “erasing” the identities of people in the witness protection program. Then things get complicated when a witness (Vanessa Williams) uncovers a plot to unleash a weapon of mass destruction.
 

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Author George Tsakiridis, a professor of philosophy and religion at South Dakota State University, looks at a famous superhero through a religious prism in Spider-Man and the Sacred (McFarland). It shows how we can glean from comic books about the webslinger the broader themes of morality, sin, guilt and redemption and even resurrection.

Take a sweeping journey through the Big Apple in Harry Gruyart New York (Thames & Hudson), a spectacular photographic trek with the photographer who’s spent more than half a century chronicling the city’s wide spectrum of people, places, peculiarities and scenes.

Learn about the genesis of hip-hop in Bust a Move by Peter Relic, which traces the rise of the record label Delicious Vinyl and its vital role in vaulting hip-hop music into the pop mainstream with artists like Tone Loc, Young MC and Def Jeff.

Movie Review: “Leviticus”

Conversion ritual has horrific consequences in this ‘queer horror’ terror tale

Leviticus
Starring Joe Bird, Stacy Clausen & Mia Wasikowska
Directed by Adrian Chiarella
Rated R

In theaters Friday, June 19, 2026

When a church tries to “pray away the gay” from two teenage boys, it unleashes a monstrous supernatural entity that terrorizes them in this masterfully grim new entry into the genre of queer horror.

Horror has deep roots in the queer experience, all the way back to the 1930s and movies like Frankenstein and Dracula, in which the “monsters” became metaphors for outsiders and other-ness, creatures who can’t help the way they are. Now, in the modern era, horror “speaks” to LGBTQ viewers in multiple ways as victims of a society that often rejects them, treats them as freakish abominations and even tries to change their sexual orientation to align with conservative religious edicts.

The movie’s title refers to an Old Testament book with a passage that condemns homosexual relations, one that many modern scholars argue has been widely—and woefully—misinterpreted.

Director Adrian Chiarella makes a most impressive feature-film debut with this effectively unsettling coming-of-age story about high schoolers Niam (Joe Bird) and Ryan(Stacy Clausen), whose roughhousing leads to more intimate encounters. When the pastor at their church—in their backwater Australian town—finds out, he hires a “deliverance healer” (Nicholas Hope) to convert them.

But the tortuous “conversion” has horrifying consequences, as Niam and Ryan each become stalked and victimized by something only visible to them, something that takes the form of what they each want most in the world—each other. And it’s trying to kill them.

That imagery sets up the story about a dreary, hopeless world that wants to destroy them, one whirring with hate and loathing. And the many shots of their drab, decaying little town—with abandoned sweatshops and factory smokestacks belching into the sky—suggest that the piety of their community church, in the shadow of shabby modernity, is similarly outdated and noxious.

Mia Wasikowska (from Tim Burton’s Alice in Wonderland and Guillermo del Toro’s Twin Peaks)plays Niam’s stern church-going mom, who doesn’t exactly sympathize with his plight, even when she becomes aware of the curse that’s been unleashed on him. “We need fear,” she dismissively tells him. “It’s how we survive.”

Speaking of fear, there are a couple of “gotcha” jump-scare jolts and a bit of body horror, but mostly this is a movie that conveys the dread, the chill, the stifling fear of not knowing when the next attack is coming. (And that itself might be especially resonant with gay viewers who feel the same anxieties in their own lives.)

Repeated scenes of the boys throwing rocks at each other, a macho exercise in who can stand the most pain, is a reminder of the abuse that homosexuals still face around the world, where same-sex activity can be punishable by death.

The “monsters” of Leviticus might remind you of It Follows, the acclaimed 2014 horror film about a stalking menace that could look like anyone—and then tear you to pieces. But there’s a sweet intimacy too, in scenes where Niam and Ryan find their bliss, canoodling and caressing. Can they, and their relationship, survive the weight of the forces now unleashed against them?

Leviticus takes a Bible verse, guts it and spins it into a resonant, richly relevant tale of forbidden love—and a crushing indictment of weaponizing some harsh ancient words against others following what their hearts truly want.

Neil Pond

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The Entertainment Forecast

What to watch, and more! Week of June 12 – June 18

A girls’ trip goes sideways, fighters gonna fight and spooky stories come to life

The Mexican stop-motion film ‘I Am Frankelda’ is a gorgeous ode to scary storytelling.

