Tag Archives: Katherine Waterston

Coming to America

Eddie Redmayne brings Harry Potter legacy stateside 

FANTASTIC BEASTS AND WHERE TO FIND THEM

Fantastic Beasts and Where to Find Them
Starring Eddie Redmayne, Katherine Waterston, Colin Farrell & Dan Fogler
Directed by David Yates
PG-13
In theaters Nov. 18, 2016

The “boy wizard” Harry Potter exited the movies in 2011 after a $10 billion box-office run of eight hugely popular films. But he never really left.

But author J.K. Rowling kept the character alive and well in a London stage play, Harry Potter and the Cursed Child, and in new tales on her Potterworld website. And the legacy certainly thrives in Fantastic Beast and Where to Find Them, a spin-off “prequel” that takes place 70 years before the events depicted in the first Harry Potter movie.

Beasts—written and co-produced by Rowling and directed by David Yates, who also directed the final four Harry Potter flicks—is the story of Newt Scamander (Eddie Redmayne), a young Hogwarts-trained “magiczoologist” who comes to New York City in 1926 on a mission to “rescue, nurture and protect” the world’s magical creatures.

FANTASTIC BEASTS AND WHERE TO FIND THEMNewt is also documenting his travels, like a wizard-ing Charles Darwin, for a book that will be called Fantastic Beasts and Where to Find Them—which will also, decades later, become one of Harry Potter’s textbooks.

But the Big Apple isn’t a very hospitable place, at that particular time, particularly for wizards. As Nazi fascism spreads abroad, the dark specter of an evil wizard-warlord, Gellert Grindelwald, looms even larger, and the public views anyone with any twinkle of magical abilities with fear and suspicion. A sect of witch-hunting fanatics, the Second Salemers, rallies to ferret out wizards in New York City, putting America’s own benevolent Magical Congress on the defensive.

So when some Newt’s “beasts” get loose from his carry-on, it creates quite a stir—and sets off something like a 1920s version of the game Pokèmon Go as Newt scurries and scrambles trying to find them all.

FANTASTIC BEASTS AND WHERE TO FIND THEMIn a movie called Fantastic Beasts, you’d expect some fantastic beasts, and you can indeed find them here. There are teeny green Bowtruckles, whimsical, shy, plant-like sprouts that can come in quite handy, say, if you’ve got a lock to pick. The regal Thunderbird, an enormous avian creature (the Hippogriff in later Potter lore), can sense danger and create storms. The primate-like Demiguise has shiny silver fur, when he’s not invisible. An Occomy, a plumed, dragon-like bird, hatches from pure silver eggs worth a fortune and can grow—or shrink—to any size, filling up a department store or diving into a teacup. The Erumpent, a love-stuck, rhino-like behemoth, has a gigantic glowing horn.

But everyone’s favorite will be the Niffler, a rascally, kleptomanic cross between a mole and a platypus that can’t keep his tiny paws off coins, watches or anything worth snatching.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Katherine Waterson

Percival Graves (Colin Farrell), the director of security for the Magical Congress, comes down hard on Newt for smuggling creatures into the states—but, as his last name suggests, Graves may also have other, hidden, more sinister motives. Katherine Waterson is Tina, a witch who becomes Newt’s ally. Alison Sudol, from TV’s Transparent, plays Tina’s free-spirited sister and roommate, Queenie. Ezra Miller is Credence Barebone, a troubled young man with a painful past. Tony Award-winning Broadway actor Dan Fogler steals his scenes (and the hearts of the audience) as Jacob Kowalski, a loveable-lug “No-Mag” (non-magical) factory worker, World War I veteran and aspiring baker exposed to the world of magic through his new friendship with Newt.

Fantastic Beasts will delight Harry Potter fans who’ve been pining for more big-screen magic for six years. It has moments of humor, whimsy and fun, and it creates a new world of fanciful characters and detail. But its overall tone is dark, casting its fantasy adventure against a very serious backdrop of dread, paranoia and oppression that recalls not only history’s long shadows but also many of today’s pitched, polarized emotions. And it seems like a Hollywood fizzle when a movie so rich in wizardly wonders and escapist marvel builds to a standard, blockbuster-y blowout, with 10 minutes of crashing, booming CGI destruction and noise. Yes, a major city gets demolished once again, and yet no one seems to get seriously injured or killed—just like in almost every modern superhero smash-fest.

Early in the film, Tina watches Newt catch one of his creatures, place it back in his grip and quickly snap it shut. “What else have you got in there?” she asks him.

