You Dropped a Bomb on Me

The brainy blockbuster ‘Oppenheimer’ is a big, beautiful must-see about the man who made the device that ended World War II—and created the grim specter of global destruction

Oppenheimer
Starring Cillian Murphy, Emily Blunt, Matt Damon & Robert Downey Jr.
Directed by Christopher Nolan
Rated R

In theaters Friday, July 21

It opens with a screen that tells us about Prometheus, the Greek god who “stole fire from the gods and gave it to men.” His fellow Olympians weren’t too happy with him, and they sentenced Prometheus to spend eternity in torment, shackled to a volcano.

Oppenheimer is based on the book American Prometheus, about Robert J. Oppenheimer, the New York-born theoretical physicist who led America’s Manhattan Project, the top-secret “think tank” that created the atomic bombs dropped in on Nagasaki and Hiroshima in Japan in August 1945. The bombs effectively ended World War II, but also created the grim specter of nuclear war as a reality, one that could—theoretically—lead to the destruction and doom of the entire planet.

Director Christopher Nolan’s grandiose, magnum opus of a historical biopic depicts Oppenheimer (Cillian Murphy) as a tortured, sometimes arrogant genius, wrestling with the wide-reaching global implications of what he’s doing, and later, with what he’s done. Like Prometheus, he harnessed the fire of the cosmos—splitting subatomic particles and unleashing the deadly “fire” power of a thermonuclear device—and was then pilloried for it, with accusations that he was a traitor, a spy, a Commie.

It’s a dense drama, powerful and potent, about a loaded moment in time at the intersection of politics, science, discovery, history, human emotion, psychodrama, creation and destruction, chain reactions and ethics, all swirling like protons and neutrons around something no one had ever done, or witnessed, before. It’s a cinch for year-end awards nominations, likely even some Oscars. Yes, it’s that good.

Cillian Murphy and Matt Damon

The all-star cast is outstanding, with everyone playing someone from real life, from Matt Damon as the hawkish Leslie Groves, the U.S. Air Force general who built the Pentagon and was chosen to oversee Oppenheimer and the Manhattan Project, to Emily Blunt as Oppenheimer’s wife—whose former ties to the Communist Party become a major, troublesome part of her husband’s trajectory from the classroom to the world stage.  Robert Downey Jr. is a major part of the story as Lewis Strauss, head of the Atomic Energy Commission. There’s Florence Pugh, Oppy’s Communist lover, and Casey Affleck as the military intelligence officer who commands the Allied forces during the war.  Matthew Modine plays a scientist doing high-ranking R&D for America’s war machine. Kenneth Branagh is the Danish physicist Niels Bhor, and Tom Conti plays Albert Einstein.

But everything hinges on Oppenheimer, the central character in almost every scene. Murphy, an Irish actor who’s also appeared in Batman Begins and Inception, plus the British hit TV series Peaky Blinders, gives a stunning, career-high performance, conveying the inner turmoil, passionate convictions and strong opinions of the man tasked with making a device that would weaponize the science on which he had dedicated his life. Oppenheimer’s bombs ended the fighting and brought peace to a war that had been raging across the globe for six years. But what would be the cost to him, and to the world?

Director Nolan (who also wrote the screenplay and produced) is perhaps Hollywood’s leading movie maestro, known for his densely layered, often complex dramas and intense character studies across multiple genres, including a trio of acclaimed Batman blockbusters starring Christian Bale, the mind-bending Inception, Tenet and Memento, the gripping, innovative war drama Dunkirk, and the far-out space-travel drama Interstellar. He knows better than almost anyone how to make blockbusters with brains, and Oppenheimer is queued up to be one of the most intensely brainy, monumentally majestic, stylistically soaring blockbusters of the year.

And the “test” of Oppenheimer’s nuclear device, at Los Alamos in the American desert, is as gripping, jaw-droppingly dramatic and visually stunning as almost anything you’ve ever experienced at any movie, ever.

With booming, atmospheric sound design, lavish visuals, probing questions about the role of science in the world, and a dive into the mysteries of the universe and our place in it, Oppenheimer enters the race as one of the year’s most impressive, important films. I won’t even take away any points for its nearly three-hour running time. It takes a big movie to tell about history’s biggest bang. And Oppenheimer is big, beautiful and absolutely a must-see.  

—Neil Pond

The Entertainment Forecast

Friday, July 14 – Thursday, July 20

YA drama, DC backstories, a new ‘Bird Box’ & Clint Eastwood’s apes*%t movie classic

FRIDAY, July 14
The Summer I Turned Pretty
Season three of the series based on author Jenny Han’s angsty beach-tales novel trilogy launches tonight (above), with more YA coming-of-age drama and romance in the fictional seaside town of Cousin’s Beach (Prime Video).

Goliath
Three-part sports doc examines the life and career and long-lasting impact of basketball great Wilt Chamberlain, using artificial intelligence to recreate the late NBA superstar’s narrating voice. Creepy? Maybe, but you make the call! (On Paramount+ and Showtime’s streaming subscriber platforms)

Bird Box Barcelona
The frightening world of Bird Box—the 2018 Sandra Bullock sci-fi drama about a world in which some malevolent force drives people to mass suicide if they get a glimpse of it—returns (above) with a new cast and a Spanish spin (Netflix).

SATURDAY, July 15
Every Which Way But Loose
Get up early—or set your DVR—to see this light-footed 1978 apes*#t romcom romp, the highest-grossing movie of Clint Eastwood’s acting career, in which he plays a trucker turned boxer traveling in California with an orangutan named Clyde. With Sandra Locke, who made six films with Eastwood (and had a longterm relationship with him as well). Bill McKinney, who played the notorious “mountain man” in Deliverance, also appears. Worth checking out for some retro kicks! (7:45 a.m., TCM).

