Author Archives: Neil Pond

Jan 24 2025
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Books, Humor, Movies, Pop Culture, Television

The Entertainment Forecast

Jan. 24 – Jan. 30

Disney duds, 50 years of SNL musical highlights, and Reese and Will Farrell team up

All times Eastern.

Reese Witherspoon and Will Ferrell star in the wedding comedy “You’re Cordially Invited.”

FRIDAY, Jan. 24
Star Trek: Section 31
The most prolific sci-fi space franchise of all time spins off another flick, this one a streamer starring Michelle Yeoh (above) reprising her previous TV role as Emperor Philippa Georgiou (Paramount+).

Harpoon Hunters
Come aboard with a group of elite New England fisherman as they spear-hunt for one of the fastest fish in the sea, the Atlantic bluefin tuna (9 p.m., Discovery).

SATURDAY, Jan. 25
Asia
Explore the wildlife and natural wonders of planet’s largest continent in this seven-episode nature series narrated by (who else?) Sir David Attenborough (8 p.m., BBC America).

Kobe: The Making of a Legend
Three-part series chronicles the journey and sometimes complicated legacy of one of the greatest basketball players of all time, from his childhood in Italy to NBA superstardom—and his tragic death in a helicopter crash with his daughter (9 p.m., CNN).

SUNDAY, Jan. 26
Watson
New medical mystery series (above)—a detective drama with MD elements—centered around Sherlock Holmes’ partner, Dr. Watson stars, Morris Chesnutt (10 p.m., CBS).

MONDAY, Jan. 27
Ladies & Gentlemen…50 Years of SNL Music
New special, hosted by Questlove, with highlights of five decades of all-star performances on Saturday Night Live, plus interviews with artists including Elvis Costello, Miley Cyrus, Deborah Harry, Justin Timberlake, Paul Simon and Jack White (8 p.m, NBC).

Resistance: They Fought Back
Today is International Holocaust Remembrance Day, so there’s no better time for this documentary about Jewish resistance against the Nazis during World War II, as told by survivors, their children and expert witnesses (10 p.m., PBS).

TUESDAY, Jan. 28
Paradise
Sterling K. Brown, James Marsden and Julianne Nicholson lead the cast of this soapy new series about a shocking murder and a high-stakes investigation in an ultra-exclusive community (Hulu).

WEDNESDAY, Jan. 29
Mythic Quest
Season four launches tonight, continuing the comedic exploits of workers at a videogame studio, and with another lineup of all-star guests popping in (Apple TV+).

THURSDAY, Jan. 30
You’re Cordially Invited
When two weddings are booked on the same day at the same venue, it’s a battle between one father of one bride (Will Ferrell) and a sister of the other (Reese Witherspoon) about who’ll come out on top for the most memorable—and comically outrageous—event, above (Apple TV+).

Bullshit
Rowdy import miniseries from Denmark about Copenhagen bikers in the ‘70s and ‘80s, based on a book about real events of that era. Vrooooom! (Viaplay).

READ ALL ABOUT IT

Fans of classic TV will love 1950s Television Advertising (McFarland), TV researcher Vincent Terrace’s colorful, richly detailed encyclopedia of commercials—the lifeblood of television programming—for household products, breakfast cereal, jewelry, cigarettes, housekeeping items and other products, with wide-ranging gimmicks and all-star pitch people, including Marilyn Monroe, Barbara Eden and Peter Lorre. Full of trivia, jingle lyrics and other goodies, it’s a TV-dinner feast for anyone whose retro taste buds perk up when you hear “and now, a word from our sponsors.”

When you think of Walt Disney movies, you might think of Cinderella, Pinocchio or Peter Pan. But Disney hasn’t always been as successful, especially when getting outside its animation box. Disney’s Live-Action Movie Bombs 1979-2019 (McFarland) shows how, and why, in a 40-year span, Uncle Walt’s House of Mouse movie magic wore thin with commercial misfires like The Lone Ranger, John Carter, Inspector Gadget, The Alamo, The BFG, and even fan-favorite cult classics like Tron and Hocus-Pocus.

BRING IT HOME

It brought home an armload of eight Oscars, and now you can see why all over again as Amadeus celebrates its 40th anniversary with a new 4K restoration. With star turns from F. Murray Abraham, Tom Hulse (fresh outta Animal House!) as the young musical genius Wolfgang Mozart, and Jeffrey Jones (the principal from Ferris Bueller’s Day Off).

Jan 17 2025
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Movies, Pop Culture, Television

The Entertainment Forecast

Jan. 17 – Jan. 23

Wolf pack drama, workplace weirdness & a real reality-show schmoe

All times Eastern.