FRIDAY, June 12
I Am Frankelda
Animated tale of a gifted writer in Mexico whose dark tales full of monsters come to life (Netflix).

Find Your Friends
A girls’ fun trip to a boozy bacchanalia in the desert takes a nasty turn when they run into some very inhospitable locals, below. Starring Bella Thorn (Shudder).

SATURDAY, June 13
My Adventures with Superman
Season three begins of the animated series about Clark Kent (voiced by Jack Quaid) as he begins working as an intern at the Daily Planet with Lois Lane and Jimmy Olsen (midnight, streaming on Adult Swim on Max).

The Jealous Bride
Amber Stevens stars in this twisted tale of love, jealousy, and obsession based on bestselling novel My Sister’s Daughter by Liv Constantine (8 p.m., Lifetime).

SUNDAY, June 14
Patience
Season two of the crime drama about an autistic woman who works in criminal records tackling puzzling crimes begins tonight. Starring Ella Maisy Purvis (8 p.m., PBS).

The Ultimate Fighter
UFC Hall of Famers compete as coaches as former champs Daniel Cormier and Michael Bisping mix it up in the ring (Paramount+)

MONDAY, June 15
The Last Twins
Liev Schrieber narrates this gripping story of an unsung hero of the Holocaust who defied the Nazis to protect dozens of young boys, many of them twins, targeted by Dr. Josef Mengele for brutal medical experimentation (10 p.m., PBS)

TUESDAY, June 16
Becoming Katherine Graham
Documentary about the woman who took over the Washington Post newspaper after her father and husband, leading to a new era of acclaimed investigative journalism (9 p.m., PBS).

WEDNESDAY, June 17
Alone
Season 13 begins of the extreme-survival series, this time bringing contestants from all over the globe to the Arctic Circle—and its freezing temps, intense isolation and dangerous wildlife (9 p.m., History Channel).

The Kimberley: Australia’s Wild West
New series about Australia’s remote northwest region, from a First Nations perspective, chronicling a year of extreme tropical seasons to reveal the stories hidden within the rugged landscape (10 p.m., PBS).

THURSDAY, June 18
The Capture
Holliday Grainger stars in this series about deepfakes, a government exposé and a geopolitical crisis (Peacock).

I Will Find You
A father wrongly imprisoned for his son’s murder receives evidence that his child may be alive. Series stars Sam Worthington (above), Milo Ventimiglia and Britt Lower (Netflix).

NOW HEAR THIS

Just in time for Father’s Day is Fun Intended from the Chicago-based band DadJoke. It’s the brainchild of award-winning composer Dave Remmick, who blends rock, punk, post-punk, funk, metal, jazz, folk, Broadway/Disney and R&B on silly, bone-tickling tunes like “I Hope Nobody Drops a Big Rubber Horse on My Head,” “You Have to Go Potty Too,” “What Did the Dinosaurs Say” and many more.

READ ALL ABOUT IT

The groundbreaking mid-20th century American photographer Helen Levitt, known for her street photography around her home of New York City, is the subject of this chronicle of her wide-ranging work. Take a trip back in time to the teeming street life of Gotham, as documented through her lens (Thames & Hudson).

She was a blonde goddess of the silver screen. And now, on what would have been her 100th birthday, The Marilyn Monroe Century (Abrams) celebrates her life, her transformation from Norma Jeane Mortensen into a 1950s blonde bombshell. Packed with photos by Bruno Bernard, the most sought-after shutterbug of Hollywood’s Golden Age (he was known as “Bruno of Hollywood”), it’s a tribute to the iconic, one-of-a-kind movie star, who died in 1962.

It’s a dirty job, but someone’s gotta do it. In Trash (Melville House), “trashman” Simon Pare-Poupart spills the, ahem, dirt—as well as a few good yuks—about his 20 years in waste management…and why he’s still on the job, because of his love for the physical rush, his rough-and-tumble colleagues, and an honesty and freedom that no other job has given him.

Today we can pick up a phone and make a call to just about anywhere in the world. But it wasn’t always that way. In Lightning Beneath the Sea (W.W. Norton), author James M. Tabor tells the almost unbelievable tale of how the first 2,000-mile cable was laid—in the mid-1800s—across the Atlantic Ocean, beset by storms, freak accidents and even sabotage—to usher in a new era of global communication.