SUNDAY, July 16
The Prank Panel
“Pranxsperts” Johnny Knoxville, Eric Andre and Gabourey Sidibe help facilitate a granny’s participation in a sexy video. Va-va-voom! (8 p.m., ABC)

Zoe Bakes
Pastry chef and author Zoe Francois (above) makes her favorite recipes from easy main dishes to deserts (1 p.m., Magnolia).

MONDAY, July 17
A House Made of Splinters
This Sundance Award-winning documentary examines the consequences of the war in Ukraine on its youngest citizens, the children caught in the crossfire (check local listings, PBS).

READ ALL ABOUT IT

Rock fans will relish Backstage & Beyond Vol. 1, the new decades-spanning collection of writing and reporting by award-winning musical journalist Jim Sullivan on his lively encounters with Jerry Lee Lewis, Tina Turner, Neil Young, David Bowie, John Fogerty, the J. Geils Band, Aerosmith, Alice Cooper and many other legendary music-makers.

TUESDAY, July 18
Southern Storytellers
New three-episode series follows storytellers and “creators” whose books, songs, poems, plays and films all reflect on their regional roots. Included are country singer-songwriters Lyle Lovett and Jason Isbell and actor Billy Bob Thornton (9 p.m., PBS).

Justified: City Primeval
A U.S. Marshal (Timothy Oliphant) crosses paths with a sociopathic desperado called the Oklahoma Wildman (Boyd Holbrook) in this new spinoff series from the FX hit crime drama (10 p.m., FX).

WEDNESDAY, July 19
I Wanna Rock
Hey, all you metalheads! This totally rad three-part docuseries looks at the head-banging ‘80s, providing the untold stories of success (and failure) in the ere of leather pants, Spandex and massive hair through interviews with bands and artists who lived it (Paramount+).

CMA Fest
If you didn’t make it to Nashville for the real deal in June, here’s the next-best thing: A TV special hosted by country stars Dierks Bentley, Elle King and Lainey Wilson, featuring performance highlights from the music-festival event by dozens of artists (8 p.m., ABC).

The Deepest Breath
Take a big gulp of air and head under the waves in this jaw-dropping documentary (above) about divers who plunge into the one of the most dangerous sports in the world: freediving, holding their breath for extended underwater excursions (Netflix). 

THURSDAY, July 20
Superpowered: The DC Story
Rosario Dawson hosts this limited series examining the durable comic-book company, its origins, superheroes and many TV and movie spinoffs (Max).

Don’t Kill the Babysitter
Nail-biter about a Venezuelan woman (Valentia Andrade, above) hired as an au pair for an American couple, whose “overprotection” their young daughter makes the new nanny suspect—quite correctly—that something more sinister is going on (8 p.m., LMH)

Impossible Odds

Tom Cruise returns to his leading role in the action-packed, stunt-tacular seventh installment of his blockbuster big-screen franchise

Mission Impossible: Dead Reckoning—Part One
Starring Tom Cruise, Simon Pegg, Hayley Atwell & Esai Morales
Directed by Christopher McQuarrie
PG-13

In theaters Wednesday, July 12, 2023

What does a runaway train, renegade AI, a four-sided, two-piece doodad and a doomed Russian sub have in common? They’re all part of Tom Cruise’s latest “impossible” mission.

The seventh installment of the blockbuster franchise that began more than 25 years ago finds Cruise’s iconic character, Impossible Missions Force (IMF) agent Ethan Hunt, scrambling all over the place in a race for a four-sided key that could trigger a digital geopolitical doomsday in the wrong hands.

Everybody’s trying to get their paws on that mysterious gizmo, which can unlock access to an all-knowing, all-seeing, super-processing artificial intelligence known as The Entity, “a truth-eating digital parasite” with the dark power of total domination. And everyone, it seems, is also trying to stop Ethan, which certainly adds an additional level of difficultly to his job.

“The world is gonna be coming after you,” Ethan is warned, and it sure does.

It’s a big mission for a big movie on a grand scale—golly-whopping spectacle, breathless action and a threat that’s even bigger, and so much badder, than Big Brother.

The gang’s all here, for Mission: Impossible movie fans who’ve grown up watching the IMF continue the globetrotting spy shenanigans first introduced in the 1960s TV series. Cruise, the consummate movie star, is as dapper and unflappably cool as ever, rallying his loyal team (Ving Rhames and Simon Pegg), confronting a couple of formidable old foes (Esai Morales and Vanessa Kirby) and reuniting with a former ally (Rebecca Ferguson).

New characters include Hayley Atwell (well-known to Marvel movie fans) as a cagey thief with a criminal past, and Pom Klementieff (from Guardians of the Galaxy) plays a French assassin and lets her lethal skills do the talking. We’ll likely see them again in Mission: Impossible—Dead Reckoning Part 2, which is already in the can and due for release next summer.  

Rebecca Ferguson reprises her role from previous Mission: Impossible flicks.

Director Christopher McQuarrie also returns to the franchise; he’s directed Cruise in several projects, include two previous Mission movies. He certainly knows how to move things along, make it an exciting, exhilarating ride and pepper the menu with some levity and laughs.  

The movie hinges on issues of privacy, deception, manipulation and misinformation in this modern era of digital overload. And it’s also about empathy; Ethan Hunt cares about those closest to him, and even about people he doesn’t know. The Entity, like all tech by design, is amoral and cares about nothing and no one, only about whatever its objective is programmed to be. (You think your laptop or smartphone, or Siri and social media, really care about you? Uh, no. So just imagine if they became your master and overlord.) Ethan and the Entity represent a battle between good and evil on a global stage, with the fate of the planet hanging in the balance.

