Tag Archives: film

Movie Review: “How to Train Your Dragon”

How the new live-action redo keeps the animated original’s messaging, more timely than ever, intact

How to Train Your Dragon
Starring Mason Thames, Nico Parker & Gerard Butler
Directed by Dean DeBlois
Rated PG

In theaters Friday, June 13

A live-action remake of the 2010 animated Dreamworks flick, the new How to Train Your Dragon remains faithful to the original film’s messaging of acceptance, friendship, coexistence, family and self-discovery in its tale of a fresh-faced Viking lad who longs to be a dragon-fighting warrior. But Hiccup has a change of heart when he tames—and trains—a creature that represents exactly what the rest of his clan loathes.

It’s faithful to the original in other ways too. In many instances, it almost seems synched, framed, blocked out and sequenced shot-by-shot. That won’t do much to convince people who decry how Hollywood just seems to make the same movies over and over and over, re-mining old “intellectual properties” for new profits. In this case, it’s literally true.

Mason Thames (formerly menaced by Ethan Hawke in The Black Phone) stars as the teenage dragon whisperer Hiccup, the son of his tribe’s burly, dragon-slaying chieftain (Gerald Butler, who also voiced the original animated character). British actress Nico Parker (the daughter of actress Thandie Newton) plays Astrid, Hiccup’s competitor in the dragon-fighting arena who eventually becomes his dragon-taming ally and love interest. British funnyman Nick Frost is Gobbler the Belch, the village blacksmith.

The screen is filled with a plethora of CGI winged creatures, dragons ranging from monstrous to whimsical, pint-sized to preposterously gigantic. Hiccup has a gaggle of misfit teen friends. Everybody wears horned helmets (they’re Vikings, after all), and lots of fur. There’s a sly G-rated joke about a metal headpiece made from a female breastplate.

In a unique twist, director Dean DeBlois was also the director of the original animated film, plus its two follow-ups. This is a guy who knows his Dragons. And he also knows what works, mixing soaring, clanking, swooping visual spectacle—that might remind you of Avatar mixed with Netflix’s Vikings and a dash of Gladiator—and softer family-friendly coming-of-age drama woven into sentimental themes of a father and a son, a young man finding out who he is—and a group of comedically crusty, battle-hardened Vikings learning, again and anew, how to live in peace and harmony with something they once feared, fought and killed.

In these troubled and turbulent and fractious times, maybe that’s a message that we all need to watch—and see and hear—again.

—Neil Pond

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Movie review: “The Phoenician Scheme”

Director Wes Anderson’s latest eccentric curveball of a movie has an all-star cast in a globetrotting tale of shady international business shenanigans

The Phoenician Scheme
Starring Benicio Del Toro, Mia Threapleton & Michael Cera
Directed by Wes Anderson
Rated PG-13

In theaters Friday, May 30

Like other films by director Wes Anderson, The Phoenician Scheme is an eccentric curveball of quirky characters, dark humor, deadpan delivery and meticulous visual flair. If you loved Moonrise Kingdom, The French Dispatch, The Royal Tenenbaums and The Grand Budapest Hotel, you’ll feel cozily at home with this wildly unpredictable, globetrotting tale of an amoral, assassination-dodging 1950s tycoon (Benico Del Toro) trying to put together a massive power-grab project in the Mediterranean.

In between recurring avant-garde afterlife dream sequences, there’s international sabotage and market manipulation, oddball investors, retro-cool gizmos, an insect-loving Norwegian etymologist (Michael Cera) with a secret, and a pipe-smoking young woman (Mia Threapleton) who may, or may not, be cut out for the convent life. Tom Hanks and Brian Cranston play a pair of characters who do business over a game of basketball…in a train tunnel. There’s Scarlett Johannson, Hope Davis, Stephen Park, Riz Almed, F. Murray Abraham, Jeffrey Wright, Charlottes Gainsbourgh—and Benedict Cumberbatch as an estranged uncle with a grudge, and a golly-whopper thicket of facial hair.

A recurring line is “Help yourself to a hand grenade.” And most people do.

Benicio Del Toro, Mia Threapleton and Michael Cera

There’s a group of militant guerrilla fighters, discussions about faith and atheism, two plane crashes, quicksand, flying arrows from a crossbow, and an endearingly soft emotional subtext about the importance of family.  And oh, yeah, Bill Murray is God.

