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Movie Review: “Pressure”

How weather forecasters aided the most famous military operation in history

Pressure
Starring Andrew Scott, Brendan Fraser, Kerry Condon & Chris Messina
Directed by Anthony Maris
Rated PG-13

In theaters Friday May 29, 2026

Released just ahead of the 82rd anniversary of D-Day on June 6, this riveting drama puts a spotlight on the intense behind-the-scenes preparations for the largest seaborne invasion in history, one which marked the beginning of the end of World War II.

But Pressure isn’t a war movie, as such. Instead, it’s a weather movie—about the high-stakes calculations, analytics and prognostic storms-or-shine head-butting that went into planning the 1944 invasion involving some 300,000 Allied troops, a naval armada and airborne reinforcements. It’s the true story true story behind the far-better-known story, about predicting the optimal time to slip the mission between two monstrous North Atlantic storms a-brewing, keep it a secret from the Germans, and pull off a risky North Atlantic hail Mary.

The plot centers on Group Capt. James Staggs (Andrew Scott), a no-nonsense Scot and the highest-ranking meteorologist in Great Britain’s Royal Air Force, brought aboard to head the invasion task force monitoring the weather. But he clashes with Irving Kirk (Chris Messina), a cocky military climatologist from California. And at the top of it all is Gen. Dwight D. Eisenhower (Brendan Fraser), the Supreme Commander of the Allied forces. 

Tempers flare as Staggs and Kirk spar over what kind of weather they think is coming to the coast of France, and when. Kirk insists the date set for the invasion will be bright and sunny. Staggs is steadfast in predicting abnormally unstable conditions with massive waves, torrential rain and near-zero visibility. Can Staggs convince the military that the invasion, as planned, will confront “the wrath of nature” and likely fail?

None of the brass assembled in England sides with Staggs, or what he tells them about the desperate need to postpone their plans. They’re all rarin’ to go, particularly Britain’s battle-hardened Field Marshall Montgomery (Damien Lewis). Only Eisenhower’s chief aide, Kay Summersby (Kerry Condon), has a sympathetic ear for Staggs, especially after he gets some devastating news about a bombing back in Scotland that hits horribly close to home.

The movie’s title is appropriate. The invasion planning is a high-pressure situation, with hundreds of thousands of lives—and even the fate of the free world—in the balance. What if Staggs steers the Allied forces wrong? But pressure also has meteorological significance, with atmospheric barometric pressure an auger of what the skies are going to do.

The cast is top-notch, all conveying the magnitude of the decisions shaping the situation as the clock ticks away and days become hours. Director Anthony Maris masterfully rachets up the tension with every scene, never letting his characters slip into simple stereotypes. Fraser in particular puts another notch in his “serious” acting belt, following up his acclaimed roles in The Whale and Rental Family. The guy who once played Tarzan and George of the Jungle makes you feel the crush and the crunch borne by the commander in chief.

The D-Day landing has been depicted in numerous movies, including Saving Private Ryan, The Longest Day and The Big Red One. This one also shows the bullets flying and bodies falling as the Allies come ashore, but that’s not its focus.

It’s a riveting backstory of weather pros and military honchos, all hunkered down behind the battle lines while orchestrating a pivotal moment that would go down in history one way or another, as a hard-won success or a cataclysmic failure. We see Eisenhower presenting two statements on the eve of the invasion, one to read if it was a success, and the other taking full responsibility if—as Field Marshall Montgomery puts it—the free world ends up overrun by goosestepping to Hitler’s drumbeat.

In Pressure, that pressure is palpable, the stakes sky-high, and the risks nothing less than global. See it and be reminded of a fraught moment in time when the winds of change, and the end of World War II, might have easily gone another way.

Neil Pond

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Don’t cross ‘The Family’

De Niro, Pfeiffer play mobster mom and pop on the lam

RDN_and_TLJ_cropThe Family

Starring Robert De Niro, Michelle Pfeiffer & Tommy Lee Jones

Directed by Luc Besson

R, 111 min.

Released Sept. 13, 2013

“Want a hand with the bags?” Maggie Blake (Michelle Pfeiffer) asks hubby Fred (Robert De Niro) as he heads out to unload the car after arriving at their new home with their two teenage kids.

No, says Fred, he’s got it covered.

The bag Fred’s about to cover—with dirt, in his new backyard—is no suitcase. It’s a plastic tarp with a dead body wrapped inside. And the family in The Family is no ordinary family.

The “Blakes,” the alias they’re using on this move to a villa in Normandy in the north of France, are a mob family on the run. “Fred,” a former Brooklyn Mafioso whose real name is Giovanni Manzoni, ratted out all his old associates. Now under federal witness protection supervised by a grumpy senior agent (Tommy Lee Jones) trying to keep him alive as the slow wheels of justice turn, he’s a wanted man in hiding with a $20 million underworld bounty on his head.

PortraitA big problem, however, is that Manzoni and his family find it impossible to leave the old days, and the old ways, behind. Maggie sets off a homemade bomb in a local market when the French salesclerk and a couple of snooty customers gossip about her. The two teens, Belle (Dianna Agron, from TV’s Glee) and Warren (John D’Leo), don’t waste any time at their new high school seducing a teacher, beating fellow students to a pulp and setting up a flow of goods and services to make things run smoothly.

And Giovanni…well, even though he insists he’s a “nice guy,” he still has a problem controlling his “sadistic urges.” Pity the poor plumber who wants to overcharge him for repair work, or the head of the local factory that Giovanni’s been told is responsible for funk-i-fying his drinking water.

Bat

Don’t cross the family, or you might end up in the hospital—or worse.

All of this makes The Family a strange mash-up of a vicious mob yarn squeezed into a foul-mouthed, movie-length sitcom. Every chuckle it gets is followed up (and swallowed up) by moments of gasp-worthy violence.

For De Niro, this kind of role has to pose a special kind of challenge: How do you play criminal goombahs without falling back into the very stereotypes that you so masterfully created, across the decades, in movies almost too numerous to mention, like The Godfather II, Goodfellas and Casino? Here he just seems to roll with the big inside joke, culminating in Giovanni getting invited to be a guest commentator for an American movie night in the villa, an event that turns out to have a loaded meta-connection to both the actor and his character.

Pfeiffer, too, appears to be having fun, strolling down a movie-memory lane that often recalls her 1988 role in Married to the Mob, especially in a flashback to the family’s happier New York days.

French director Luc Besson based the movie on a French book, Malavita, which translates literally to mean Badfellows. Martin Scorsese, one of the movie’s producers, directed De Niro in Raging Bull, Casino, and Taxi Driver and…yes, Goodfellas.

A subplot involves Giovanni’s alias as a historian, telling his new neighbors he’s working on a book about the D-Day invasion of 1944. Then, the Americans were cheered in Normandy as liberators and heroes. This time around, after all the beatings, bashings, bullets and bloodshed dealt by the so-called Blakes, I suspect the folks in France would be more than happy to say au revoir to the The Family and set them sailing on a boat back home.

—Neil Pond, American Profile Magazine

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