But the plot is just so much blather and blah-blah, after all, when it comes to Tom Cruise and his Impossible missions—everyone wants to see the stunts, and Dead Reckoning certainly delivers. There’s a wild multi-vehicle chase through the narrow streets of Rome, with Cruise and Atwell handcuffed together (!) in a tiny Fiat, pursued by a monstrous Humvee, Italian cops and America CIA agents. Cruise zooms cross-country on a motorcycle, then shoots himself off a high cliff, out-Bonding James Bond in a jaw-dropping aerial sequence. And an extended bit through the Swiss Alps on that runaway train, well, it’s a nail-biting, death-defying, cliff-hanging choo-choo blast, a topsy-turvy, over-the-top obstacle course of everything but the kitchen sink, including pots, pans, parachutes, a flaming oven and a grand piano.

Vanessa Kirby plays a woman with a complicated past that intersected with Ethan Hunt (Tom Cruise) previously.

Everything is made even more exciting by knowing that Cruise performs almost all his own stunts. Wowza—it’s hard to imagine any other star ever even considering the elaborate, bonkers things that he’s made the lifeblood of his movies.

And, of course, there’s high-tech face-swapping, a bit of bruising street-fight physicality, plus a dash of sword fighting, knife slashing and even some sleight of hand magic.

Last year, Cruise’s Top Gun: Maverick became the must-see movie of the summer, signaling that Hollywood was ready to welcome COVID-weary audiences back into theaters. Will he re-do that summer blockbuster magic with Dead Reckoning? Can his movie once again revive a sagging box office, rejuvenate franchise fatigue (sorry, Indiana Jones and the Dial of Destiny, Little Mermaid and Fast X) and remind viewers—who’ve gotten just a little bit too comfortable with at-home streaming—why they should love the big screen?

It’s a bit early to know for sure, but I’m ready to predict: Mission: Accomplished!

—Neil Pond

The Entertainment Forecast

Fri., July 7 – Thurs., July 13

In-law outlaws, burly barnbuilders, ghosts on camera & Miss America’s scandalous secrets!

“The Outlaws” are really in-laws, and they’re coming to Netflix!

FRIDAY, JULY 7
The Out-laws
Andy Divine, Nina Dubrev, Ellen Barkin and Pierce Brosnan star in this comedy about a to-be-married bank executive who suspects his in-laws are criminals (Netflix).

Salute to Summer
Nick Jonas headlines this live performance special from the Universal Citywalk, produced in partnership with the U.S. Army. Saaaaa-lute, indeed! (Peacock).

SATURDAY, July 8
Barnwood Builders
In the new season of this home-build reality series, host Mark Bowie and his team of West Virginia crafters (above) salvage more antique barns and cabins, repurposing the wood to create awesome new homes (9 p.m., Magnolia).

SUNDAY, July 9
Paranormal: Caught on Camera
Have you ever seen a ghost? Well, this series offers the next best scary thing as it begins a new season of videos purporting to capture unexplainable paranormal phenomena—apparitions, bedroom monsters, shape-shifting extraterrestrials, Bigfoot sightings, weird lights in the sky, and more things that go bump in the night (9 p.m., Travel Channel)

Running Wild with Bear Grylls
New season of the outdoor adventure series finds celebs (including Russell Brand, Bradley Cooper, Benedict Cumberbatch, Rita Ora and Troy Kotsur) push past their comfort zones to find out if they’ve got the right stuff to hang in the elements with the resourceful survivalist (9 p.m., National Geographic).

BRING IT HOME

Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen reunite in Book Club: The Next Chapter (Universal Pictures Home Entertainment) for a frisky “girls’ trip” to Italy. With Andy Garcia, Craig T. Nelson and Don Johnson. Bonus features includes interviews with the cast.  

MONDAY, July 10
BBQ Brawl
Ten-episode competition features pitmasters from across America vying for the title of “Master of ‘Cue” with the help of coaches Bobby Flay, Anne Burrell and Sunny Anderson (9 p.m., Food Network).

Secrets of Miss America
Here she is—and she’s swimming in scandal! Find out all about America’s oldest “beauty pageant,” the shocks and controversies at its core, and the organization’s struggle to remain relevant in today’s more-enlightened world (10 p.m., A&E).

Miracle Workers: End Times
It’s a miracle. Well, maybe not exactly. But it is the newest installment of the caustically witty series in which the same actors (Daniel Radcliffe, Steve Buscemi, Geraldine Viswanathan and Karan Soni) return each season, but as all-new characters in brand-new scenarios. This time it’s a dystopian future overrun with radioactive mutants, killer robots and a tyrannical homeowner’s association with outrageous fees (10 p.m., TBS).

NOW HEAR THIS

The Grateful Dead perform in Des Moines, Iowa at the State Fairgrounds in May 1973.

Heads up, Deadheads! The newly released Here Comes Sunshine: 1973 (Rhino) is a whopping 17-disc set includes five complete concerts recorded live during the Grateful Dead’s heyday, including one marathon that clocks in at five hours and features Butch Trucks and Dickey Betts of the Allman Brothers band sitting in. Jam on!  

TUESDAY, July 11
The Ashley Madison Party
Unscripted docuseries follows the rise, fall and resurgence of the dating website targeted to marriage cheats and adultery (Hulu).

Iconic America: Our Symbols and Stories
In eight episodes beginning tonight, host David Rubinstein explores America’s history through an examination of iconic symbols, including the American Bald Eagle, the Statue of Liberty, the Hollywood sign, Fenway Park, cowboys and the Golden Gate Bridge (10 p.m., PBS). 