FRIDAY, Jan. 17
Severance
The hit workplace thriller series returns for season two, with Adam Scott (above) as the head of a company where employees must undergo a surgical procedure that “severs” their memories. What could go wrong? With John Turturro, Christopher Walken and Patricia Arquette (Apple TV+).

Yellowstone Wolves: Succession
The vast national park is the ultimate stage for wolf drama—pack bonds, rivalries, invasions, exiles and killings. Explore this wild world and the people devoted to protecting it (7 p.m., National Geographic).

SATURDAY, Jan. 18
Dinner and a Movie
Hosts Jason Briggs and Jenny Mollen guide you through the heavy metal pileup of Transformers (8 p.m., TBS).

Girl in the Garage: The Marcela Borges Story
Paige Hurd, Stephen Bishop and Brad James star in this ripped-from-the-headlines tale about what happens when a man invites a friend and her children to move temporarily into their home…and some very bad things (Lifetime).

SUNDAY, Jan. 19
Laid
Stephanie Hsu stars a woman who finds out her former lovers are dropping like dead flies, sending her back into her own sexual timeline for answers. The series proclaims itself as a “f*ked up rom-com.” So, consider yourself warned! (Netflix).

MONDAY, Jan. 20
The Autobiography of Miss Jane Pittman
Winner of nine Emmy Awards, this 1974 drama became one of the most acclaimed TV movies ever, with Cicely Tyson starring as a woman born into slavery in the 1850s who lived to be more than 100 years old and witness the beginnings of the Civil Rights movement (4:45 p.m., TCM).

TUESDAY, Jan. 21
The Joe Schmoe Show
This series (hosted by Cat Deeley) resurrects the franchise which began more than two decades ago, and this time “stars” a real-life electrician from Baltimore who thinks in a TV competition, not realizing he’s actually in a fake reality series a la The Truman Show (9 p.m., TBS).

WEDNESDAY, Jan. 22
Prime Target
A brilliant young mathematician (Leo Woodall) is on the verge of a major tech breakthrough when he finds out an unseen enemy is trying to destroy it. Enter a beautiful TSA agent (Quintessa Swindell) to help unravel the conspiracy, which could affect all the computers in the world (Apple TV+).

What are UFOs?
For decades, unidentified flying objects have captivated our imaginations. But what are they, really? Alien visitors? Results of research and tech from other governments, or our own? What would it take for an ET to traverse the cosmos to buzz over our cornfields and neighborhoods? (9 p.m., PBS).

THURSDAY, Jan. 23
1923
Season two of the Yellowstone prequel series sees Harrison Ford and Helen Mirren (above) returning to their roles as the proto-Duttons (Paramount+).

Harlem
Season three begins of the hit comedy series about four young women dealing with motherhood, sisterhood and the complications of friends and family (Prime).

NOW HEAR THIS

Always the “country-est” of the Beatles, Ringo Starr‘s new album Look Up finds him getting some rootsy assists from Billy Strings (“Breathless”), Alison Krauss (“Thankful”), Molly Tuttle (“Look Up”), Larkin Poe (“String Theory”), and other Americana-esque harmonizers and pickers. T Bone Burnett produced and wrote several songs, and that’s Nashville studio whiz Paul Franklin on the pedal steel. As for Ringo’s part, well, all he had to do was drum, sing…and “Act Naturally.”

Jan 16 2025
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Movie Reviews

Movie Review: “One of Them Days”

Keke Palmer and rapper SZA are seriously broke besties in this riotously funny street-smart female buddy comedy

One of Them Days
Starring Keke Palmer and SZA
Directed by Lawrence Lamont
Rated R

In theaters Friday, Jan. 17

Two broke besties have a wild day in L.A. in this raunchy, riotously fun street-smart female buddy comedy that kicks off the new year’s movie season with a load of laughs. When Dreux (Keke Palmer) and Alyssa (Grammy-winning rapper SZA, making a very impressive film debut) find out a freeloading boyfriend (Joshua David Neal) has absconded with their rent money, they’re off and running a crazy gauntlet of urban misadventures to get it back.