How do animals, ahem, have sex? And what can we learn from it? You might be surprised, in Perrin Roosevelt Ireland’s illuminating Poking the Squid (W. W. Norton), to find out the many ways and means critters go about reproducing. It’s a wild illustrated ride through a spectrum of behaviors, including queerness, infidelity, consent, cannibalism and gender fluidity.

BRING IT HOME

Attention, horror fans! Scream 7 (Alliance Home Entertainment) slashes its way onto home video this week, with Neve Campbell, David Arquette and Courtney Cox returning for more mayhem with the supernatural villain known as Ghostface.

NOW HEAR THIS

After surgery for lung cancer, Barry Manilow is back, baby! His new What a Time, his 33rd album, features a set of 13 eclectic and reflective songs, including “Once Before I Go,” “Touched by an Angel” and “Don’t Trouble the Water.”

Movie Review: “Disclosure Day”

Director Steven Spielberg’s eye-popping new sci-fi drama about a decades-long government coverup of alien encounters

Disclosure Day
Starring Emily Blunt, Josh O’Connor, Colin Firth & Colman Domingo
Directed by Steven Spielberg
In theaters Friday, June 12

Emily Blunt and Josh O’Connor take the leads in Disclosure Day, director Steven Spielberg’s new epic sci-fi thriller about the unraveling of a massive government conspiracy covering up evidence that we are not alone in the universe.

The top-notch cast also includes Colin Firth, Eve Hewson, Colman Domingo and Wyatt Russell.

Blunt gives a performance that’s among her all-time best as Margaret Fairchild, a Kansas City meteorologist who suddenly develops amazing and alarming abilities, like speaking in foreign languages and reading minds. O’Connor is Daniel Kellner, a mathematics whiz turned whistle-blower determined to reveal what he knows about a covert global cybersecurity force that’s quashed nearly 80 years of proof about extraterrestrial “close encounters.”

They both become targets of a massive, rip-roaring manhunt to round them up and shut them down. What else do they have in common? Well, you’ll find out—but I won’t spoil it here.

Colin Firth is Noah Scanlon, the head of the coverup, convinced that the mind-blowing reality about aliens would “tip the balance” of a world already on the precipice of nuclear self-destruction. Eve Hewson (Bono’s daughter!) is Kellner’s girlfriend, a former novitiate in a monastery who plays a significant role in helping spread, well, another kind of word from on high. Colman Domingo, who makes almost every film he’s in better by just being in it, is the head of the movement to rip open decades of secrecy, to have a reckoning, a day of disclosure when the truth will be made known to everyone. Wyatt Russell is Jackson, Margaret’s romantic partner, who doesn’t understand—at least at first—what’s going on.

Spielberg, who launched the very idea of “summer blockbusters” back in 1975 with Jaws, has made some of the top-performing, most widely beloved and critically lauded movies of all time. Sometimes it feels here, with his first film in four years (since The Fablemans), that he’s looking into the skies and beyond the way he did in E.T. The Extraterrestrial and Close Encounters of the Third Kind—with awe, empathy and hope.

And the soundtrack, by his longtime collaborator John Willams, drives home the gamut of emotions. It’s no wonder Williams has received more than two dozen Grammys and five Oscars.

Disclosure Day has it all—thrills and chills, danger and derring-do, and the beating heart of a love story. It’s got a pulse-pounding train scene that can match anything Tom Cruise has done in the Mission: Impossible world, and its heady thoughts on how the existence of extraterrestrials might mesh with the Bible will certainly stir some discussion. (Plus, three main characters are named Noah, Margaret and Daniel.)  

Its suggestion that communication with aliens is closely aligned with music, mathematics and nature will likely mean you’ll never look at that bright red cardinal at your bird feeder, or on your windowsill, the same way again. It’s a movie that makes you think about what’s up here, what’s down here, and how it might all be connected. About childhood and crop circles, secrets and lies, the past and the future, and the multi-faceted experience of our very existence.

Spielberg has crafted another cinematic triumph, a moving picture that’s moving in more ways than one, one that reminds us again of the eye-popping, jaw-dropping magic and the majesty of a big story playing out on big screen, pulling us in, making us feel. Head down to the multiplex, folks, because it certainly feels like blockbuster time again.

—Neil Pond

The Entertainment Forecast

What to watch, and more! Week of June 5 – 11

A classic ‘Beach Party,’ a bloodsucking rock star & the new ‘Cape Fear’

Annette and Frankie rock out in the 1960 surf-and-sand classic.