READ ALL ABOUT IT

Impress your friends with all the “movie meals” in Scrounging: A Cookbook (A24 Books), a collection of late-night, last-ditch, throw-together recipes inspired by more than 50 films, including The Breakfast Club, Home Alone, The Martian, Kramer vs. Kramer, Napoleon Dynamite and many more.

Readers of a certain age will certainly remember the late 1960s TV series Laugh In, revolutionary at the time by putting a spicy hippie-counterculture spin on the old-fashioned television variety format. Read all about the man who started it all, producer George Schlatter, in his autobiography Still Laughing: The George Schlatter Story (Rare Bird Books). The behind-the-scenes tale traces his coming-of-age in Hollywood and his idea for a brand new comedy that would ride the ‘60s crest of political upheaval, the Vietnam War, the drug culture and other timely—often controversial—topical events.

WEDNESDAY, July 12
The Afterparty
Tonight begins season two of the whodunnit mystery comedy series, with Tiffany Haddish (below), Sam Richardson and Zoe Chao reprising their roles alongside newcomers including Ken Jeong, Elizabeth Perkins, Zach Woods and Paul Walther Hauser (Apple TV+).

Celebrating Harry Belafonte
Several evenings of special programming begins tonight honoring the late singer, who died in April. Belafonte was the first Black actor to become a Hollywood leading man, a pop hitmaker and social-activist crusader. It all begins with two of his films from the 1950s, Carmen Jones and The World, The Flesh and the Devil (8 p.m., TCM).

Quarterback
Peyton Manning produced this series, which gives unprecedented access to NFL QBs Patrick Mahomes, Kirk Cousins and Marcus Mariota during games and off (Netflix).

THURSDAY, July 13
Full Circle
An investigation into a botched kidnapping uncovers long-held secrets in present-day New York City in this new streaming series starring Zazie Beetz, Claire Danes, Jim Gaffigan, Timothy Oliphant and Dennis Quaid (Max).

Project Greenlight
Issa Rae and Kumail Nanjiani are producers of this new docuseries, a reinvention of the HBO series of the same name that pulls back the curtain on the filmmaking process as it follows female director Meko Winbush making her first feature film, Gray Matter (Max). 

The Jewel Thief
Watch this unbelievable true-story account of a criminal mastermind, Gerald Blanchard, who leads detectives on a cat-and-mouse game across the globe while he commits increasingly elaborate heists in a quest for fame and notoriety (Hulu).

The Entertainment Forecast

June 30 – July 6, 2023

‘Tough as Nails’ goes north, 4th of July TV specials & where serial killers hide their murderous misdeeds

Meet the competitors for this season’s ‘Tough as Nails.’

FRIDAY, June 30
Tom Clancy’s Jack Ryan
John Krasinski returns to the role of the scrappy super sleuth in the fourth and final season of the action-packed drama series (Prime Video).

Nimona
A knight in a futuristic medieval world is framed for a crime he didn’t commit, and a mischievous shape-shifting teen helps him in this animated fantasy series with voices of Riz Ahmed and Chloë Grace Martinez (Netflix).

SATURDAY, July 1
Buried in the Backyard
Where do serial killers hide their victims? Many times, it’s where they never anticipate their misdeeds will be discovered…or uncovered. Season two of the true-crime docuseries returns tonight. Bring your shovel! (8 p.m., Oxygen).

Brandi Carlile: In the Canyon Haze—Live From Laurel Canyon
Well, the title just about says it all. Not all you have to do is watch and listen as the former lead singer of the Go-Gos performs songs that shaped her life in this homage to the vibrant Hollywood Hills music scene (8 p.m., HBO).

SUNDAY, July 2
Tough as Nails
Who’s got what it takes to tough it out on this hit primetime competition that also a salute to the working class? Phil Keoghan returns as host for the new season, this time staged in Canada (8 p.m., CBS).

MONDAY, July 3
A Story of Bones
Documentary (above) about the discovery in Africa of an unmarked mass burial ground of an estimated 9,000 formerly enslaved people (check local listings, PBS).

READ ALL ABOUT IT

Revisit a “golden age” of TV in this flashback to the year color came to television in a major way—the watershed moment in which all three major networks broadcast every show on primetime “in living color.” Primetime 1966-1967 (McFarland) is an affectionate, wide-ranging look at the wide spectrum of shows that aired that momentous year, including classic programs about superheroes, sci-fi, spies, World War II, sitcoms and cops.

TUESDAY, July 4
A Capitol Fourth
For the 43rd year, the grounds of the U.S. Capitol will ring with the patriotic sounds of the 4th of July in this primetime special (8 p.m., PBS).

The Fourth in America
Fireworks and music are on tap in this Independence Day celebration, featuring performances by Alanis Morrisette, Darius Rucker, Demi Lovato, Duran Duran, Flo Rida, Sheryl Crow, the Zac Brown Band and more (7 p.m., CNN).

WEDNESDAY, July 5
Human Footprint
No, we’re not talking tracking mud into your house. But in another way, well, yeah. This new docuseries explores the many ways humans have left our “marks” on our planet, including putting into motion the global mechanics of climate change (9 p.m., PBS).

CMA Fest: 50 Years of Fan Fair
New original documentary tells the story of Nashville’s long-running country music festival, with archival performances and commentary from Vince Gill, Luke Bryan, Dolly Parton, Lainey Wilson, Carrie Underwood and dozens of other stars who’ve performed at the event originally known as Fan Fair, so named because of its former “home” at the state fairgrounds (Hulu).

THURSDAY, July 6
Call Her King
A judge (Naturi Naughton from Power Book II: Ghost) who has just sentenced a man (Jason Mitchell) to death suddenly finds herself a hostage when his brother hijacks her courtroom in this gripping original movie drama. Think Die Hard in a courthouse (BET+).