Along the way, they engage with a gaggle of characters who all contribute to the careening comedic spin. There’s the former stripper (Janelle James from TV’s Abbott Elementary) having a very tough first day working her new job at a blood bank. Another Abbott Elementary alum, Kayla Monterroso Meija, is a stressed-out clerk at a predatory loan company with a ridiculously high interest rate. Dreux swoons for a handsome guy (Patrick Gage) in a Mercedes, until she begins fretting that he might be an axe murderer. A voluptuous temptress (Aziza Scott, from TV’s Home Before Dark) certainly lives up to her nickname of Big Booty. When Alyssa recovers a pair of pricey Air Jordans off a power line, they run afoul of the shoes’ owner, a thuggish gang leader (Snowfall’s Amin Joseph). Euporia’s Maude Apatow is a chipper new—white—resident in the girls’ otherwise all-Black apartment complex, where she becomes an unlikely ally.

SZA and Keke Palmer star in “One of Them Days.”

But the movie belongs to Palmer and SZA, who have a natural, easy-flow chemistry as they plunge right into the riotous rush of it all, while an onscreen countdown clock keeps popping up to show how much time Dreux and Alyssa have left before they’re evicted from the apartment—or worse.

It’s wall-to-wall randy, rat-a-tat-tat zippy and zingy, peppered with f-bombs and other colorful zingers not meant for little ears. See if you can fill in the blanks of this sample of dialogue: “____, I got knocked on my ___ because of them ____.”  Asides about Black hair, Church’s chicken and one character’s, ahem, well-endowment all generated waves of raucous laughter at the screening I attended.

And underneath it all, there’s the foundational subtext of scrappy young Black women navigating jobs (and job interviews), testy romantic relations, depressing economic realities and rapacious rivals, while maintaining their own bonds of sisterhood. When they toast at the end, with Flaming Hot Cheeto margaritas, you’ll taste both the spice and the rich sweetness.

“It’s ghetto,” Dreux says, taking a sip, “but it’s got a runway quality to it.” You might say something similar about One of Them Days: It’s gloriously ghetto, but it totally runs with the gritty glamour of it all.

—Neil Pond

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Jan 14 2025
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Movie Reviews

Movie Review: “Unstoppable”

Inspiring true sports tale of the one-legged underdog who became a collegiate wrestling champ

Unstoppable
Starring Jharrel Jerome, Jennifer Lopez and Bobby Cannavale
Directed by William Goldenberg
Rated PG-13

Available on Amazon Prime Thursday, Jan. 16

You don’t have to be a sports fan to stand up and cheer for this rousing true story about Anthony Robles, who became a champion wrestler despite what was considered the significant handicap—to most everyone but him—of being born with only one leg. Based on Robles’ own 2012 autobiography, it’s an inspiring, heart-tugging tale about a teenage athlete determined to work his way to the top, despite a mountain of odds stacked against him.

Jennifer Lopez gives a solid performance as Robles’ mom, Judy, the emotional anchor in a domestic storm stirred by Robles’ bullying stepdad (Bobby Cannavale) while young Anthony is vying for a place on the Arizona State U wrestling squad and holding down a sideline job, scrubbing private planes at the local airport.

Jharrel Jerome, who stars as Robles, has both his legs, requiring some nifty digital effects to make him look like he doesn’t—and some seamless stunt doubling by Robles himself, who’s now in his mid-30s. It’s amazing to see just on a technical level, because you’ll absolutely be convinced you’re watching, well, a man with only one leg. And you are, except when you’re not. Ah, the magic of the movies.

According to one sideline commentator at a tournament, Robles wrestles “like a boa constrictor,” sliding, slithering, pouncing and squeezing his two-legged opponents. Even if you don’t know your pins from your takedowns, you’ll be amazing at the movie’s realistic depiction of the grappling, rough-and-tumble matches. And you can’t miss the overtones from another cinematic tale of an underdog when Robles’ visit for a match takes him up the steps of the Philadelphia Museum of Art and into the same exact spot as Sylvester Stallone’s Rocky Balboa in Rocky, nearly half a century ago.

The solid supporting cast also includes Don Cheadle and Michael Peña as coaches, and Shawn Hatosy as Roble’s most formidable rival, the intimidating Tom Brand from the wrestling powerhouse of Iowa State University.

“You make people believe in something,” Robles’ mom tells him as her son’s will to win and overcome creates a growing wave of support far and wide, fans of all ages who cheer him on. “You’re unstoppable.”

You’ll believe, too, in the message of this true-life sports drama with a smear or two of blood, copious amounts of sweat and even some tears. And if you really want your eyes to get moist, stay for the credits, where you’ll learn about Robles’ amazing achievements that continued after the events depicted in the film, as well his mother’s own triumphant, uplifting coda.

—Neil Pond

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Jan 10 2025
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Books, Movies, Television

The Entertainment Forecast

Jan. 10 – Jan. 16

A ‘Star Wars’ marathon, the worm turns for P. Diddy & bugs come to ‘Life’

All times Eastern.

