‘Hunger Games’ finally runs out of gas in ‘Mockingjay 2’
The Hunger Games: Mockingjay – Part 2
Starring Jennifer Lawrence, Josh Hutherson, Donald Sutherland and Liam Hemsworth
Directed by Francis Lawrence
Opens Nov. 20, 2015
“Mandatory Viewing” is the directive that pops up on holographic screens across all of post-apocalyptic Panem when dictator Coriolanus Snow (Donald Sutherland) beams a transmission to the masses.
That message couldn’t be truer for Hunger Games fans, especially as it pertains to this movie, the final film of the four made from author Suzanne Collins’ trilogy of best-selling dystopian young-adult novels. This is the end, the big finish. The Games have come to a close—mandatory viewing for the masses, if ever there was.
The first Hunger Games, in 2012, made Jennifer Lawrence a household name as Katniss Everdeen, the galloping, galvanizing firebrand who became the leader of a revolution and an icon of female empowerment. As Katniss fought and forged her way to freedom in brutal, futuristic “games,” fans faithfully came back, movie after movie, to follow her—and to see just how faithfully Hollywood kept to the details of Collins’ books, which melded a young-love triangle with wicked satire on reality TV, media propaganda, social stratification and war.
Fans will be satisfied with Mockingjay—Part 2. It covers all the bases and ties up the loose ends, and everybody’s back on board: Peeta (Josh Hutcherson), Gale (Liam Hemsworth), Haymitch (Woody Harrelson), President Coin (Julianne Moore), Primrose (Willow Shields), Finnick (Sam Claflin), Cressida (Natalie Dormer), Johanna (Jena Malone). Even Phillip Seymour Hoffman returns, and he died in early 2014. It could have used a bit more of the colorful Games escort Effie Trinket (Elizabeth Banks) and wackadoo master of ceremonies Caesar Flickerman (Stanley Tucci), but hey, you can’t cram everyone front and center, even in a movie that runs two hours and nearly 20 minutes.
And about that: Most of those minutes are filled with chatter. Characters talk a lot—about what they’ve done, they’re doing and going to do. Occasionally they get up and actually do something—like Katniss throwing a cup at a cat, or heading out on a covert, high-stakes mission, which sets up the two big action scenes. One (a subterranean attack by a horde of hissing, spastic lizard-people) looks like something out of a horror flick, with a nod to Alien; the other involves a massive, surging wave of sludge and oil, which everyone outruns like it’s only slightly more terrifying than an overflowing toilet—or the not-even-there computer effect that it really is.
And it’s dark. Yes, people die. But it also looks dark, dim and dull—greys, browns, blanched-out, bleach-y, blahhhh tones that seem to blot out the sun. Sure, it’s a grim, wintry, wartime world. But why did director Francis Lawrence (who’s helmed every Games movie, except the first) make every scene look like it was lit with a 40-watt bulb? Did he blow his lighting budget on CGI sludge and lizard people?
And does everyone in the movie have that “over it” look because they’re tired of all that fighting for the revolution—or because they really are? As Mockingjay flutters and flaps to a close, this victory lap looks and feels like a slog.
The Hunger Games franchise made billions of box-office bucks and became a pop-cultural phenomenon. But finally the Games have run out of gas. Jennifer Lawrence, now 25, has become a global, Oscar-winning superstar, above and beyond the YA bow-and-arrow heroine, the “girl on fire” she started out playing four years ago.
“I am done,” Katniss says in one scene. Yes she is. Congratulations and good job, everyone. Now proceed toward the exits, and let’s all just keep moving.
—Neil Pond, Parade Magazine