The Lincoln Lawyer
Season two begins of the streaming spinoff about a lawyer (Manuel Garcia-Rulfo) who runs his Los Angeles practice from the back seat of his Lincoln (Netflix).

Shawn White: The Last Run
Four-part documentary spotlights the life and career of the three-time Olympic gold medalist and an icon of snowboarding and skateboarding (Max).

The Entertainment Forecast

June 23 -June 29, 2023

A ‘Jaws’ marathon, a “new” national anthem & Idris Idra gets hijacked!

You may need a bigger boat (!) to watch the original Jaws and all its sequels!

FRIDAY, June 23
World’s Best
Hip-hop musical comedy adventure flick about a 12-year-old genius mathematician who discovers a surprising new talent as a rapping superstar (Disney+).

Cinammon
Original network film stars Hailey Kilgore (above) as a small-town gas attendant whose life is rocked after a fatal crime. With Damon Wayans and 1970s icon Pam Grier (Tubi).

SATURDAY, June 24
Keyshia Cole: This is My Story
The Grammy-nominated singer/songwriter makes her acting debut portraying herself in this biopic about her life and career, which started in Oakland, Calif., and led her singing backup for M.C. Hammer, releasing five albums and starring in two TV reality series (8 p.m., Lifetime).

SUNDAY, June 25
Jaws Marathon
Time to get back in the water with the most a marathon of the iconic shark flick of all time and its sharp-toothed spawn, Jaws 2, Jaws 3 and Jaws the Revenge (begins 8;45 a.m., TNT). 

Mini Reni
Joanna Gaines (above) and her team downsize their scale and budgets to renovate three rooms in an outdated home in one week and for under $15,000 (9 p.m., Magnolia).

MONDAY, June 26
After Sherman
Filmmaker Jon-Sesrie Goff returns to the coastal South Carolina land his family purchased after emancipation in this exploration of Black experience, trauma and wisdom (check local listings, PBS).

Cannes Confidential
Six-part international crime series, shot on location in France, stars Lucie Lucas and Jamie Bamber about a no-nonsense detective and a charming conman (Acorn TV).

TUESDAY, June 27
Happiness for Beginners
Ellie Kempler (from The Office and The Unbreakable Kimmy Schmidt) stars in this new series (above) as a newly divorced woman who joins a back-country survival hike on the Appalachian Trail with a group of oddball strangers in hopes of learning how to live—and love—again (Netflix).

Casa Susanna
This PBS-produced documentary is about an underground 1960s network in the Catskills region of New York state for transgender women and cross-dressing men (9 p.m., PBS).

BRING IT HOME

Find out about the inspiring life and astonishing career of one of the greatest boxers of all time in Big George Foreman (Sony Pictures Home Entertainment), a drama about his journey from an impoverished childhood to the title of world heavyweight champion, and then into the pulpit. Khris Davis (Judas and the Black Messiah) plays Foreman.

The hit horror franchise moves out of the woods and into the ‘hoods in Evil Dead Rise (Warner Bros. Home Entertainment), a terrifying tale of two estranged sisters (Lily Sullivan and Alyssa Sutherland) whose urban family reunion is undermined by flesh-eating demons.

WEDNESDAY, June 28
Anthem
What would happen if Grammy-winning producer and a film composer took a journey across America to create a “new” national anthem, one as if it had been written today? Find out in this probing documentary that rei-magines “The Star Spangled Banner” for a modern era (Hulu).

Hijack
Idris Elba is one unhappy air passenger in this new thriller series (above) about the passengers on a hijacked international airplane flight and people on the ground working to avert a disaster (Apple TV+).

THURSDAY, June 29
Secret Chef
It sounds nuts, but here it is: Ten contestants from all walks of life are isolated in an underground kitchen labyrinth connected by a series of conveyor belts, where they perform various cooking challenges, guided by an animated “talking hat” on a retro TV screen. Yep (Hulu).

READ ALL ABOUT IT

When is a monster more than just a monster? That’s not a riddle, it’s the theme of Dark Dreams 2.0 (McFarland), in which author Charles Derry unpacks the real-world fears, tears and terrors that have shaped the evolution of horror movies for more than half a century—from anxieties over the atomic bomb to the Cold War, sexual liberation and other fear factors that have fueled the work of filmmakers Alfred Hitchcock, Brian de Palma, George Romero and many others.

Generation Gap
Kelly Ripa returns for season two of this game show (below) in which teams of older adults and their grandkids compete by answering pop-culture questions (9 p.m., ABC).

Forever Young

Harrison Ford returns for one final ‘Raiders’ romp, with an extra dose of movie magic

Indiana Jones and the Dial of Destiny
Starring Harrison Ford, Phoebe Waller-Bridge and Mads Mikkelsen
Directed by James Mangold
PG-13

In theaters Friday, June 30, 2023

More than 40 years ago, we sat on the edge of our seats watching Indiana Jones outrun a big rolling boulder, the bravura opening of Raiders of the Lost Ark that became an iconic representation for a new, blockbuster action-adventure movie template.

There aren’t any giant, bowling-ball booby traps in Dial of Destiny, the fifth film in the Indiana Jones canon, but Indy is still running—all over the globe, still hunting for historical treasure, still afraid of snakes, still dodging bullets and still fighting Nazis.

This time, it’s the late 1960s, some 20 years after the events of Raiders. Neil Armstrong has just walked on the moon, America has won the space race, and there’s a scramble to locate the missing half of a doodad called the Antikythera, a dial-like “computing” device found in wreckage of an ancient sunken ship off the coast of Greece. What’s so special about it? Well, during World War II, Nazisbelieved it could forecast rips in the fabric of time, openings that would allow someone to change the way history unfolds. A dial of destiny, indeed, if only they can find the missing part…

And changing the course of history probably isn’t a good idea, especially when Nazis are involved.