FRIDAY, Jan. 10
Goosebumps: The Vanishing
New season begins tonight of the scarifying anthology series based on books by R.L. Stein and starring David Schwimmer, Ana Ortiz and more (Hulu).

SATURDAY, Jan. 11
Terror Comes Knocking: The Marcela Borges Story
Knock knock! Who’s there? Terror, you dope! Dascha Polanco from Orange is the New Black stars in this true-story thriller about a woman who makes a life-or-death decision to protect her family when robbers break into the home (Lifetime).

Star Wars Movie Marathon
Spend a day with Star Wars and Rouge One: A Star Wars Story, A New Hope, The Empire Strikes Back and Return of the Jedi (starts 11:30 a.m., TBS).

SUNDAY, Jan. 12
Rogue Heroes
Season two takes wing of this military drama about the British Army’s Special Air Forces in World War II. Starring Connor Swindells, Jack O’Connell and Gwilyn Lee (MGM+).

MONDAY, Jan. 13
Without Arrows
Follow the journey of a traditional “grass dancer” from Philadelphia who embraces his cultural roots as a Lakota and returns to the Cheyenne River Reservation in South Dakota (10 p.m., PBS).

Death By Fame
New season of the series probing the dark undersides of Hollywood murder and celebrity misfortune (9 p.m., ID).

TUESDAY, Jan. 14
Diddy: The Making of a Bad Boy
What did Diddy do? Find out the dark forces, detours and influences that shaped the once-successful rapper and music mogul (above) into the jailed man now charged with underage sex trafficking and racketeering in this 90-minute documentary with interviews from people who know him, knew him and now reveal his troubling past (Peacock).

Journey to America
Newt and Callista Gingrich narrate this documentary about individuals who’ve pursued the American dream and contributed to the fabric of its society (10 p.m., PBS).

The Curious Case of…
Real-life scandals suggest that truth is far more chilling than fiction (Max).

WEDNESDAY, Jan. 15
A Real Bug’s Life
Meet more tiny heroes with huge dramas in season two about the weird, wild and wonderful world of insects, narrated by Awkwafina (Disney+),

An Update on Our Family
Explore the symbiotic world of vlogging where families share a steady stream of lifestyle videos on their social media channels and subscribers give them money to continue. Are they making themselves too public? (Max).

THURSDAY, Jan. 16
Long Bright River
Amanda Seyfried stars in new suspense series as a Philly cop investigating a series of murders—and discovering that her own past may become part of a case (Peacock).

Harley Quinn
Kaley Cuoco returns the voice of the female superhero in this new season of this adult-oriented animated series (above) based on DC Comics characters (Max).

READ ALL ABOUT IT

Acclaimed for his gritty, sometimes unflinching black-and-white pictures of New York street life in the 1930s and ‘40s, from slums to cops and crime victims, the photographer known as Weegee gets a thorough examination in Weegee: Society of the Spectacle (Thames & Hudson). Later, in Hollywood, he became a photo “trickster” and a chronicler of the high life. Find out the two sides of this fascinating man who saw the world—the highs and the lows, the bad and the good—through his camera.

Monkey see, monkey do—and monkey make monkeyshines, as you’ll find out in Monkey Tales from Around the World (McFarland), a simian-centric compendium of all the ways apes, chimps and others from our closet genetic kin have enriched our folklore and pop culture as jesters, troublemakers or even heroes…and what they teach us about being human.

Jan 08 2025
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Movie Reviews

Movie Review: “Better Man”

Musical biopic puts a marvelous simian spin on Robbie Williams’ pop-stardom monkeyshines

Better Man
Starring Robbie Williams/Jonno Davies, Steve Pemberton & Rachel Banno
Directed by Michael Gracey
Rated R

In theaters Friday, Jan. 10

I’ll venture that you’ve never seen anything like this swinging, soaring, stirring music biopic about British pop star Robbie Williams. Because the star of the show is a monkey.

Throughout the film, Williams is portrayed as a chimpanzee, meant to represent the singer as he sees himself, “unevolved” and immature. “I’m ugly, stupid and untalented,” is young Robbie’s stinging self-assessment. Though what we hear is Williams’ own singing and speaking voice, British actor Jonno Davies portrays him—via some amazingly tactile high-tech motion-capture technology—as the monkey. It’s like one of the primates from Planet of the Apes became a Brit-pop singing star.