FRIDAY, June 5
Cape Fear
New remake stars Patrick Wilson, Amy Adams and Javier Bardem—channeling his No Country For Old Men vibes as a very, very bad guy who terrorizes the husband-and-daughter attorneys who once put him behind bars (Apple TV).


Office Romance
Jennifer Lopez and Brett Goldstein lead a raunchy romantic comedy (below) about two workaholics and their secret workplace affair. With Tony Hale, Betty Gilpin, Bradley Whitford and Edward James Olmos (Netflix).

SATURDAY, June 6
Thou Shalt Not Commit Adultery
Faith-based movie about love, temptation and forgiveness features the acting debut of former NBA champ Matt Barnes as an affable detective (8 p.m., Lifetime).


Beach Party
Frankie (Avalon)
and Annette (Funicello) kick up the sand in this lighthearted 1963 romp which launched a “beach party” movie craze of six more “teenage” fun flicks (TCM).

SUNDAY, June 7
The Tony Awards
Who’s the best of Broadway? Find out in tonight’s 79 annual awarding of the top theatrical honors, hosted by P!NK from Radio City Music Hall (8 p.m., CBS).


The Vampire Lestat
Sam Reid stars in this new series (above) as a blood-sucking rock-star vampire. Yes, you read that correctly (AMC).

MONDAY, June 8
The Golden Girls of Summer
Binge to fan-favorite episodes of The Golden Girls every Monday through June and into July (10 p.m., MeTV).


Alice & Steve
Jemaine Clement
and Nicola Walker star in this new comedy series about a friendship that devolves into an all-out feud (Hulu).

TUESDAY, June 10
Spielberg Cinema
Steven Spielberg co-hosts an evening of his films Close Encounters of the Third Kind, A.I. Artificial Intelligence and Minority Report (TCM).


Every Year After
Series based on the bestselling romantic novel spins a tale of second chances over eight years of a couple’s relationship. Starring Sadie Soverall and Matt Cornett (Prime Video).

THURSDAY, June 11
Sweet Magnolias
Three lifelong best-friend Southern belles (above) juggle relationships, family and careers in South Carolina. Starring JoAnna Garcia Swisher, Brooke Elliot and Heather Headley (Netflix).


Surviving Earth
New landmark series showcasing how life not only survived but thrived through Earth’s most catastrophic environmental crises (NBC).

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In The Book of Birds (W.W. Norton), authors Robert Macfarlane and Jackie Morris not only tell you how to identify all sorts of flying fowls, but also how to identify with them. It’s a celebration of endangered birds and a strikingly illustrated alphabetical-order compendium on the many mysteries of birdlife, from egg to air, how birds intersect with and enrich us, and how we can help them keep brightening our lives with their winged splendor.

The highly anticipated The One Day You Were My Husband (Pamela Dorman Books), the third novel from author Rosie Walsh, is a feverish page-turner about a young woman whose marriage lasts only one day when her husband is taken away by armed men, never to be seen or heard from again—and her discovery, years later, that becomes an obsession.  
 

The Entertainment Forecast

What to watch, and more! Week of May 29 -June 4

Marilyn Monroe, disaster flicks & history’s greatest machines!

Marilyn Monroe is featured in six films Monday night, including ‘Gentlemen Prefer Blondes.’

FRIDAY, May 29
Star City
Rhys Ifans stars in this space-race alt-history thriller series, which posits the what-might-have-been if the Soviet Union had beat America to the moon (Apple TV).

Miss You, Love You
New original film about a grieving widow (Allison Janney) planning her husband’s funeral with a total stranger: her estranged son’s assistant (Andrew Rannells). Can they help each other heal? (8 p.m., HBO).

SATURDAY, May 30
Craig Ferguson: American on Purpose
The award-winning comedian hosts this new weekly series exploring what it means to be American through humor, history, and personal reflection (9 p.m., CNN).

SUNDAY, May 31
1971 Psychological Thrillers
It’s back-to-back classics, both released in the golden Hollywood year of 1971. Donald Sutherland and Jane Fonda star in Klute, which also features Roy Schieder and an uncredited, pre-Rocky Sylvester Stallone. And then Play Misty for Me, a suspense thriller written by and starring Clint Eastwood (TCM).

MONDAY, June 1
History’s Greatest Machines with Dolph Lundgren
The actor explores the engineering breakthroughs that shaped human history, including the printing press, rockets and personal computers (10 p.m, History).