Harrison Ford, just about to turn 81, makes what is intended to be his final appearance as the college professor turned rip-roaring archeologist swashbuckler. He’s helped along in the rip-roar department by some high-tech movie magic that convincingly de-ages his character with “deep-fake” cinematic wizardry, for flashback scenes in which he looks, well, like he looked in Raiders of the Lost Ark. Forget Botox—movie magic is the way to go.

Phoebe Walker-Bridge, of Fleabag TV fame, adds some new spice and sass as Helena Shaw, the now-grown daughter of Indy’s late friend and colleague (Toby Jones).  Mads Mikkelsen proves once again he can be a dandy bad guy; I’m still smarting from remembering what a ballbuster he was with Daniel Craig in Casino Royale more than 15 years ago. Antonio Banderas has a brief role as a Greek undersea diver, one of Indy’s old friends, about as crusty as the barnacles on his boat. There are a couple of other returning characters—major and minor, and one is a real doozie—and a lot of movie callbacks to things that happened in previous adventures.

Phoebe Waller-Bridge plays Helena Shaw.

It’s a full-fledged new Indy adventure, for sure, but also a look-back tribute—a closing-chapter monument to Indiana Jones, and Harrison Ford, as one of moviedom’s most recognizable screen heroes, taking on bad guys in a dusty fedora, with a trusty bullwhip.

This is the first Indy flick not directed by Steven Spielberg or produced by George Lucas. Instead, the reins have been handed over to James Mangold, who has certainly proven he knows he’s doing, with a directorial resume that includes 3:10 to Yuma, Identity, Ford v. Ferrari, Walk the Line and a pair of Wolverine X-Men films. It’s hard to follow Spielberg (duh!), but Mangold keeps the pace moving briskly and with stylish confidence, though often at a frantic pace with nearly nonstop, all-over-the-place action that becomes a chaotic wash of blurry, noisy CGI.

Indy fights on top of a train speeding through the Swiss Alps, gallops at full speed on a hijacked police horse into a New York City subway tunnel, tangles with a nest of icky eels at the bottom of the Aegean Sea, jumps out of airplane, and races through the narrow streets of Morocco on a ramshackle tuk-tuk. Things rarely sit still, and as soon as they do, they’re off and running again.

The movie picks up even more momentum toward the end, when it almost jumps the shark in a loopy battlefield sequence that veers into the realm of nearly comedic impossibility. (At one point, I wondered if Bill and Ted’s time-traveling pay-phone booth might have landed just offscreen, with Abe Lincoln, Billy the Kid and Socrates aboard.) But no matter what the movie throws at him, and at its audience, Ford is gung-ho and all-in, even if Indy admits the years, and the mileage, have taken their toll.

As the Indiana Jones films do, the Dial of Destiny gives “real history” a rowdy, rollicking, what-if spin. Here, it’s a former Nazi scientist who’s been helping America launch its space program (yes, that really happened) and an artifact that truly does exist (and is on display today in museum in Athens). But what if that Nazi wasn’t so former, and what if his intention was to use that hunk of antiquity to go back and have another crack at Dur Fuhrer’s plans to conquer the world?

And what if…well, what if we didn’t have Indiana Jones movies around anymore?

At one point, Indy tells some noisy hippie neighbors to turn down their loud music. The song they’re blaring is The Beatles’ “Magical Mystery Tour,” and it feels like a musical nod to the movie magic that brings Harrison Ford back for one final, blowout romp, letting us relive his younger years, recall his Indiana Jones exploits, reconnect him with a rush of his past adventures, and ultimately bid him a fond, sentimental farewell with a warmly nostalgic salute.

—Neil Pond

The Entertainment Forecast

June 16 – June 22

The time-traveling lovers of ‘Outlander,’ ‘Walking Dead’ bite into the Big Apple & Robert Downey Jr.’s auto obsession

FRIDAY, June 16
Outlander
The fan-favorite drama based on the historical-fiction novel series by Diana Gabaldon returns for season seven tonight (above), starring Catriona Balfe as a time-traveling WWII nurse who falls in love with a dashing Highland warrior (Sam Heughan) from another era (8 p.m., Starz).

Extraction 2
Chris Hemsworth is back in the slam-bam action franchise as Rake, a black ops mercenary tasked with another deadly mission—to rescue the family of a ruthless Soviet gangster (Netflix). 

The Righteous Gemstones
The profanely funny TV-evangelist family returns in this hell-aciously hilarious series starring Danny McBride, Edi Patterson, John Goodman and Adam Devine (HBO).

SATURDAY, June 17
John Early: Now More Than Ever
In his first comedy special, the comedian lays on the laughs in a spoof of rock documentaries, performs stand-up riffs and song covers from Britney Spears, Neil Young and more, and peels back the show-biz curtain on Spinal Tap-inspired backstage sketches (10 p.m., HBO).

Exposing Parchman
Documentary brings to light the dark history, deplorable conditions and distressing abuses at the Mississippi prison known as Parchman (8 p.m., A&E).

SUNDAY, June 18
Walking Dead: Dead City
It’s hard to fathom how a franchise built on anything dead can have so much life. Here’s the latest spinoff in the Walking Dead zombie-verse, starring Jeffrey Dean Morgan and Laurie Cohen as survivalists fighting the undead in the decaying urban setting of an apocalyptic Manhattan (9 p.m., AMC).

