Tag Archives: neil pond

Crime Spree

CSI’ had a busy 14th season—now on DVD

CSI_The 14th Season

CSI: The Fourteenth Season

DVD $64.99 (Paramount Home Video)

The 2013-2014 season of the long-running CBS crime procedural series featured stars Ted Danson and Elisabeth Shue tracking down all kinds of trouble, celebrating their 300th episode with a “flashback” to the beginning, reuniting with a former team member (Marg Helgenberger), saying farewell to another (Paul Guilfoyle), and spinning off a special agent (Patricia Arquette) for her own new upcoming series, CBS: Cyber. Bonus content on this six-disc packaging of all 22 episodes includes cast interviews, commentaries, and spotlights on some of the season’s guest stars (Gene Simmons, Lea Thompson, Jordin Sparks, Robert Davi and Treat Williams).

 

—Neil Pond, American Profile Magazine

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Start Your Chariots

Ben-Hur at 55

Ben-Hur Diamond Luxe Edition

Blu-ray $24.98

Director William Wyler’s 1959 towering epic, which swept up a record-setting 11 Oscars, starred Charlton Heston in the iconic title role as a Jewish nobleman whose dramatic odyssey included Roman captivity, banishment as a galley slave, an epic chariot race and encounters with Jesus Christ. In commemoration of its 55th anniversary, this deluxe re-release of includes a wealth of bonus content, including commentary by Heston and a film historian; a feature-length retrospective documentary; the 1925 silent version of the tale; screen tests; vintage documentaries; and more.

 

—Neil Pond, American Profile Magazine

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Fin-tastic & For Real

All-star cast returns for more true-life dolphin aqua-drama

DOLPHIN TALE 2

Dolphin Tale 2

Starring Harry Connick Jr., Cozi Zuehlsdorff & Nathan Gamble

Directed by Charles Martin Smith

PG

Critics and audiences alike cheered for the first Dolphin Tale, the story of a bottlenose dolphin rescued off the coast of Florida and custom-fitted with a prosthetic tail after tangling and mangling hers in the wires of a crab trap.

The 2011 movie was based on true events, real people, and the actual place, the Clearwater Marine Aquarium, where the repaired and rehabilitated sea mammal, renamed Winter, became a star attraction.

DOLPHIN TALE 2

Nathan Gamble and Cozi Zuehlsdorff

Dolphin Tale 2 continues Winter’s remarkable (true) story and reunites most of the original cast, including Harry Connick Jr., Ashley Judd, Morgan Freeman and Kris Kristofferson, along with teen actors Cozi Zuehlsdorff and Nathan Gamble, and the real-life Winter. Actor-director Charles Martin Smith (watch for him as the aquarium inspector) also returns as writer-director, and surfer-celebrity Bethany Hamilton, whose left arm was infamously bitten off by a shark, makes a cameo.

DOLPHIN TALE 2

Harry Connick Jr.

Once again filming on location at the Clearwater facility, this Dolphin tale involves a new predicament for Winter—and the interplay of emotions between humans as well as other creatures, including affection, bonding, celebration, loneliness, loss, anxiety, and the bittersweet pangs of goodbye. “We don’t know if dolphins feel emotions the way we do,” notes Sawyer (Nathan Gamble), Winter’s young trainer. No, we don’t—but the movie clearly wants us to think that they might…and believe that they can.

And you will believe, as well as learn a thing or two about dolphins—like how regulations prohibit keeping a dolphin in captivity alone, without a companion, and how even the most “trained” dolphin is still a wild animal that can seriously injure a human. You’ll also understand how Winter became such an inspiration for so many real-life visitors, from kids to war veterans, who had lost a limb, or more—as one scene (and even more so, the documentary footage that runs at the end of the movie) so movingly depicts.

DOLPHIN TALE 2Children especially will enjoy the antics of couple of non-dolphin characters, a pelican and a rescued sand turtle, that become unlikely buddies. (And grownups might also pick up a message about how the heart’s gonna do what the heart’s gonna do, without letting land, sea, air, species or anything else stand in the way.)

Like its predecessor, Dolphin Tale 2 is another wholesome, family-friendly movie especially good for younger kids and tweens, and it avoids playing down to its audience, or dipping into the crude humor that often creeps into fare for even the youngest viewers (although there is a blowhole emission, which sounds like a fart, that is clearly meant to get a laugh). There are thoughtful, smart plotlines about growing up, taking responsibility, making tough decisions, sorting out the blurry lines between jealousy and affection, learning lessons in unlikely places—and the drama of waiting to see what happens to Winter when her options appear to have run out.

There’s no explosive razzle-dazzle, and no splashy special effects—but lots of real splashes, some dandy, ballet-like, below-water swimming sequences, and plenty of emotion centered around one fin-tastic dolphin, Winter, whose true tale continues to uplift and inspire.

