Brie Larson Radiates Grrrrl Power in Marvel’s First Fem-Solo Superhero Saga
Starring Brie Larson, Samuel L. Jackson, Jude Law, Annette Bening and Ben Mendelsohn
Directed by Anna Boden & Ryan Fleck
Move over, Thor. Step aside, Spidey. At ease, Iron Man. There’s a new officer pulling some serious rank in the comic book corps.
But don’t call her Captain Marvel—not just yet.
In the first female-fronted superhero saga from the Marvel big-screen spandex factory, Brie Larson stars as Carol Danvers, a former U.S. Air Force fighter pilot—and also a Kree space-alien soldier, known as Vers, from the distant planet Hala.
But Danvers has a hard time understanding how to reconcile these two separate—but very connected—parts of her life. Her memory’s been scrambled, in a big, primal explosion that also gave her cosmic superpowers, and she spends most of the movie trying to put the pieces together.
She doesn’t know who she really is. She doesn’t know who she really was. And she doesn’t know that her past and present will eventually merge and she’ll become the super-charged superhero known as Captain Marvel, who can zoom through the skies, glow with fire and shoot explosive photon beams from her hands.
And she certainly doesn’t know that she’ll become a pivotal figure—perhaps even a cornerstone—for the entire Marvel franchise.
Captain Marvel, the 21st Marvel movie, is mostly set in the 1990s, before the events depicted in most other flicks in the Marvel Comic Universe, which connects almost all the Marvel titles and characters. Much of the fun is seeing how it lays the groundwork for things that happened in previously released films, reintroduces familiar characters and whets the appetite for more movies to come (like Avengers: Endgame, opening April 26).
Co-directors Anna Boden and Ryan Fleck are mostly known for their indie films Half Nelson, Mississippi Grind and It’s Kind of a Funny Story. This is a pretty big deal, to get the keys to kingdom for a huge franchise movie—a Marvel epic with the Disney brand. And even though DC Comics beat Marvel to the punch getting Wonder Woman to the big screen (as the first female superhero movie, ever), there’s still a lot riding on Captain Marvel. Even before the movie was released, internet trolls weren’t happy about Brie Larson’s casting (since, in the comics, Captain Marvel was originally a man), or her campaign for more “inclusion” in superhero epics. (And speaking of inclusion, Boden becomes the first woman to ever direct a Marvel movie.)
But Captain Marvel soars as an origin story with heart, cheeky humor, wit and warmth, zingy dialogue, punchy action, colorful characters and a hero—heroine—who radiates righteous grrrl power as Danvers breaks the glass ceiling on two worlds where men can’t seem to stop telling her what she can’t do, what she’s not qualified to do, what she’s not meant to do. “You do know why they call it a cockpit, don’t you?” one of her male Air Force co-pilots taunts her. “Don’t let your emotions overrule your judgement,” says Yon-Rogg (Jude Law), her Kree mentor, training her as part of his elite, SWAT-type team of Starforce warriors who fight the shape-shifting, green-skinned Skrulls, led by Talos (Ben Mendelsohn).
The movie pulsates with a rockin’ soundtrack of ’80s and ’90s tunes from female-fronted bands—“Only Happy When It Rains” by Garbage, Heart’s “Crazy on You,” “Celebrity Skin” by Hole, “Just a Girl” by No Doubt. When she crash-lands through the rooftop of a Blockbuster video store in 1995, Vers ponders the rows of strange artifacts, briefly picking up a VHS copy of The Right Stuff, the 1983 Oscar-winner about the Mercury astronauts and America’s space race. It’s a nod to her own test-pilot roots—and the space gauntlet she’ll soon be running herself.
And it’s full of fun ’90s pop-cultural artifacts. A Nerf Gun factors into a smashing space-alien smackdown. A Space Infinity Stone, an all-powerful Tesseract, is transported inside a Fonzie lunchbox—Heeeeey! Remember pay phones, dial-up internet, Troll dolls and settling in to watch The Fresh Prince of Bel-Air?
On Earth, Vers runs into Special Agent Nick Fury (Samuel L. Jackson), the future director of the Avengers superhero organization S.H.I.E.L.D, and his assistant, Phil Coulson (Clark Gregg). Both Jackson and Gregg were digitally “de-aged” to look some 25 younger, and it’s pretty amazing, especially for Jackson, who appears extensively—without Fury’s signature eyepatch, which we know will come later. Jackson, a Marvel fan favorite, is the special sauce that spices up anything he’s in, and he enlivens Captain Marvel considerably with some of the movie’s best quips and one-liners.
Gemma Chan (from Crazy Rich Asians) is a Starforce warrior. Annette Bening plays the elusive Dr. Wendy Lawson, who holds a critical key to Danvers’ fuzzy-memory back story. Lashana Lynch adds a layer of warmth as Danvers’ former Air Force bestie, Maria Rambeau, and I wouldn’t be at all surprised to see her precocious daughter, Monica (Akira Akbar), whom Danvers nicknames Lt. Trouble, crop up in another Marvel movie down the road. There’s a pause for a sweet posthumous cameo from the late Stan Lee.
The movie brings up issues about refugees, imperialistic domination, war and the age-old question of who, or what, you can trust. The granny on the train, who might be an evil alien in disguise? The enemy alien, who might be an ally? The memory, that might not even be real? A “Supreme Intelligence” who might not be so supreme, or so intelligent, after all?
An orange tabby cat named Goose (dig the Top Gun reference) is a fur-ball of feisty surprises, and surely earns a place in filmdom’s feline Hall of Fame.
But Captain Marvel is Brie Larson’s movie, certainly—even if her character is never actually called Captain Marvel. The closest we get is “Mar-vell,” one of the earlier incarnations from the comics; you’ll have to bore down into Marvel lore to find out just how deep Captain Marvel goes, back to 1967, how the mantle of character passed over gender lines in the 1970s and finally became fully female around 2012.
“It’s two words,” she tells Fury. “Mar-Vell.”
“Marvel sounds a lot better,” Fury says. “Like the Marvelettes.” He playfully sings a bit of the group’s big 1960s hit, “Please Mister Postman.”
Danvers grins, but she’s not having any of that—not yet. She’s got other music to make, another superhero song to sing, more galactic mail to deliver, other missions to fly. Captain Marvel will assuredly be back. And we’ll all get used to that name. Hang on, and stay tuned!
In Theaters March 8, 2019