When he’s 16, Williams joins the startup “boy band” Take That—in the vein of Boys II Men or Backstreet Boys—that would notch nearly 30 Top 40 hits, a dozen of which went to No. 1 on the British charts. The movie is filled with music, often as springboards for movie-musical sequences, like when the group hits the streets for an poppin’ and boppin’ take of the song “Rock DJ.”      

It’s a bold choice to portray your movie’s star as a simian, surrounded by ordinary people who don’t seem to notice anything unusual. But it allows for some wildly provocative, surprisingly evocative moments as director Michael Gracey (The Greatest Showman) depicts just how maladjusted Williams feels, from growing up in working-class London to reaching the top of the pops as self-loathing singing star. The visual landscape is constantly moving and fluid, from “reality” to sweeping sequences of fantasy. When Williams crashes his car into a frozen lake, he’s swarmed by fans and paparazzi, pulling him deeper under. After he meets a cute girl at a party, the entire scene becomes a dazzling dance number orchestrated to the 1999 hit “She’s the One.” (And hey, this monkey’s got some smoooooth Fred Astaire moves!) When Williams is singing on stage and peers out into the audience, he sees troubling versions of himself, apes glaring back at him in scorn and disapproval. At one point, he dives into the crowd and fights them.

British actor Steve Pemberton plays Williams’ dad, an unabashed fan of classic crooners who abandoned his family to chase his own dreams of stardom. Rachel Banno is Nicole Appleton, the British pop star for whom Williams falls, hard, but eventually loses to another singing star, Liam Gallagher (Leo Harvey-Ellege) of Oasis. Alison Steadman (who played Mrs. Bennet in the mini-series Pride and Prejudice) is Robbie’s beloved grandmother, who gave him affection and support while munching on bags of crisps in front of the telly.

“I don’t want to be a nobody,” a sorrowful young Robbie tells his gram, recalling something hurtful and lingering that his father once told him. Robbie instead wants to be something that he would later express in his song “Better Man.”

That song, of course, becomes the title and the theme of this marvel of a movie, in which a CGI-motion-capture ape man makes us feel all kinds of human empathy for the real person he represents in some daringly creative cinematic monkeyshines.

—Neil Pond

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Jan 03 2025
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Books, Movies, Pop Culture, Television

The Entertainment Forecast

Jan. 3 – Jan. 9

A ‘Nashville’ binge, movie awards season begins & Tim Allen returns to sitcom-ville

Tim Allen & Kat Dennings star in ‘Shifting Gears.’

All times Eastern.

FRIDAY, Jan. 3
Grammy Greats: The Most Memorable Moments
Highlights from music’s biggest night over the years, featuring Dua Lipa, Luke Combs, LL Cool J, Jennifer Hudson, Joni Mitchell, Elton John, Ricky Martin and many more (9 p.m., CBS).

Ru-Paul’s Drag Race
Season 17 of the award-winning reality series begins tonight with 14 new queens competing for the title of America’s Next Drag Superstar and a cash prize of $200,000. Guest judges include Sandra Bernard, Adam Lambert, Whitney Cummings and Tracee Ellis Ross (8 p.m,, MTV).

SATURDAY, Jan. 4
Extraordinary World with Jeff Corwin
New Saturday-morning series spotlights everyday people making extraordinary impact on the world through animal advocacy, wildlife conservation, youth empowerment and helping fight food insecurity (9 a.m., CBS).

Vanished Out of Sight
No, it’s not about Medicare or Social Security or your 401-K savings. This lurid made-for-Lifetime drama is about a blind woman (Annalise Basso) searching for his missing six-year- old daughter. It’s like she just vanished, out of sight! (8 p.m., Lifetime).

SUNDAY, Jan. 5
Anne Rice’s Mayfair Witches
Season two begins tonight of the modern-day vampire saga starring Alexandra Daddario (above), Jack Huston, Harry Hamlin and Tongayii Chirisa (AMC+ and AMC).

The Golden Globes
Emilia Perez and The Bear lead the nominees for tonight’s 82nd annual presentation, hosted by comedian Nikki Glaser, awarding the best in TV and movies, and kicking off movies-awards season ahead of the Oscars (8 p.m., CBS).

MONDAY, Jan. 6
Kids Baking Championship
Most moms don’t really want their kids getting the way in the kitchen, but these tater tots are no strangers to pots ‘n’ pans. The new season features a field of new kid chefs taking on creative food challenges, this time with “animal” themes (8 p.m., Food Network).