 —Neil Pond, American Profile Magazine

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Musical History Tour

How 50 instruments shaped the development of modern music

 The History of Music in 50 Instruments

The History of Music in 50 Instruments

By Philip Wilkinson

Hardcover, 224 pages, $29.95 (Firefly Books)

 

Strike up the band! This informative, generously illustrated guided tour of musical history looks at 50 orchestra instruments and how they each contributed to the march of musical time—the spread of the lute from the Middle East throughout Europe during the Renaissance; the importance of the organ in cathedrals and churches; the versatility of the “exotic,” jingly-jangly tambourine; the role in the drum and the piccolo in the military; saxophones as the backbone of jazz. It’s a treasury of facts about composers, musicians and compositions and—of course—the instruments that made it all possible.

 

—Neil Pond, American Profile Magazine

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Java Juiced

A wide-ranging look at “our daily habit” and its effects

Caffeinated 

Caffeinated

By Murray Carpenter

Hardcover, 270 pages (Hudson Street Press)

 

Had your fix today—your caffeine fix? The most popular drug in America is the completely unregulated one that we get in our coffee, teas, colas, chocolate and even some pain relievers. This well-researched, wide-ranging look at “how our daily habit helps, hooks and hurts us”—by a writer for NPR, The New York Times and Wired—is compelling, comprehensive, insightful and more than a little bit scary. Read it and you’ll probably never sip that morning cup of java so nonchalantly again.

 

—Neil Pond, American Profile Magazine

 

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Feel The Draft

Kevin Costner leads all-star cast in behind-the-scenes drama

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Draft Day

Blu-ray $39.99, DVD $29.95 (Lionsgate)

 

Kevin Costner leads an all-star cast (including Jennifer Garner, Denis Leary, Frank Langella, Sam Elliott, Sean Combs, Terry Crews, Tom Welling and Houston Texans running back Arian Foster, making his feature film acting debut) in this behind-the-scenes drama about a pro football team manager navigating and negotiating his way through the hurdles—unhappy fans, a contentious coach and a bottom-line manager—of the NFL’s high-stakes Draft Day. Bonus features include a 58-minute making-of documentary, commentary, and a behind-the-scenes look at the real NFL draft.

—Neil Pond, American Profile Magazine

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Return to Sender

Elvis-tinged parable of twins is bland exercise in make-believe

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The Identical

Starring Blake Rayne, Ray Liotta & Ashley Judd

Directed by Dustin Marcellino

Rated PG

The movie or its marketing materials don’t say it, so I will: The Identical is the strangest Elvis movie not about Elvis you’ll likely ever see.

It’s about a young man who grows up in the South, unaware that he has a twin brother who’ll grow up to become a hip-shakin’ singing sensation—just like Elvis. The young man shares his twin’s musical talent, his Elvis-y stage moves, his Elvis-y looks, and he even gets hired as an impersonator, becoming famous as the best Elvis-y copycat in the business.

But The Identical only makes one fleeting reference to Elvis. Instead, it pretends its characters exist independently, in a bubble, but parallel to real events and real people, including Elvis. It all makes for a curious, weirdly weightless little exercise in make-believe—especially since the movie make-believes it’s not about Elvis. (The movie doesn’t have any rights to actual Elvis music, or anything else “Elvis”—because those things cost a lot of money.)

Elvis actually had a twin brother who did not survive childbirth. What might have happened, though, had Presley’s twin lived? Perhaps something like this, The Identical suggests.

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Ray Liotta and Ashley Judd

A poor couple in Depression-wracked Alabama gives birth to twin boys, but can’t afford to raise them both. So they give away one to a traveling evangelist (Ray Liotta) and his wife (Ashley Judd), swearing them to lifelong secrecy. Then they stage a mock funeral, burying an empty shoebox behind their ramshackle house, so the neighbors won’t question why the infant is no longer around.

The years pass. Newcomer Blake Rayne (a former Elvis impersonator—for real!), making his acting debut, plays both the preacher’s kid, Ryan Wade, as well as the pop-rock sensation Drexel Hemsley, although Drexel has only a couple of scenes and one mumbled line of dialog. This is the story of the “other” brother, who’s tugged between the rock ’n’ roll DNA somehow in his genes and the wishes of his father to pursue a more righteous path.

The Identical is a modest little movie, made on a shoestring, no-frills budget of $3 million. Sometimes it feels just one rib poke away from a Saturday Night Live skit, or the kind of outright parody John C. Reilly did with Walk Hard: The Dewey Cox Story, his faux-Johnny Cash send-up. But it plays it straight—and narrow, constantly hammering its faith-and-values themes of reconciliation, forgiveness and discovering “who [God] made us to be,” and over-amping every emotional tone to eleven.

Seth Green and Joe Pantoliano provide hijinks that feel lifted from old Happy Days reruns. Judd spouts homilies like “Slap the dog and spit on the fire.” And Liotta (also one of the executive producers), best known for playing a mobster in Goodfellas, digs in to his role as a man of the cloth like it was made out of ham and cheese.