A lot! And in more ways than one—there are four more Beasts movies planned. Expect to see a lot more of Newt, Tina, Queenie and Jacob.

Redmayne, an Oscar-winning actor, is fine in his role—gangly, earnest, a bit bumbling, striking the right tones as a scientist devoted to his work and his precious supernatural subjects. But Newt’s valise: Man, that’s one crazy road case, and it deserves its own star billing. It holds his magical menagerie, all his clothes and toiletries, and it serves as the portable portal to his fabulous, other-dimensional workshop, lab and zoo. And somehow it’s a zip to get through customs.

So if you’re getting me anything for Christmas, please look into one of those nutty suitcases. That would be a totally fantastic present.

—Neil Pond, Parade Magazine

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‘Vice’ is Nice

’70s counterculture detective yarn is one heck of a trip, man

INHERENT VICEInherent Vice

Starring Joaquin Phoenix, Josh Brolin, Reese Witherspoon & Katherine Waterston

Directed by Paul Thomas Anderson

R

A swirling, swingin’ sleuthing tale set at the dawn of the ‘70s on the seedy coastal side of Los Angeles, Inherent Vice stars Joaquin Phoenix as a keep-on-truckin’ private investigator coasting on a cloud of dope smoke, Josh Brolin as a hippie-hating L.A.P.D. detective who likes licking on chocolate-covered bananas, and a cavalcade of other characters who pop in and out to move the story along.

Director Paul Thomas Anderson’s dark-comedy adaptation of author Thomas Pynchon’s 2009 crime-noir/counterculture novel is a thing of cinematic achievement, fitting in comfortably with his other critically lauded films, There Will Be Blood, The Master and Boogie Nights. And it’s also one heck of a trip, man.

Phoenix plays Doc Sportello, who’s hired by a damsel in distress, his ex-lover Shasta Fey Hepworth (Katherine Waterston, actor Sam’s daughter), to investigate the disappearance of her new boyfriend, a wealthy real-estate tycoon, possibly arranged by his wife. But when Shasta Fey also goes missing, Doc realizes that he’s dealing with a love triangle that’s become an even bigger, much more unwieldy geometric tangle.

INHERENT VICE

Owen Wilson

How much bigger, and how complex? Well, there are Nazis, black power groups, a mysterious offshore schooner, a cabal of heroin-smuggling dentists, a surf-saxophone legend (Owen Wilson) who’s faked his own death, Eric Roberts in a looney bin, Reese Witherspoon as a federal district attorney who likes an occasional walk on the wild side, and a massage-parlor hoochie-coochie mama whispering a cryptic warning: “Beware the Golden Fang.”

As Doc tries to sort out who’s who and what’s what, things keep getting weirder and wilder. The characters’ names give you some idea of the story’s stoned-out La-La-Land twists and turns: Michael W. Wolfmann, Sauncho Smilax, Coy Harlingen, Rudy Blatnoyd, Puck Beaverton.

Brolin, with a perpetual scowl and a serious crew cut, nearly steals the show as Lt. Det. “Bigfoot” Bjornsen, who also moonlights as an actor (watch for him late in the movie cropping up in a “doctored” episode of Adam-12). Phoenix sports a set of mutton-chop sideburns that look like they’re about to invade his mouth at any moment. Funnyman Martin Short gets only 10 minutes onscreen as a lecherous dentist, but he makes the most of every second. Witherspoon and Phoenix have one entire conversation against the backdrop of a country song, Jack Scott’s “Burning Bridges,” which seems to be a nod to not only their relationship in the movie, but also their previous co-starring roles as John and June Carter Cash in Walk The Line (2005).

INHERENT VICE

Reese Witherspoon & Joaquin Phoenix

Phoenix worked with Anderson previously, in The Master, and the two have another fine synergy here. As Doc stumbles, unwashed and unkempt, through the case, he’s also stumbling through the end of an era, the come-together, flower-power ‘60s, and into another, the uncertain, unhinged ‘70s. Doc knows the times, they are a-changin’—and that wistful, wayward, weed-saturated vibe seeps into everything about Inherent Vice.

The story takes its title, we learn, from a maritime term about a piece of cargo’s hidden defect, something that makes it an unacceptable risk to insure. People—and places, relationships, even moments in time—can be defective, too, can spoil and go bad, as Doc knows all too well. But the defective, “damaged goods” Inherent Vice parades on screen only adds to the fractured fun of its hippy-dippy, time-tripping yarn.

—Neil Pond, Parade Magazine

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