Minted
If you don’t know your NFT (non-fungible tokens) from your NDAs, check out this inside look at how tech transformed the traditional art world, for better and worse (10 p.m., PBS)

TUESDAY, Jan. 7
A Nashville Marathon
Watch every episode of the hit 2012-2019 music drama (above) starring Connie Britton, Hayden Panettiere, Charles Eston and Clare Bowen in a country music-centric primetime soap drama (10 a.m., AXS TV).

Black Box Diaries
Exposing the desperately outdated judicial system in Japan, this riveting documentary follows the director, as the victim of a sexual assault, and her attempts to prosecute her high-profile offender. It became a landmark court case and a book (Paramount+).

Wildcard Kitchen
All-star chefs play late-night poker, where the luck of the draw determines what dishes they’ll cook, and how much time they’ll have to do it (9 p.m., Food Network).  

WEDNESDAY, Jan. 8
Shifting Gears
Tim Allen returns to primetime with this new network comedy series as the widowed owner of a classic car restoration shop, and Kat Dennings as his estranged daughter (8 p.m., ABC).

Murder Under the Friday Night Lights
Go deep, as they say in football, for the previously untold story of New England Patriots tight end Aaron Hernandez and his connection to a pair of high school teammates who became murderers (9 p.m., ID).

THURSDAY, Jan. 9
On Call
New police drama about a rookie (Brandon Larracuente) and a veteran officer (Troian Bellisario) protecting their community in California (Prime).

Hollywood Squares
Drew Barrymore takes the iconic center square in the new season of the re-invented classic game show, hosted by Nate Burleson of CBS Mornings (8 p.m., CBS).

READ ALL ABOUT IT

During the 1960s, comics evolved from pulpy pastimes to more refined, sophisticated art, not just in America but all over the world. Comics: 1964-2024 (Thames & Hudson) is a vibrantly illustrated look at the growth and creative development of the illustrated artform across the previous six decades, after Blondie, Dick Tracy or Beetle Bailey had become yesterday’s news and other bolder, more adventurous comics entered the pop-culture mainstream.

What does one of the most world-famous palaces of all time look like, up close? Well, you can find out in Versailles From the Sky (Thames & Hudson), a collection of 200 color pics with rarely seen views (including some striking aerials by drone cameras) at the sumptuous  French home and the surrounding grounds commissioned in the early 1600s by King Louis XIV. It’s an international architectural tour at your fingertips!

The legendary Dick Van Dkye, now 99, has his own Little Golden Book! Re-live his life and career highlights (from childhood, thru his years serving in the military, to Mary Poppins! Chitty Chitty Bang Bang! and The Dick Van Dyke Show!), all warmly illustrated in Dick Van Dyke: A Little Golden Book Biography (Penguin/Random House) by Christy Webster.

Dec 27 2024
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Humor, Movies, Music, Pop Culture, Television

The Entertainment Forecast

Dec. 27 – Jan. 2

‘Pirates’ ahoy, funny videos, Nashville’s big bash & rockers ring in the new year!

All times Eastern.

FRIDAY, Dec. 27
Your Fault
Based on the Culpable book trilogy by Mercedes Ron, this Spanish-language streaming flick stars Nicole Wallace and Gabriel Guevara in the continuing tale of young love and those trying to destroy it, including an ex-girlfriend seeking revenge (Prime Video).

The Greatest Home Videos: Holiday Edition
Year-end Christmas fun, cute pets and more holiday hijinks, hosted by Cedric the Entertainer, below (8 p.m., CBS).

SATURDAY, Dec. 28
Pirates of the Caribbean Marathon
Set sail with Johnny Depp and the rest of the high-seas scallywags for back-to-back airings of Pirates of the Caribbean: Dead Man’s Chest and The Curse of the Black Pearl (3 p.m., TNT).

SUNDAY, Dec. 29
1923: A Yellowstone Origin Story
Watch Harrison Ford and Helen Mirren in a double feature of episodes of the Yellowstone spinoff-sequel (8 p.m., Paramount).

MONDAY, Dec. 30
Darby and Joan
Season two begins tonight of the Aussie drama about a retired detective (Bryan Brown) and widowed nurse (Gretchen Scacci) in Queensland (Acorn TV).

Who I Am Not
Documentary about a South Africa beauty queen dealing with the discovery that she’s nonbinary. It’s a heart-wrenching look at a fight for acceptance in a world that’s wired differently (10 p.m., PBS).

TUESDAY, Dec. 31
Nashville’s Big Bash
Host Keith Urban rings in the new year with Kane Brown, Jelly Roll, Lainey Wilson, Eric Church, Post Malone and other top stars in live performances from downtown Music City (8 p.m., CBS).

