Tag Archives: Kurt Russell

Saving the Galaxy…Awesome!

Family matters in ‘Guardians’ sequel, but mostly it’s a wild ride of bonkers space-rocket fun 

nullGuardians of the Galaxy Vol. 2
Starring Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Michael Rooker & Kurt Russell
Directed by James Gunn
PG-13
In theaters May 5, 2017

“We’re saving the galaxy again?” asks the rascally raccoon known as Rocket. “Awesome!”

Many fans will have the same giddy reaction at the return of Guardians of the Galaxy, the 2014 blockbuster about a ragtag, Robin Hood-ish crew of Marvel Comics space mercenaries. The gang from the original, which raked in more than $773 million at the box office, is also all aboard for the sequel, including writer/director James Gunn.

Leading the pack again is Chris Pratt as the cocky, roguish pilot Peter Quill, who still has an “unspoken thing” for the emerald-skinned she-assassin Gamora (Zoe Saldana). Former professional wrestler Dave Bautista is a man-mountain of red-tattooed muscle as Drax (the Destroyer), whose hearty laugh sounds like it could rattle the rings around Saturn. Rocket (voiced by Bradley Cooper), the mouthy raccoon genetically altered to become a master of weaponry and fighting, is given his own mini-story spinoff—which includes an especially zesty verbal spar with a dreadlocked baddie named Taserface (Chris Dowd, who plays Toby Damon on TV’s This is Us).

nullAnd even though you really can’t tell, that’s Vin Diesel once more providing the voice of Baby Groot, the new, little-sprout incarnation of the hulking tree creature that was part of the Guardians crew in the first film.

Baby Groot pretty much steals the show—and certainly every scene in which appears,  dancing, wiggling, running, grunting or simply saying the only thing he ever says: “I am Groot.”

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Rocket & Baby Groot

This time around, the Guardians get into serious trouble when Rocket double-crosses some gold-skinned aliens, the Sovereigns, led by the imperialistic Ayesha (Elizabeth Debicki).  That sets off an intergalactic bounty hunt by the Ravagers, a group of motley thieves, smugglers and space pirates.

But Peter Quill’s long-lost father, Ego (Kurt Russell), zooms to the rescue. When he takes the Guardians to his fabulous celestial home, a world he created, he lays the news on them: He’s actually a cosmic deity, a “celestial.” That makes Peter, his spawn, a bona fide star child.

“You’re…a god?” asks the incredulous Peter.

“Small g, son,” says Ego. “At least on days I’m feeling humble.”

The matter of Peter’s mixed DNA—his mother was an Earthling who died of a brain tumor when Peter was a child—looms large. And as most everyone knows, family matters can be complicated.

There’s a difference and a distinction between fathers and daddies, Peter is reminded by Yondu (Michael Rooker), the blue-skinned bandit who raised him. And Gamora is reunited with her sister, the cybernetically enhanced Nebula (Karen Gillan, Dr. Who’s Amy Pond), who has some major childhood grudges she still wants to settle.

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Gamora

All of this zaps and zooms along, as did the first movie, to a witty stream of pop-cultural riffs and references. Peter compares his slow-burn relationship with Gamora to Sam and Diane from the iconic rom-com Cheers, and he tells her how much he longed for his dad to be like dashing Knight Rider star David Hasselhoff. A wild, warping ride through space zones, in which characters’ faces contort in crazy, eye-popping ways, is a meta-reference to the work of legendary Looney Tunes cartoon animator Tex Avery. There’s a visual joke about Pac Man, and another very clever running gag that takes drone weaponry to an alien-videogame-arcade extreme.

And there are VIP cameos, one by someone Marvel fans always expect to show up in Marvel movies, and another by Sylvester Stallone, who mumbles a few mushy lines and then disappears for most of the rest of the movie.

Just like the original Guardians rocked out to Peter Quill’s “Awesome Mixtape Vol. I” cassette on his beloved Walkman, this one has an equally cool overlay of classic-rock gems to set the tone. It starts out with the Looking Glass super-70s hit “Brandy (You’re a Fine Girl),” and continues through “The Chain” by Fleetwood Mac, George Harrison’s “My Sweet Lord,” Jay and the American’s “Love a Little Bit Closer,” Silver’s “Wham Bam Shang-A-Lang” and several more.

