Tag Archives: Idris Elba

Movie Review: “A House of Dynamite”

Are you ready for doomsday? Directory Kathryn Bigelow’s latest makes us think about the unthinkable.

Rebecca Ferguson gets a troubling phone call.

A House of Dynamite
Starring Idris Elba, Rebecca Ferguson, Gabriel Basso, Tracy Letts & Greta Lee
Directed by Kathryn Bigelow
Rated PG-13

In theaters Friday, Oct. 10 / On Netflix Friday, Oct. 24

As an intercontinental ballistic missile bears down on the United States, everyone scrambles to find out who fired it and what to do before it reaches its target in about 20 minutes. That’s the ultra-high-stakes situation in A House of Dynamite, which plops a bona fide doomsday scenario into our laps and forces us to think about the unthinkable.

Oscar-winning director Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) expertly tightens the screws and amps up the tension with every taught, fraught second, inventively overlapping timelines to show us how different politicians, advisors, generals, military personnel and Washington insiders grapple with the toughest decision they’ve ever made, from the U.S. President (Idris Elba) on down the chain of command.

Confusion, dread and disbelief abound. Who launched the missile, headed straight for Chicago? Was it Russia? North Korea? China? Why didn’t America’s intercept-and-destroy defense network work? “That’s what $50 million buys us!??” barks the incredulous Secretary of Defense (Jared Harris). Should the U.S. makes its own retaliatory strike, before it’s too late? What VIPs and essential personnel will be evacuated to safety deep inside a mountain bunker, and who’ll be left behind? Will a governmental communications expert (Rebecca Ferguson) ever see her husband and young son again?

And what about the 10 million citizens expected to die when the missile hits its target?  The horrific specter of all-out nuclear Armageddon looms large, with one bomb likely to start a chain reaction of mutually assured destruction. As one character notes, we’re living in a house full of dynamite.

Bombers scramble to take out a Russian submarine in the Pacific.

The impressive ensemble cast includes Greta Lee, Anthony Ramos, Gabriel Brasso, Jason Clarke, Kaitlyn Dever and Tracy Letts. How does WNBA basketball star Angel Reese fit into things? Or a date with an Appleby’s waitress, elephants in Kenya, Civil War re-enactors or young soldier-sentries standing guard at a remote Alaskan outpost? The movie unnervingly depicts the wide-ranging ripple effect, across a spectrum of geography and life, about to be affected in the worst possible way.

It’s like Stanley Kubrick’s brilliant Dr. Strangelove, but without any of that 1964 film’s scathing satire—this is deadly serious stuff. And it takes on even more gravity with current events being what they are, global politics fraught with growing tensions, and nuclear proliferation a very real thing and a very real threat. How would today’s leaders—generals, cabinet members, and yes, the president—respond if faced with that situation?

And consider this unnerving premise from the film: Despite America’s expansive, high-tech defense systems, such an attack is well within the realm of possibility.

In one early scene, Rebecca Ferguson’s character toys with a tiny plastic dinosaur, handed to her by her son before she left for work that fateful morning. As she wonders if life as she knows it may be ending, that little prehistoric creature comes to represent an even more discomforting mega scenario, one in which all humankind might very well become extinct, extinguished like the dinosaurs. And, in a grim irony, done in by our devices.

A House of Dynamite is a sobering countdown, a colossally jarring wake-up call about the fragility of our very existence…and about a time—and a day, in a span of minutes—that we can only hope never comes.

Neil Pond

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Just Keep Swimming

The forgetful little blue fish from ‘Nemo’ makes a splash of her own

(Pictured) DORY. ©2013 Disney•Pixar. All Rights Reserved.

Finding Dory

Starring the voices of Ellen DeGeneres, Albert Brooks, Ed O’Neill, Ty Burrell & Idris Elba

Directed by Andrew Stanton & Angus MacLane

PG

“Just keep swimming, just keep swimming,” said Dory, the little blue tang in Finding Nemo, the 2003 Disney/Pixar hit about a father clownfish’s across-the-ocean search for his abducted son.

And keep swimming she has—Dory now splashes right into her own movie, a sea-worthy spin-off about her own search for the loving parents she barely even remembers.

In Finding Dory, which takes place one year after the events of Finding Nemo, Dory—still coping with her lifelong inability to remember anything—suddenly recalls a memory fragment of her mother and father (Diane Keaton and Eugene Levy). Overjoyed that she has a family, she sets out on a quest to locate them, bringing along young Nemo and Marlin, his reluctant dad.

Ellen DeGeneres once again provides the voice of Dory, with a perfect grasp of the delicate emotional shadings of comedy, drama and trauma in her struggle to piece together the shards of her past as she leaves her colorful coral reef and heads to the dark, debris-clogged shores of California. Albert Brooks reprises his role as Marlin, and newcomer Hayden Rolence is Nemo.