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Despite some scenes with howlingly high levels of hoke, some viewers will nonetheless likely find something to love about this bland, edge-less, Elvis-tinged parable, which has nothing to offend, shock or rub even the most sensitive of sensibilities the wrong way—like a lot of Elvis’ music, or his own movies. Come to think of it, Presley may have “left the building” long ago, but his spirit is still around, even in a strange little movie that pretends it’s not.

 

—Neil Pond, American Profile Magazine

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Look Out ‘Below’

‘Found-footage’ scare excursion is a subterranean mess

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As Above, So Below

Starring Perdita Weeks & Ben Feldman

Directed by John Erick Dowdle

Rated R

If young actors ever stop filming themselves going into creepy places, Hollywood’s going to be in a real pickle—filmmakers will have to come up with some other premise for movies like this one, in which yet another batch of 20-somethings go exploring somewhere goose-bumpy, “documenting” the whole thing from the get-go.

This “found footage” technique started back in 1999 with The Blair Witch Project and spawned an entire sub-genre of horror-movie filmmaking, wherein the video that the characters make is later “discovered” and becomes the movie itself.

In As Above, So Below, British actress Perdita Weeks plays Scarlett, a spunky, sexy young history buff-archeologist-adventurer-truth-seeker looking for the Philosopher’s Stone, an ancient fabled object supposedly endowed with magical and mystical properties, including the power to heal and turn objects into gold.

8H89_TP_00003RAll signs point Scarlett, her clue-deciphering friend George (Ben Feldman, who plays Michael Ginsberg on Mad Men), and their tag-along documentary filmmaker, Benji (Edwin Hodge), to the catacombs underneath Paris, the labyrinth of tunnels where some six million bodies have been interred for centuries. Linking up with a trio of cocky, graffiti-tagging French spelunkers, they dig in.

If you’re looking for good scares, you’ll have to wait a while; it takes a while to get going in the shock-o-rama department, and starts out much more in Indiana Jones/Tomb Raider mode. For the first hour or so, it’s all blah-blah and buildup, which adds a bit to the creep-out factor but will disappoint anyone expecting something scarier.

The explorers have to crawl through a narrow passageway full of bones; Benji freaks out and gets stuck. Then they find out they’ve been going in circles. They come across a room full of topless chanting women—ooh la la! And when the real “jolts” start coming, they somehow don’t seem to alarm anyone nearly as much as you’d think they would, especially when things take a decidedly weird, paranormal turn.

“Abandon hope, all ye who enter here,” reads the inscription over one passageway they encounter. Hmmm, notes Scarlett “That’s the inscription over the gates of hell.” But in everyone goes—of course.

8H89_FPF_00155RThe plot meanders, like the characters, who spend the majority of the movie lost, wandering, scooting, squirming, slithering, sliding, crawling, running, splashing, or thrashing around in the semi-darkness, rappelling up and down holes, and peeking, panting and peering around corners. It’s almost feels like they’re looking for not only the Philosopher’s Stone, but also a basic storyline, much like the audience.

Things eventually turn violent and bloody, and even more confusing. At the end of it all, it’s a hopelessly tangled, shaky-cam knot of “gotcha!” haunted-house images, loopy, incomprehensible mumbo-jumbo and bargain-basement recycled ideas from other movies. As Above, So Below is reportedly the first movie ever given permission to film in off-limits parts of the Paris catacombs, the largest cemetery in the world. Too bad it comes out such a super-sized subterranean mess.

—Neil Pond, American Profile Magazine

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Not-So-Simpler Times

Re-examining the era of James Dean, ‘Ozzie & Harriet,’ & ‘I Love Lucy’

The Forgotten Fifties_cover

The Forgotten Fifties

By James Conaway

Hardcover, 224 pages, $45 (Skira Rizzoli)

From the pages and archives of LOOK magazine, a publication that defined the Fifties in images and words, comes this handsome photographic celebration of the complicated, often contradictory era that transformed America’s identity through an unprecedented confluence of socio-economics, culture and politics at the end of World War II. With 200 color and black and white photos, it’s a chronological museum of memories charting the ups and downs of a nation as it finds its way through the often mixed signals of Ozzie and Harriet and I Love Lucy, John F. Kennedy, James Dean, Disneyland, suburban prosperity, urban slums and other touchstones from an era that wasn’t quite as simple as it might seem.

 

—Neil Pond, American Profile Magazine

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Come Fly With Me

America takes wing in dishy social history of commercial air travel

 Jet Set

Jet Set

By William Stadiem

Hardcover, 368 pages, $28 (Ballantine Books)

Fly the friendly skies in this rip-roaring social history of America taking wing in the late 1950s and early ’60s, as commercial airline travel became a commodity for “ordinary” people along with movie stars, moguls and glamorous, globetrotting trendsetters. Smart, sexy and full of dishy detail, it’s like a real-life Mad Men in the air, peopled with characters from all walks of history and pop culture, including eccentric millionaire Howard Hughes, hotel magnate Conrad Hilton, budget-travel icon Arthur Frommer, and dozens of others who helped create the irresistible allure of the “jet set.”

 

—Neil Pond, American Profile Magazine

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