And you’ve probably never thought of Electric Light Orchestra’s “Mr. Blue Sky” as the musical backdrop for the battle of a gigantic glop monster, or Glen Campbell’s “Southern Nights” as the soundtrack for a moonlit evening of finely orchestrated defensive-perimeter mayhem. But you probably will now.

It’s noisy, colorful, jam-packed and it ends—like a lot of superhero flicks—with a big, boom-y, blowout bang before a much softer, sentimental coda, one orchestrated to the meditative strains of the Cat Stevens song “Fathers and Sons.” But it’s a practically nonstop cascade of fast-paced, bonkers, high-spirited fun, a far-out space-rocket ride with a cast of endearing characters that have definitely found their movie niche and intend to hang onto it.

As the teaser at the end indicates, they’ll definitely be back—to save the galaxy again.

To quote Rocket the raccoon, “Awesome!”

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Need For Speed

A masterful cavalcade of carefully orchestrated vehicular mayhem

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Furious 7

Starring Vin Diesel, Paul Walker & Jason Stratham

Directed by James Wan

PG-13

Fast cars and stunt driving have always been Hollywood staples, but nothing raised need-for-speed thrills to the level of pop-art success like the Fast and Furious franchise, which began almost 15 years ago, spawned six sequels and became a $2 billion-plus property—one of the most lucrative ever—for Universal Studios.

Now, in the seventh installment, Vin Diesel and his virtually indestructible crew of pedal-slammers reunite to save the world from more devious dudes, including a super-bad Brit (Jason Statham) out to avenge the death of his brother from a previous movie. But the plot’s just so much air whizzing by from the dozens of vehicles that zoom, smash and sail across the screen. Don’t worry about following a storyline: Just sit back and marvel at the masterful cavalcade of carefully orchestrated vehicular mayhem, a dose of high-octane escapism ramped up to ridiculous, fantastical extremes.

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Dwayne “The Rock” Johnson

In addition to Diesel (who’s also one of the franchise’s producers), the parade of gear-jamming, road-ripping all-stars includes Dwayne “The Rock” Johnson, Michelle Rodriguez, rapper-turned-actor Ludacris and Tyrese Gibson, all of whom will be very familiar to anyone who buckled up for previous F&F joyrides. Kurt Russell comes aboard as a slick, mysterious quasi-governmental deep-cover operative, Mr. Nobody, who needs Diesel & crew’s help to put the brakes on an international criminal (Djimon Hounsou) who’s kidnapped a mastermind computer hacker (Nathalie Emmanual, who plays Missandei on TV’s Game of Thrones).

Director James Wan, the maestro of horror and suspense whose resume includes Saw, Insidious and The Conjuring, creates some absolutely stupefying set pieces, jaw-dropping scenes of stunts and special effects. In one, cars drop from a cargo plane, parachute onto a winding mountain roadway and roar off to assault a heavily armored convoy, leading to a literal cliffhanger—then keep going! Another features the world’s most expensive car racing through—and I do mean through—the world’s tallest building.

And, as usual, the car scenes are broken up by equally impressive fight scenes, magnificent, crashing, smashing slam-o-ramas, choreographed to perfection and shot with inventive, topsy-turvy camera angles that bring you right along for the tosses and tumbles. Mixed martial arts fighting champ Ronda Rousey and Muai Thai warrior Tony Jaa both have bone-crunching cameos.

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Paul Walker

But for all the speed and spectacle, something else truly makes this one special for Fast and Furious fans—and that’s the final appearance of Paul Walker, one of the series’ top stars, who died (ironically) in a car crash in 2013 while it was still in production. Using footage already shot, digital effects and body doubles as stand-ins, the filmmakers were able to complete all the scenes—and amazingly, most viewers will likely never be able to spot any trickery.

Rather than simply a character, Walker’s role is a cornerstone of the entire movie, which actually becomes a eulogy and a tribute to him. At the end, as Vin Diesel’s character rides, literally, into the sunset and says farewell, literally, to his old friend, a montage of scenes from their previous movies plays. It’s not fast, and certainly not furious, and it may make your eyes misty, for just a sweet moment or two, from something other than gravel dust, exhaust fumes and the head-spinning speed at which the next sequel, number eight, is already being readied to head our way.

—Neil Pond, Parade Magazine

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