NYE Concert Marathon
Celebrate all day with some rocking concert performances from Fleetwood Mac, Queen, AC/DC (above), Bon Jovi, ZZ Top, Blondie, Journey, Willie Nelson and Sammy Hagar (8 a.m., TBS).

WEDNESDAY, Jan. 1
Luther: Never Too Much
Learn about the smooth soulful singer Luther Vandross, from his formative years in Harlem through his days on Sesame Street, before becoming the master of the love song (8 p.m., CNN).

THURSDAY, Jan. 2
Holiday Baking Championship
Tired of cooking after the holidays? Then sit back watch other people as they rise to the challenges of host Jesse Palmer (8 p.m., Food Network).

Lockerbie: A Search for the Truth
What caused Pan Am Flight 103 to explode over a Scottish town in 1988, killing 259 passengers and crew. Colin Firth and Catherine McCormick star in this dramatization of the search for answers, and the truth (Peacock).

Dec 23 2024
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Movie Reviews

Movie Review: “Nosferatu”

New remake of the original vampire flick stirs up chills anew.

Nosferatu
Starring Lily-Rose Depp, Bill Skarsgård, Nicholas Hoult & Willem Dafoe
Directed by Robert Eggers
Rated R

In theaters Wednesday, Dec. 25

A beautiful bride becomes a ravenous obsession for a monstrous vampire in this spectacularly spooky spin on an old, oft-told tale.

How old, and how oft-told? Well, the original Nosferatu was a silent movie back in 1922, long regarded the first vampire film. It was based on the novel Dracula, by Bram Stoker, from the late 1800s. That story, and that movie, are both lauded as groundbreaking masterpieces, launching multitudes of other movie offshoots over the next century. Now this new, supremely crafted creepshow stirs up the terrifying roots of the classic story with chills anew, pouring on a moody megadose of gloomy Gothic doom, dark red blood and gasp-y (sometimes ghastly) arousal to offset all your cozy holiday feelings of comfort and joy.

Lily-Rose Depp (yep, Johnny’ Depp’s model-turned-actress daughter) is Ellen, the young newlywed suffering from unsettling nightmares and violent seizures. Her husband, Thomas (Nicholas Hoult) is a London real estate agent sent to faraway central Europe to arrange for a new home for the mysterious—and chilling—Count Orlock. (Though it’s never mentioned by name, a glimpse at an upside-down map notes the region as “Transylvania.”) And guess where Orlock wants to relocate? Yep, in London, just down the street from Ellen and Thomas.

Is Ellen sick with worry for her traveling husband? Or maybe distempered with melancholy, perhaps even possessed? Her friends (The Crown’s Emma Corwin, and Aaron Taylor-Johnson) are concerned, puzzled, and unsettled by her troubling spells. During Thomas’ absence, they summon the local doctor (Ralph Michael Ineson), who eventually calls on a scholarly professor of all things ancient and occult-y (Willem Dafoe, perfectly cast).

Soon enough, the prof gets a pungent whiff of what’s up. Turns out the count (Bill Skarsgård) is a vampire with an appetite for blood—and a beyond-the-grave crush on Ellen. But by then, the bodies are piling up, rats have infested the town, the count has arrived after a fateful shipboard journey, and some little girls discover, tragically, that imaginary monsters aren’t so imaginary.

Director Robert Eggers is a maestro of malevolence, as he demonstrated in his previous films The Witch, The Lighthouse and The Northman. He confidently paints this tale with all kinds of disturbia and draws out—sometimes graphically—the mythos of sexuality that’s often been sublimated in vampire stories. Ellen’s writhing agonies are close to ecstasies as Orlock seduces her from afar, causing blood-spurting, eyeball-bulging contortions—and orgasmic sighs. As different characters say throughout the film, “He is coming!” Uh, well, you could put it that way.  


Willem Dafoe is a vampire hunter.

The movie also explores the nature of evil in a world of yore where demons and curses and fairytales are real, science and religion powerless against unholy darkness, and death a fact of life. Orlock, who turns out to be the eternally unquenchable demon Nosferatu, is quite literally death itself. Can the “plague” he brings to London be stopped? Not just with a stake—or pickaxe—through the heart, I’m afraid.

Let’s talk a minute about actor Bill Skarsgård. He’s best known for playing another demonic character, the killer clown in two It horror flicks. Here’s he’s truly unrecognizable under layers of facial prosthetics and slinking around like a half-decomposed corpse. Cloaked in shadow for most of the movie, he’s a hideously ossified incubus, a profane beast for the ages. He is indeed the stuff of nightmares.