Star of the Month: Marilyn Monroe
Celebrate what would have been the 100th birthday of the silver screen goddess with six of her films, including Gentlemen Prefer Blondes, How to Marry a Millionaire, Monkey Business and I Love Trouble (TCM).  

TUESDAY, June 2
People Magazine Investigates: Surviving a Serial Killer
Get ready for another season of real-life, harrowing accounts of survivors who crossed paths with serial killers and lived to share their story (9 p.m., ID).

Not Suitable For Work
Mindy Kaling created this new series (above) about work-obsessed twenty-somethings striving for success and, if they have time, happiness in Manhattan’s most glamorous neighborhood (Hulu).

WEDNESDAY, June 3
The Legend of Vox Machina
The critically acclaimed animated series begins its fourth season (Prime Video).

TCM Spotlight: Disaster Films
Buckle up for a day of disaster flicks, including Airport (the original 1970 version!), The Hindenberg, Skyjacked and Zero Hour (TCM).

THURSDAY, June 4
The Witness
Three-part true-crime drama focuses on the aftermath of a 1992 murder, centered on her partner and their young son, who saw it happen. Starring Jordon Bolger and Max Fincham. (Netflix).

READ ALL ABOUT IT

If you ever wondered about the relationships between photography, feminist art and collage-making, you can take a deep dive into Cut Out (Thames & Hudson). It’s an art-filled salute to college and cutting techniques, stretching across nearly 200 years, from the Victorian era to today.

Young readers can get an appreciation of the beauty and strength of Black culture in We Are Joy (Penguin Random House), a vibrantly illustrated celebration of diversity and inclusion from award-winning author Crystal T. Giles and artist Kitt Thomas

Baseball fans will discover all the details about a pivotal moment in sports in The First All-Star Game: Babe Ruth, FDR and America at the Crossroads (Atlantic Monthly Press), a sweeping, richly detailed history of the game and how it grew against the backdrop of a failed presidential assassination, a rising threat in Europe…and Bonny and Clyde!  

TRUDEAU & DOONESBURY: A Biography (Abrams Press) is a must-read for anyone who remembers the newspaper strip that brought serious “bite” to “the funnies” and helped drive the national conversation about Watergate, Vietnam and other social and political events of the ‘70s.

BRING IT HOME

Version 1.0.0

Milla Jovovich stars in Protector (Magenta Light Studios), a gripping action tale of a war hero whose peaceful life is shattered with her daughter is kidnapped by sex traffickers—and she dives deep into the criminal underworld to find her. With Matthew Modine and D.B. Sweeney.

NOW HEAR THIS

Willie Nelson is on the road again! Well, not exactly—but he was in the studio to make his 156th album, Dreamchaser (Legacy). Nelson, who just turned 92, shows he’s still got the musical mojo with this all-new collection of tunes, many of which he co-wrote—like “I Can’t Read Your Mind,” “We’d Make a Good Movie,” “Whiskey Wants Me To” and “I Don’t Think I’ve Cried Today.” One of his songwriting collaborators? Bob Dylan!

Movie Review: “Pressure”

How weather forecasters aided the most famous military operation in history

Pressure
Starring Andrew Scott, Brendan Fraser, Kerry Condon & Chris Messina
Directed by Anthony Maris
Rated PG-13

In theaters Friday May 29, 2026

Released just ahead of the 82rd anniversary of D-Day on June 6, this riveting drama puts a spotlight on the intense behind-the-scenes preparations for the largest seaborne invasion in history, one which marked the beginning of the end of World War II.

But Pressure isn’t a war movie, as such. Instead, it’s a weather movie—about the high-stakes calculations, analytics and prognostic storms-or-shine head-butting that went into planning the 1944 invasion involving some 300,000 Allied troops, a naval armada and airborne reinforcements. It’s the true story true story behind the far-better-known story, about predicting the optimal time to slip the mission between two monstrous North Atlantic storms a-brewing, keep it a secret from the Germans, and pull off a risky North Atlantic hail Mary.

The plot centers on Group Capt. James Staggs (Andrew Scott), a no-nonsense Scot and the highest-ranking meteorologist in Great Britain’s Royal Air Force, brought aboard to head the invasion task force monitoring the weather. But he clashes with Irving Kirk (Chris Messina), a cocky military climatologist from California. And at the top of it all is Gen. Dwight D. Eisenhower (Brendan Fraser), the Supreme Commander of the Allied forces. 

