Tag Archives: racing

Movie Review: “F1® The Movie”

Brad Pitt takes the wheel of rip-roaring motorsports drama

Damson Idris & Brad Pitt play racetrack teammates in ‘F1.’

F1® The Movie
Starring Brad Pitt, Kerry Condon, Javier Bardem and Damson Idris
Directed by Joseph Kosinski

Rated PG-13

In theaters Friday, June 27

What has four wheels and flies? It’s Brad Pitt as a pro race driver, flying around international Grand Prix tracks at 200 miles per hour in in this revved-up, rip-roaring, grandly orchestrated gearhead motorsports drama. He stars as Sonny Hayes, a veteran wheelman whose career was derailed decades ago, now onboard and back in the game once again.

Oscar-winner Javier Bardem (No Country for Old Men) is a F1 franchise owner—and a former racing colleague of Sonny’s—who convinces his old teammate, now living as a nomad in his van, to rejoin him. He wants Sonny’s behind-the-wheel skills to help energize his elite team, struggling to stay in the high-stakes, big-money global competition.

Irish actress Kerry Condon (Better Call Saul, The Banshees of Inisherin) plays Kate, the team’s ace technical director, designing an array of aerodynamic racing do-daddery—that is, when she’s not swooning over Sonny.  Damson Idris (FX’s Snowfall) is the young media-star rookie, Joshua, who initially dismisses Sonny as a reckless, washed-up has-been.

Can the hotshot come to see the veteran as a friend, a mentor and a teammate, instead of a cocky, risk-taking intruder? Stick around and find out.

It’s all big, loud, shiny and expensive looking, rumored to have cost some $300 million to make, with $30 million going to Pitt—the loftiest upfront payday he’s ever received for a film. And the camera makes the most of his high-paid, high-wattage star power. There’s no question about who’s in the driver’s seat here—it’s the two-time winner of People magazine’s “Sexiest Man Alive” designation, an actor who, at 61, certainly still knows how to light up a closeup. And it’s no surprise we get at least one good look at his still-toned abs.

If sometimes its style and rhythms feel like Top Gun on a racetrack, with combative cars instead of fighter jets, that’s probably because director Joseph Kosinski also directed that film’s 2022 sequel, Top Gun: Maverick. Sonny flies into the danger zone, much like Tom Cruise did, but keeps things a lot closer to the ground.

The movie immerses viewers in pro racing, putting you “in the cockpit” with drivers as they’re blasting through tight turns, tearing down straightaways and weaving through crowded packs of other vehicles. Cars were fitted with up to 15 separate camera mounts to capture the whooshing wowza action from every angle. We’re alongside hustle-bustle pit crews as they make repairs in mere seconds. We learn a lot about tires, and why they need changing so often. (I don’t remember any other movie, in fact, where tires become such a plot point.) We see some spectacular crashes and realize the constant danger. We watch Sonny slip a playing card into his race suit, just for luck, before each start. And everything is scored to a dramatic, sweeping soundtrack by Oscar-winning German mega-composer Hans Zimmer, with tuneful assists by Chris Stapleton, Led Zeppelin, Ed Sheeran, Doja Cat and others.

It all comes down to a big final Grand Prix in Abu Dhabi, elevating the breathless excitement and the tension with each lap in the capital city of the United Arabic Emirates. Will Sonny’s car hold together? Can Josh make it across the finish line without a smashup? Will all those Arabian dignitaries get oil stains on their white throbes?

At one point, Sonny talks about why he loves to drive, the transcendental Zen-like moments when speed becomes almost a drug, getting him high. For moviegoers with a “need for speed” and seeking a summertime cinematic high, F1 will certainly give you that—and maybe a little whiplash. So, harness up, grab a helmet, and hang on. And maybe tuck a playing card in your pants pocket, just for luck.