Beachside Brawl
Cooks from the East and West meet on the sand to determine which ones—and which side of the country—does coastal food the best. Celebrity chef and restauranteur Antonia Lafosa hosts the new competition (10 p.m., Food Network).

MONDAY, June 19
Juneteenth: A Global Celebration of Freedom
Live concert event from the Greek Theater in Los Angeles, timed to the federal holiday commentating the official end of slavery in America, features an array of Black artists and performers (8 p.m., CNN and OWN).  

The Great American Recipe
Season two of the eight-part cooking competition (above)—with judges Leah Cohen, Graham Elliott, Tiffany Derry and Alejandra Ramos—celebrates the multiculturalism that makes American food unique and iconic (9 p.m., PBS)

TUESDAY, June 20
Mama Bears
Documentary about mothers of gay, trans and gender-fluid children, who fearlessly advocate for their kids (10 p.m., PBS).

WEDNESDAY, June 21
LA Fire & Rescue
New docuseries examines the inner workings of the Los Angeles County Fire Department as it works to protect the citizens and the property of an area containing 4 million residents and 59 different municipalities (NBC).

Secret Invasion
In the latest Avengers franchise flick (which is skipping theatrical release to go straight to streaming), Nick Fury (Samuel L. Jackson) leads a mission to save the Earth from extermination by a sneaky group of extraterrestrial shape-shifters. All in a day’s work in the world of Marvel (Disney+).

THURSDAY, June 22

The Bear
Get ready to roll up your sleeves and return to kitchen for season two of this acclaimed drama (above) about restaurant workers in Chicago trying to turn a greasy spoon into a golden goose (Hulu).

Downey’s Dream Cars
New streaming docuseries on Discovery’s new Max platform follows actor Robert Downey Jr., his passion for classic cars and his work to combat climate change by retro-fitting them to make them “cleaner” and more fuel efficient (Max).

Back to the Future

Two lives connect with ancient mystical undertones in this love story that’s so much more than a love story

Teo Yoo and Greta Lee play childhood besties who meet again, years later, in ‘Past Lives.’

Past Lives
Starring Greta Lee, Teo Yoo and John Magaro
Directed by Celine Song
Rated PG-13

In wide release Friday, June 23

A little Korean girl and a little Korean boy are schoolmates who grow up together, move apart and finally reunite many, many years later in this tender, emotionally resonant slice of life relationship drama that slices into life choices and the unseen, mystical and mysterious ties that bind.

Moon-Seung-ah leaves Korea with her family and changes her name to Nora, eventually working as a playwright in New York City, fixing her eyes on a Nobel Prize, a Pulitzer, maybe even a Tony. Hae Sung stays behind in Seoul, where he puts in his mandatory time in military service, then settles into adult life as an unlucky-in-love engineer.  

Celine Song, herself a playwright who immigrated as a child with her family from Korea to Toronto, now makes her bracingly confident, immensely impressive debut as a film director in this wonderfully nuanced, decades-spanning saga of connected, intersecting lives and a mojo referred to Korean culture as In-Yun, a force of destiny that brings people together in ways that transcend time, reaching deep even into their previous lives.

The movie is full of soft textures Song uses to help tell the story, subtle visual enhancements to the existential epic—a soggy New York skyline, a glowing silent sunrise, gentle breezes stirring window curtains, reflections in a puddle. It’s as if the characters are, indeed, players in a larger drama, a force of nature writ large in the elemental world around them.  

Greta Lee (from the TV series The Morning Show) is magnificent as grownup Nora, who settles into married life in the East Village life with a writer (John Magaro) she meets at a creative residency retreat. (The marriage, to an American, helped fast-track her immigration card, we learn.) When Hae Sung (Teo Yoo) comes to the Big Apple for a visit, the two Korean “kids” find themselves face-to-face, now as grownups, for the first time in 24 years. And the ol’ In-Yun fires up once again.

This isn’t a yarn of torrid passion, galloping emotion or clashing romantic rivalry. It’s not even really a conventional love story; it’s deeper and more profound than that. There are far more chaste hugs than kisses (of which I counted exactly one). There are no heroes, no villains. But you’ll find your own heart filling, swelling and yearning in this thought-provoking, full-of-feels tale about the choices we make, the choices that make us, what we did, what we didn’t do, and what we might have done. It’s about the yin and yang of everything that ultimately becomes the life we lead, where we end up, who we end up with, and who we turn out to be.

And what is love, anyway? “It’s complicated,” Hae Sung says at one point. It is, indeed.

During one scene, when Nora is workshopping a play she’s written, an actor reads her dialogue for a scene about crossing, passing from one thing into another, like walking over a bridge—or immigrating across an ocean. Some crossings, the actor says, cost more than others; you might get something you desire by making the crossing, but you’ll desire, even more, something you left behind. And “some crossings,” she says, “you pay for your entire life.” It’s certainly no coincidence that Nora and Hae Sung’s stateside reunion brings them underneath the towering Brooklyn Bridge, a large, looming representation of time and distance for them both.

John Magaro plays Nora’s American husband, Arthur.

Nora thinks about what she gained, the price she’s paid, when she moved away and made herself over in a new, Westernized world. She loves her husband, Arthur, who accepts the improbable, epic story of which he’s clearly become a part, but he frets that he might be fated to be on the outside looking in on a relationship that’s deeper than he can fathom. Hae Sung wonders if he will keep intersecting with his childhood friend, and perhaps his true eternal soulmate, in the future.

What does your future hold? Who have you met in the past, in memories that somehow keep coming back to the present? Is coincidence predestined? What price have you paid for the crossings, the changes you’ve made in your life? Who do you love? Past Lives will make you think—and perhaps make you realize that life, in all its rewards and even disappointments, can be so much bigger, and richer, than we can even imagine.