FINDING DORYThe new movie does a great job, just like Nemo, of creating a world teeming with aquatic creatures—although we meet most of them not under the sea, but inside a marine institute, which is where Dory, Nemo and Marlin eventually come to the surface. Two sea lions (The Wire’s Idris Elba and Dominic West) fiercely guard their rock from interlopers. Ed O’Neill is a hoot as Hank, the misanthropic camouflaging “septopus” (an octopus with only seven tentacles) who longs to remain in captivity rather than return to the wilds of the ocean. Modern Family’s Ty Burrell cracked me up as Bailey the beluga whale, so proud of his abilities of echolocation, the sonar-like location of objects by reflected sound. Paired with Destiny (Kaitlin Olsen from It’s Always Sunny in Philadelphia), a nearsighted whale shark, they’re quite a team.

FINDING DORYThere’s a road full of adorable otters, a loveably dorky ocean loon, Becky, who doesn’t say a word, and a great running joke about real-life actress Sigourney Weaver, who’s heard but never seen.

From the opening Pixar short (Piper, about a little sandpiper) to the credits (when Hank the octopus gets one last time in the spotlight), it’s all great fun, rollicking adventure and quite heartwarming. Director Andrew Stanton, who also steered WALL-E and Finding Nemo, and co-director Angus MacLane keep the pace lively, the jokes funny and the message clear: Friends are family, too.

There may be tears, and little ones, especially, may be more affected than grownups about Dory’s wrenching separation from her parents and her unflappable hopes that she will find them. This is, after all, the House of Mouse, the company that gave us Bambi, Pinocchio and Dumbo—not to mention Old Yeller, The Lion King and that flashback scene in Up.

But remember what Dory says: Just keep swimming, just keep swimming. You’ll make it.

—Neil Pond, Parade Magazine

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It’s Hammer Time…Again

Super-fans will get their fix, but everyone else might feel like this ‘Thor’ is just ‘more’

thor251e6e6b3ae340Thor: The Dark World

Starring Chris Hemsworth, Natalie Portman & Tim Hiddleston

Directed by Alan Taylor

PG-13, 112 min.

It’s hammer time again as Marvel Comics’ mallet-wielding Norse god of thunder makes his third appearance on the big screen.

Chris Hemsworth returns to the starring role and strides confidently into the story, which builds on elements from the first Thor (2011) as well as the The Avengers (2012), in which Thor joined with his fellow Marvel do-gooders Iron Man, Captain America and The Hulk.

Superhero franchise flicks have become big booming business, in case you haven’t noticed. All the ones based on Marvel characters start with a “flip-book” montage of Marvel iconography and end with teasers during and/or after the credits promoting upcoming movies, and the plots of most of them are already working ahead, spinning threads on storylines in the making and setting up new characters.

In this movie, as he does in every movie based on one of his characters, Marvel’s founder Stan Lee makes his obligatory cameo, and an Avenger pops in for a cameo. And now there’s a TV show, The Agents of S.H.I.E.L.D., about characters spun off from the movies that spun off from the comic books.

Natalie Portman

Natalie Portman

Maybe that’s why this movie often feels like one big, expensive promotion, and the main dramatic driving force of this Thor just seems to be “more.”

Superhero fans will probably get their fix, but everyone else could easily feel like they’re being hammered into submission by a major marketing plan.

The characters are the same as be-Thor…I mean before. There’s the blonde-haired astro-Nordic beefcake himself; Jane Foster (Natalie Portman), the beautiful, brainy Earth scientist who loves him; his father Odin (Anthony Hopkins), the king of the cosmic kingdom of Asgard; Thor’s resentful step-brother, the treacherous trickster Loki (Tim Hiddleston); and an assortment of returning supporting players, including Idris Elba, Stellan Skarsgård, Rene Russo, and Kat Dennings from TV’s 2 Broke Girls.

The story’s…well, if not the same, more of the same: Something catastrophic will happen if Thor doesn’t stop it. In this case, it’s an evil force called the Aether in the hands of Dark Elves who want to use it to seriously gunk up the universe.

thor2524c7d9f8335f

As the ensuing computer-generated battle rages across the vastness of space, and the story ping-pongs between Asgard and England, Middle Earth-ern bows, arrows, swords and shields mix with Star Wars-ish laser blasters, teleportation devices and anti-gravity beams, as if two sets of mismatched action figures somehow spilled out of the toy box and onto the play mat.

Think of it as Game of Thrones in a galaxy far, far away. Which isn’t too much of a stretch, given that director Alan Taylor’s impressive TV resume includes that particular HBO series.

Tim Hiddleston

Tim Hiddleston

But Hemsworth owns his role, and so does Hiddleston as the villainous Loki, who has certainly become one of the franchise’s strongest second-tier characters.

It’s Stellan Skarsgård’s nutty professor Selvig, however, that really intrigues me. He prances naked around Stonehenge, uses a pair of shoes to explain a complicated theory of planetary alignment, knows how to take the oomph out of Armageddon, and works without pants because he says his brain functions better that way.

Now, when is that guy getting his own spin-off?

—Neil Pond, American Profile Magazine

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