And so is this movie, now leading the pack as the best—and most lavishly unnerving—scary movie of the year. It’s a devilishly potent, magnificently orchestrated scare fest that’s intentionally unsettling, but also strangely comforting. Because it’s a dark, delicious reassurance that as long as Robert Eggers is making movies, horror is in good hands.

—Neil Pond

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Dec 22 2024
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Movie Reviews

Movie Review: “A Complete Unknown”

Timothée Chalamet channels Bob Dylan in tune-filled biopic about the young troubadour.

A Complete Unknown
Starring Timothée Chalamet, Edward Norton, Elle Fanning and Monica Barbaro
Directed by James Mangold
Rated R

In theaters Wednesday, Dec. 25

He hitchhiked a ride, in the back of a station wagon, into New York City in 1961—as a complete unknown—with dreams of becoming a successful singer/songwriter. That’s how this vibrant biopic of Bob Dylan begins, setting up its intoxicating whirl through the turbulent first half of the decade as the former Robert Zimmerman becomes the new “youthful” voice and face of folk music, setting the foundation for all that would follow.

And just this time last year, Timothée Chalamet was singing a different tune, as the spry young chocolatier Willy Wonka. Now he’s kicked it up a few notches and dug down deeper, giving a much more matured, grounded and finely nuanced performance as the enigmatic, petulant, creatively restless and intriguingly shape-shifting writer of such classics as “Blowin’ in the Wind,” “The Times They Are A-Changing,” “It Ain’t Me Babe” and “A Hard Rain’s Gonna Fall.” He sings like Dylan, talks like Dylan, looks like Dylan and even nails Dylan’s tics and mannerisms. I’ll let true Bob Dylan scholars weigh in on the deep-dish accuracy, but to me, it sure feels like Chalamet could well be in the year-end Oscars race.

The movie introduces us to other real-life characters in Dylan’s early orbit. There’s banjo-playing elder statesman Pete Seeger (Edward Norton) and the legendary Woody “This Land is Your Land” Guthrie (Scoot McNairy), twin pillars of era’s folk scene. Monica Barbaro, from NBC’s Chicago franchise (Chicago Justice and Chicago P.D.), brings fire, spice and ice as folksinger Joan Baez; her complicated and testy relationship with Dylan—she calls him an “asshole,” he disses her songwriting as something like “an oil painting at a dentist’s office”—becomes one leg of a romantic triangle with Bob and New York artist Suze Rotolo (Elle Fanning). Ozark’s Charlie Tahan is Al Kooper—who’d later go on to found Blood, Sweat & Tears—as he scoots behind the Columbia studio’s Hammond B3 for a Dylan session and lays down the distinctive organ intro for “Like a Rolling Stone”  (a line from which the movie takes its title). And there’s country hitmaker Johnny Cash (Robert Holbrook), who becomes a pen pal and idol to young “Bobbie.”

Director James Mangold, whose wide-ranging movie and TV work also includes Walk the Line (2005), the Oscar-nominated biopic about Johnny Cash and wife June Carter, creates an authentic, almost encyclopedic milieu of the times, from music-makers in hippie-dippy clothes and smoky Greenwich Village coffeehouses to brow-creasing worries about Communists lurking everywhere, nuclear Armageddon and race riots in the aftermath of the assassinations of JFK and Martin Luther King. It shows how folk music became instrumental in the social activism of its times, its songs confronting and colliding with politics to create seismic pop-culture shifts and upheaval.

A Complete Unknown is really all about Dylan, how he became interwoven into the larger social fabric of the ‘60s, and how the success he wanted so badly also brought him a suffocating level of acclaim that he didn’t. And it’s about how he continually worked to create and re-create himself, twisting and retooling his musical identity in a stubborn refusal to conform to anyone’s expectations—and how even people close to him felt like they didn’t really know him, who he really was, or who he wanted to be.

Monica Barbaro plays Joan Baez.

Fittingly, the movie ends in 1965, just after Dylan goes “rogue” at the iconic Newport Folk Festival, causing a near riot by introducing a jangly bombast of electric instruments and drums for his three-song closing set—and then coming out, with just his acoustic guitar, to sing “It’s All Over Now Baby Blue.” It’s his final kiss-off to the folk darling he used to be, and how he started. Then he roars off on his motorcycle.

Music fans will dig it for sure, and everyone else—including those too young to “remember” Bob Dylan or the ‘60s—can certainly appreciate the care and attention that clearly went into depicting the events, and finally the pivotal moment when the young troubadour, only in his mid-20s, shook off folk music’s dusty past and headed down a highway into the future. Like a rolling stone, indeed.

—Neil Pond

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