—Neil Pond

Zipping & Zapping

DC’s fleet-footed superhero finally gets his own flick, but another actor nearly steals the show

The Flash
Starring Ezra Miller, Michael Keaton, Ben Affleck & Sasha Calle
Directed by Andy Muschietti
PG-13

In theaters Friday, July 16

For a movie about the speediest superhero ever, The Flash took its slow, sweet time getting here.

Discussion about a standalone movie for the popular DC Comics character began in the 1980s but stalled and dead-ended many times over the decades, with various directors, writers and actors becoming attached and then detached. Finally, Ezra Miller (from The Perks of Being a Wallflower) was cast, making ramp-up appearances in a handful of interconnected, big-screen “DC Extended Universe” romps, including The Justice League, Suicide Squad and Batman v Superman: Dawn of Justice.

Now the fleet-footed, red-suited dasher finally gets his own full-blown flick. How fast is the Flash, the alter ego of the guy named Barry Allen? Well, he runs so freaking fast, some crazy, far-out things can happen. And even when he’s not running, he’s moving fast—he can make the molecules in his body vibrate at such unimaginable velocity, they maneuver around other molecules and then rearrange, letting him pass through solid objects. He’s so fast, he’s faster than time; and he finds out that when you outrun the speed of light, time-traveling can be a real head trip.

When the Flash goes back in time, it unhinges nearly everything, affecting the present and the future—you know, the old Butterfly Effect. He encounters an alternative version of himself and multiple incarnations of Batman (hello, Michael Keaton, Ben Affleck and another well-known actor whose cameo I won’t spoil). There’s the return of a nasty supervillain bent on humanity’s annihilation; Superman’s cousin (Sasha Calle), Supergirl, gets in on the action; Wonder Woman (Gal Godot) also shows up. And yet another DC superhero splashes around in the after-credits coda. There’s a swirling time-loop metaverse carousel, in which just about everyone in the DC pantheon show ups; who’s your favorite Superman? And Barry is surprised to learn his Butterfly Effect even means that someone other than Michael J. Fox has become Marty McFly in Back to the Future.   

The Flash is a jubilantly overcrowded, hyper-bloated superhero sci-fi carnival ride that gives a flip, fun, wildly inventive spin to the ol’ comicdom nostalgia wheel. It’s got a boatload of superstar cameos, overlapping timelines and a gleefully bombastic smorgasbord blowout of boom-boom-y, bang-bangy CGI spectacle. At the screening I attended, in a jam-packed theater where every seat was occupied, three giddy fanboys directly in front of me were so amped by things they were seeing, I thought they might pee their pants. Heck, they probably did.

There are some genuinely bravo sequences, like the dazzling 15-minute opener in which the Flash zip-zaps around saving babies tumbling out the window in a high-rise hospital catastrophe. (A “baby shower,” get it?) Director Andy Muschetti (whose other films include the psychological horror tale Mama, with Jessica Chastain, and two It scare fests) inventively depicts the mind-warping speed at which Flash can zoom, superheating the air around him with what looks like a kajillion volts of sizzling electricity. There are plenty of knowing nods, in-jokes and callbacks for diehard DC fans. One of the side effects of timeline tweaking and metaverse hopping is how a character (like Michael Shannon’s megalomaniacal General Zod) can be dispatched or destroyed in a previous movie, but fully alive and creating more comic-book havoc in another. (Don’t try to overthink it; it’s a thing.) And I particularly liked a comedic moment when Batman gets tangled in Wonder Woman’s Lasso of Truth.

The plot swirls around twenty-something Barry trying to prevent the death of his mother (a wonderful Maribel Verdú), which happened when he was a child, causing the wrongful incarceration of his father (Ron Livingston, a few miles on down the road from Office Space). It also involves a trip to icy Siberia, where Clark Kent/Superman is supposedly being held prisoner by terrorists. And pasta plays a key role, in a pivotal (recurring) event as well as a scene in which it’s used to explain how time itself is flexible, not linear, and can bend, overlap and interloop, like wiggly spaghetti noodles in bowl.

Ironically in a movie called The Flash, about the Flash, and with Ezra Miller pulling double duty (as two versions of the character), it’s someone else that damn near steals the show. Fans whooped as Michael Keaton dons the Dark Knight’s cloak for the first time since 1992 and swoops in to become an essential part of the story. I must say, it’s supercool to see the Batmobile, the Batplane and the Batcycle roaring into action out of the ol’ Batcave again. And Sasha Collie (who got her start on TV’s The Young and the Restless) gives a fine, fierce—and memorably strong—performance as a broody, totally kick-ass Supergirl.   

There’s also a bit of heart and a pithy mantra about how some problems can’t be solved, even by time-traveling superheroes. “The scars we have make us who we are,” Batman tells the Flash. “Don’t relive your past; live your life.”

Speaking of problems and scars, Ezra Miller has a few, including relatively recent arrests for disorderly conduct and assault. The actor—who identifies as nonbinary and uses gender-neutral pronouns—has also admitted to mental health issues, been charged with harassment and accused of grooming. As good as Miller has been in supporting roles as the Flash, and now with his own movie, there’s been some buzz that DC might not want him—oops, I mean them—for future projects.

So, the Flash might be super speedy, but it might not be fast enough, or go far enough, to outdistance Miller’s troubled past—which might become the one thing that can catch up with a superhero who can outrun just about anything.

FUN FACT: In Steven Spielberg’s Catch Me If You Can, Leonardo DiCaprio’s crafty teenage forger and impersonator cheekily uses the pseudonym of Barry Miller—because if anyone can keep ahead of the FBI agent (Tom Hanks) always hot on his trail, it would be the Flash. 

—Neil Pond