How the new live-action redo keeps the animated original’s messaging, more timely than ever, intact
How to Train Your Dragon
Starring Mason Thames, Nico Parker & Gerard Butler
Directed by Dean DeBlois
Rated PG
In theaters Friday, June 13
A live-action remake of the 2010 animated Dreamworks flick, the new How to Train Your Dragon remains faithful to the original film’s messaging of acceptance, friendship, coexistence, family and self-discovery in its tale of a fresh-faced Viking lad who longs to be a dragon-fighting warrior. But Hiccup has a change of heart when he tames—and trains—a creature that represents exactly what the rest of his clan loathes.
It’s faithful to the original in other ways too. In many instances, it almost seems synched, framed, blocked out and sequenced shot-by-shot. That won’t do much to convince people who decry how Hollywood just seems to make the same movies over and over and over, re-mining old “intellectual properties” for new profits. In this case, it’s literally true.

Mason Thames (formerly menaced by Ethan Hawke in The Black Phone) stars as the teenage dragon whisperer Hiccup, the son of his tribe’s burly, dragon-slaying chieftain (Gerald Butler, who also voiced the original animated character). British actress Nico Parker (the daughter of actress Thandie Newton) plays Astrid, Hiccup’s competitor in the dragon-fighting arena who eventually becomes his dragon-taming ally and love interest. British funnyman Nick Frost is Gobbler the Belch, the village blacksmith.
The screen is filled with a plethora of CGI winged creatures, dragons ranging from monstrous to whimsical, pint-sized to preposterously gigantic. Hiccup has a gaggle of misfit teen friends. Everybody wears horned helmets (they’re Vikings, after all), and lots of fur. There’s a sly G-rated joke about a metal headpiece made from a female breastplate.
In a unique twist, director Dean DeBlois was also the director of the original animated film, plus its two follow-ups. This is a guy who knows his Dragons. And he also knows what works, mixing soaring, clanking, swooping visual spectacle—that might remind you of Avatar mixed with Netflix’s Vikings and a dash of Gladiator—and softer family-friendly coming-of-age drama woven into sentimental themes of a father and a son, a young man finding out who he is—and a group of comedically crusty, battle-hardened Vikings learning, again and anew, how to live in peace and harmony with something they once feared, fought and killed.
In these troubled and turbulent and fractious times, maybe that’s a message that we all need to watch—and see and hear—again.
—Neil Pond