Tempers flare as Staggs and Kirk spar over what kind of weather they think is coming to the coast of France, and when. Kirk insists the date set for the invasion will be bright and sunny. Staggs is steadfast in predicting abnormally unstable conditions with massive waves, torrential rain and near-zero visibility. Can Staggs convince the military that the invasion, as planned, will confront “the wrath of nature” and likely fail?

None of the brass assembled in England sides with Staggs, or what he tells them about the desperate need to postpone their plans. They’re all rarin’ to go, particularly Britain’s battle-hardened Field Marshall Montgomery (Damien Lewis). Only Eisenhower’s chief aide, Kay Summersby (Kerry Condon), has a sympathetic ear for Staggs, especially after he gets some devastating news about a bombing back in Scotland that hits horribly close to home.

The movie’s title is appropriate. The invasion planning is a high-pressure situation, with hundreds of thousands of lives—and even the fate of the free world—in the balance. What if Staggs steers the Allied forces wrong? But pressure also has meteorological significance, with atmospheric barometric pressure an auger of what the skies are going to do.

The cast is top-notch, all conveying the magnitude of the decisions shaping the situation as the clock ticks away and days become hours. Director Anthony Maris masterfully rachets up the tension with every scene, never letting his characters slip into simple stereotypes. Fraser in particular puts another notch in his “serious” acting belt, following up his acclaimed roles in The Whale and Rental Family. The guy who once played Tarzan and George of the Jungle makes you feel the crush and the crunch borne by the commander in chief.

The D-Day landing has been depicted in numerous movies, including Saving Private Ryan, The Longest Day and The Big Red One. This one also shows the bullets flying and bodies falling as the Allies come ashore, but that’s not its focus.

It’s a riveting backstory of weather pros and military honchos, all hunkered down behind the battle lines while orchestrating a pivotal moment that would go down in history one way or another, as a hard-won success or a cataclysmic failure. We see Eisenhower presenting two statements on the eve of the invasion, one to read if it was a success, and the other taking full responsibility if—as Field Marshall Montgomery puts it—the free world ends up overrun by goosestepping to Hitler’s drumbeat.

In Pressure, that pressure is palpable, the stakes sky-high, and the risks nothing less than global. See it and be reminded of a fraught moment in time when the winds of change, and the end of World War II, might have easily gone another way.

Neil Pond

Tagged

Travel: Going Up in Gatlinburg!

The mountain highs and down-home charms of East Tennessee’s gateway to the Smoky Mountains

The Sky Park attraction began in the 1950s as Gatlinburg’s original “sky lift.”

Every year, some 11 million visitors come to the Great Smoky Mountains National Park, which sprawls across more than half a million acres from the eastern edge of Tennessee into North Carolina.

On the Tennessee side, one of the best-known routes into the park is via Gatlinburg, a bustling little burgh about 40 miles southeast of Knoxville. Gatlinburg sits about as close to the Smoky Mountains as you can get.

Naturally, the mountains are a big draw. And Gatlinburg is surrounded by them. Look up from just about anywhere along the main parkway through town (about three and a half miles of gift and souvenir shops, things to do and places to eat) and you’ll see the splendor of the Smokies, aptly named because low-lying clouds often look like “smoke” among the summits.

A lot of people come to Gatlinburg to explore the park, hike, camp or river raft. But plenty of others prefer a more “pedestrian” way of experiencing the mountains—through three popular attractions that take you up, up and away, and plant you down on one of them.

Ober Gatlinburg got its start as Tennessee’s first ski resort back in the ‘60s. These days it’s a theme park on Mount Harrison, and most notable for its cable cars, or aerial trams (above), which can hold upward of 100 passengers. On Ober’s topside, there’s a year-round ice-skating rink and ice bumper cars inside a mini mall; gift shops and snacks; a “Wildlife Encounter” rehab facility with rescued bears, otters, eagles, raccoons, wildcats and other native critters; a mountain slide and coaster; mountain biking; ziplining; rock climbing; skiing in the winter; and other things for all ages to do. There’s also a section of the tramway with a visual history of the iconic attraction, and a glimpse into the massive flywheels and gears of the mechanism that makes it all go.