Neil Pond

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Vrooom For Improvement

Disney’s video-game-based racing movie coasts on other films’ fumes 

NEED FOR SPEED

Need For Speed

Starring Aaron Paul, Dominic Cooper & Imogene Poots

Directed by Scott Waugh

PG-13, 132 min.

“This ain’t just about racing,” says one of the characters in Need For Speed in a conversation that scrapes momentarily up against something other than what the rest of the movie is all about.

OK, if want to be picky, you might also say it’s about love, rivalry and retribution, and the Cinderella story of a young mechanic, Tobey Marshall (Aaron Paul of TV’s Breaking Bad), out to save his family business and clear his name.

NEED FOR SPEED

Aaron Paul plays mechanic-racer Tobey Marshall.

But let’s cut the crap—it’s really about racing. It’s the movie version of a popular video-game about fast cars and the adrenaline junkies who push them beyond limits any sane person would consider normal.

There’s a suped-up, 900-hp 2015 Mustang GT, a Lamborghini, a McLaren and several other exotic pieces of world-class automotive muscle. There are also airplanes, helicopters, goons with guns, and things going on road, off road, into the air, and in one memorable scene, over the side of a deliriously high desert cliff.

If all that gets your saliva glands glistening, well, this big, grinding gear-fest is for made for you. The folks at Disney are hoping you won’t notice that this low-star-wattage clone of the wildly successful Fast & Furious franchise is mostly running on empty, coasting on fumes from other, better movies.

And Disney surely must be turning a big blind mouse-eye to the fact that everything in it glorifies an illegal, dangerous activity, and that even its “good guys” show no regard for the lives of the innocent bystanders they imperil, whether they’re plowing around a poky school bus full of kids or smashing into a homeless man’s shopping cart as he pushes it across a city street—then laughing about it.

The only time you see anyone even buckle up a seat belt, it’s also also used as a punchline. Safety, yeah—ain’t it a hoot?

NEED FOR SPEED

Michael Keaton

Michael Keaton plays the manic promoter of an invitation-only, secret-location race to which only the best drivers get invited. Tobey’s foil is a stinking rich piece of car-collecting Euro-trash (Dominiqic Cooper). There’s a token female (Imogene Poots), who gives her subplot a whiff of Smokey and the Bandit.

In fact, director Scott Waugh tips his hat several times to car movies of the ’70s, and viewers who are inclined can pass the time between vroom-vrooms connecting the tire tracks to American Graffiti, Bullet, Two Lane Blacktop, Duel and other iconic flicks about the rubber hitting the road.

The plot is about as thin as the wisp of air between vehicles swishing past each other on a narrow highway, and the actors say empty-headed things like “I’m never gonna stop,” “You are out of your mind—and I love it!” and “We’ll settle this behind the wheel.”

But blah, blah, blah. People who go to see this movie are going to go for the cars, the rush, the roar, and the fact that this is real metal, real roads and real stunts, with a minimum of added special effects.

Anyone who doesn’t have quite the same compelling “need for speed” can just putter along in a slower, safer, saner lane—and pray that you don’t get flattened by some revved-up grease monkeys like the ones in this movie.

—Neil Pond, American Profile Magazine

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Life in the Fast Lane

Director Ron Howard’s ’70s racing rivalry is a hip, sexy crowd pleaser

Rush

Rush

Blu-ray + DVD $34.98 / DVD $19.96 (Universal Studios Home Entertainment)

Director Ron Howard’s thrilling recreation of the real-life rivalry between two 1970s professional racecar drivers, English daredevil playboy James Hunt (Chris Hemsworth) and straight-laced Australian Niki Lauda (Daniel Brühl), is a hip, cool-running crowd-pleaser set in the daring, dangerous golden age of Grand Prix racing. Olivia Wilde has a knockout supporting role as a globetrotting fashion model, and generous bonus features on the Blu-ray combo include a several mini-documentaries, including one on how Howard and his crew created the illusion of filming all over the world while shooting mostly in the United Kingdom, and another on the movie’s sexy flashback style.

—Neil Pond, American Profile Magazine

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