It’s all played super seriously for laughs, with everyone all-aboard the big, caustically funny running joke. Some of the faces will be familiar from previous Wes Anderson movies, but Threapleton (the daughter of Oscar-winning Kate Winslet) and Cera both shine in their debuts with the director, becoming central to the movie’s ever-evolving plotline. Here’s hoping to see them both again in another wild-ride Anderson caper.

“This is just…crazy,” Threapleton’s character says at one point. You may agree. The Phoenician Scheme is, indeed, crazy—but it’s precisely the kind of delightful absurdity that fans of Wes Anderson movies have come to expect and adore.

Neil Pond

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Movie Review: “Mission: Impossible—The Final Reckoning”

Tom Cruise goes out with a slam-bang in his supposedly last installment of the iconic big-screen spy-action franchise

Mission: Impossible—The Final Reckoning
Starring Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg & Esai Morales
Directed by Christopher McQuarrie
Rated PG-13

In theaters Friday, May 31

In this eighth (and ostensibly final) installment of the big-screen franchise, which revived the deep-dish espionage of the iconic 1960s TV series in the ‘90s, Tom Cruise reprises his starring role as Ethan Hunt, a rogue IMF (Impossible Mission Force) agent faced with another seemingly “impossible” task— to save the world from annihilation by an all-consuming truth-eating digital parasite known as The Entity.

How’s he going to do it? “We’ll figure it out,” he says.

Figuring it out is a bit of a challenge for the audience in this nearly three-hour spectacle loaded with gravitas, self-reflection, doomsday vibes, loads of expository blather and a couple of show-stopping stunt sequences. The plot is crazily confusing, its cup runneth over with actors from previous films, and there’s a lot of talking—about what’s happening, what happened, and what it all means. In case you’ve forgotten, it throws in some greatest hits of Mission: Impossible movie highlights from the past two decades.

But when Cruise takes a deep dive to the bottom of the icy Barren Sea, to find a digital doodad left behind in a sunken Soviet sub clinging precariously to the edge of a bottomless abyss, or when he dangles with derring-do in a grand finale involving two dueling biplanes in the skies over South Africa, well, such preposterously complicated, supremely slam-bang stunt stuff makes you forget about the movie’s more, ahem, tedious passages. In case you haven’t heard, Cruise proudly does his own stunts, and in these two extended scenes, he earns a couple more gold stars—and shows where some of the film’s reported budget of $400 million went.

Hayley Atwell returns as Grace, the former thief now turned IMF agent. There’s Simon Pegg and Ving Rhames, as Ethan’s closest friends and allies. Pom Kiementieff takes a break from playing the alien creature Mantis in Marvel Guardian of the Galaxy movies to return as Paris, the French assassin with a vendetta for Gabriel (Esai Morales), who holds the key—literally—to The Entity. Angela Bassett is the U.S. president, who finds herself in a very tough geo-political spot.

If you’re looking for how the movie nods directly toward its predecessors, there’s the character played by Shea Whigam, from Boardwalk Empire, who traces the intellectual property’s genetic line all the way back to its TV roots. And hey, is that Nick Offerman as a high-ranking military general, and Ted Lasso’s Hannah Wadingham as a Navy official trying to prevent World War III? Yep!

At one point, Ethan is told that “Everything you are, everything you’ve done, has come to this.” That’s certainly true with Tom Cruise and his new Mission: Impossible, which makes a point of reminding us of its impressive run of big-screen escapism across nearly 20 years.  

The movie, which began filming back in 2022, hits screens at a time when its storyline feels especially linked to our contemporary world, with modern worries about AI and cyberspace, fraught international relations and the possibility of nuclear self-destruction. And it doesn’t appear like we can count on Ethan Hunt to come along anymore, hanging from an airplane wing or escaping from a submarine torpedo tube, to save the day.

But then again, you never know… And as we’ve learned in the movies, nothing is impossible!

—Neil Pond

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Hillybilly Haven

Fascinating documentary pulls back the curtain on Branson

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We Always Lie to Strangers

DVD $19.95 (Virgil Films)

The tourism Mecca of Branson, Mo., with a visitor-to-resident ratio of nearly 900 to 1, is a conservative town with widespread traditional, patriotic, evangelical Christian values often reflected in its many “hillbilly” entertainment offerings. That’s what makes this eye-opening documentary, a film festival favorite five years in the making, so engrossing, as it peels back the curtain on a central cast of characters—performers, the city’s female mayor, and others—whose diversity (and humanity) reveal a town that defies easy local-yokel stereotypes. (And the title, if you’re wondering, comes from an age-old Ozarks expression about tall tales.)

 

—Neil Pond, American Profile Magazine

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