But the thing that really sets Ober apart is the Sky Village Lift, a newly renovated chairlift that takes you on a steep scenic ride through the treetops to the tippy-top of Mount Harrison and an elevation of 3,455 feet above sea level, the highest you can go in Gatlinburg without hoofing it. There you can absorb the spectacular views from the observation deck, or—if your adrenaline pump is really pumping—take the Cloud Catcher zipline back down. It’s the highest zip in the Smokies, skimming the mountainside on a thrilling three-part course that covers more than a mile. And Ober is also a wedding venue, where you can top off your “I do’s” on Mount Harrison with a ride on the Cloud Catcher…and a plunge into married life!

In the middle the Gatlinburg parkway is the Skypark, with roots in the 1950s when a local innkeeper partnered with a Michigan ski entrepreneur to purchase a used lift from California ski country and reassemble it up the side of Crockett Mountain (named for the same family that spawned Davy Crockett, the famous Tennessee “King of the Wild Frontier”). For decades it was primarily just a sky lift, taking visitors on a nearly vertical climb up and back down. But when a raging wildfire destroyed it in 2016, it was completely rebuilt. Now there’s an expansive, multi-tiered observation deck at the top, with firepits, wooden lounge seats, a gift and snack shop and a bar—and America’s longest pedestrian “sky bridge,” a suspended walkway stretching nearly 700 feet across a mountain gorge to the other side. If you’re squeamish about hiking along a swaying, swinging track (with a section in the middle made of glass!), you can always stroll around the rim of the valley on a scenic pathway. Either way, you get the most impressive panoramic, birds-eye views of the Gatlinburg parkway, the people and traffic, some 500 feet below.

Today, the Sky Bridge is certainly Gatlinburg’s most unique tourist attraction. And the Skypark sometimes entertains visitors with shows by tightrope walkers from Rucksack Circus, an elite local “highlining” group, performing on a single line stretched across the ravine—yikes!

And then there’s the newest mountain attraction, Anakeesta, which opened in 2017. It’s a full-blown mountain village and adventure park experience with shops, restaurants, scenic paths, overlook viewing spots and live musical performances. Plus there’s a zip line, a “Treetop Skywalk” on woven rope bridges, a mountain coaster and a mountaintop observation tower that rises 60 feet above the ground, providing unobstructed, 360-degree views of everything all around. The sunsets from any vantage point in Anakeesta are awe-inspiring. There are also play zones for kids to climb and clamber, and special recurring events, like the United Tastes of America summer food event and Astra Lumina, a nighttime “enchanted walk” with music, dreamy lighting effects and “stars” that come tantalizing close to Earth.

A black bear, not uncommon to see in Gatlinburg, walks along a restaurant railing in Anakeesta.

Anakeesta—its name is a Native American word meaning “higher ground”—recently unveiled its latest attraction, the Crystal Express, replacing its former “traditional” chair lift with Gatlinburg’s only, high-speed, fully-encased gondolas (with glass bottoms and sides). It’s the best of both worlds: You get unobstructed views, and you’re out of the elements if it’s raining or snowing. It’s “clearly” the classiest (and glass-iest!) way to travel when you’re going up or down a mountain.

And like the saying goes, everything that goes up must come down. And when you come down from Ober, Skylift Park or Anakeesta, you can go a few miles into nearby Sevierville and visit the theme park bearing the name of Tennessee’s most down-home superstar.

Dolly Parton purchased a longtime theme park in 1986 and officially re-christened it Dollywood—inspired, she says, from seeing the Hollywood sign atop the hills in Los Angeles. Today Dollywood bears Dolly’s stamp in every way, from its live music to its food offerings and its “mountain” themed thrilled rides. It’s consistently ranked as one of the top theme parks not just in America, but also the world, with nearly 4 million visitors annually.

One of Dollywood’s newest offerings is “Behind the Seams,” an immersive exhibit celebrating Dolly’s wide fashion arc from country music to pop superstardom and the movies. There are wigs and rhinestone-festooned, custom-tailored gowns and dresses, with details provided by her costumers, stylists and creative directors. It’s as close to walking in Dolly’s shoes (there are some of those, too!) that most people will ever get.

Even without squeezing into Dolly’s wardrobe, you can certainly feel some of the “mountain magic” that inspired her, and her theme park just 15 miles from the place she was born and raised, on Locust Ridge in the community of Pittman Center. You can feel the same magic in Gatlinburg, where the local tourism department reminds everyone that “The mountains are calling.”

Up, down and all around, in Gatlinburg, yes indeed, the mountains are calling.

– Neil Pond