Tag Archives: Star Wars

The Entertainment Forecast

Feb. 21 – Feb. 27

A ‘Star Wars’ marathon, Tom Hanks the all-American & the king of Israel is in da ‘House’!

The ‘Saving Private Ryan’ star narrates a 10-part doc about the Americas.

All times Eastern.

FRIDAY, Feb. 21
Surface
In season two of the psychological thriller, Gugu Mbatha-Raw returns to the starring role as a young London woman who’s lost her memory and trying to piece her life back together—and realizing she’s in the company of some very dangerous people (Apple TV+).

A Thousand Blows
The latest from the creator of Peaky Blinders, this new series (below) set in the brutal world of illegal boxing was inspired by true-life tales of survival in the criminal underbelly of 1880s Victorian London (Hulu).  

SATURDAY, Feb. 22
Abducted in the Everglades
Tori Spelling stars in this lurid TV movie as a mom searching for her daughter that goes missing on a spring break trip in Miami (8 p.m., Lifetime).

Star Wars Marathon
Strap in and make the jump to hyperspace with Star Wars: The Force Awakens, The Last Jedi and The Rise of Skywalker (begins 1:45 p.m., TBS).

SUNDAY, Feb. 23
The Americas
Sprawling ten-part nature documentary series about our “supercontinent” of North and South America, narrated by Tom Hanks, was five years in the making—and you can see why! (NBC and BBC). 

Grosse Point Garden Society
Members of a suburban garden club find their lives interwoven by scandal, mischief and a scared secret. New series stars AnnaSopha Robb, Ben Rappapport and Nancy Travis (10 p.m., NBC).

MONDAY, Feb. 24
Beyond the Gates
New daytime drama is set in a leafy Maryland suburb, one of the most affluent Black counties in America (and just beyond the gates of the White House). Starring Michelle Visage, Clifton Davis and Daphne Duplaix (2 p.m., CBS).

Bike Vessel
After several heath crises, a 70-year-old man embarks on a transformative long-distance cycling trip with his son in this moving documentary (Independent Lens).

TUESDAY, Feb. 25
Forgotten Hero: Walter White and the NAACP
Meet the longtime leader of the NAACP and one of the most influential—but least known—figures in civil rights history (9 p.m., PBS).

Eyes on the Prize III: We Who Believe in Freedom Cannot Rest 1977-2015
Six-part anthology illuminates the bold stories of people and communities who continue to work for equality and racial justice in the decades following the American civil rights movement (HBO).

WEDNESDAY, Feb. 26
Baltimore’s Bridge Collapse
Find out more about the 2024 disaster when a massive container ship plowed into the Francis Scott Key Bridge, killing six highway workers. Are other bridges at risk of the same thing? (9 p.m., PBS).

THURSDAY, Feb. 27
The House of David
New series based on the biblical story of David (Michael Iskander) and how he eventually became the most celebrated and storied king of Israel (Prime Video).

The Case of Iwona Wieczorek
This gripping docuseries delves into one of the best-known disappearances in recent Polish history, about a 19-year-old high school graduate who vanished on the way home from a party (Viaplay).

READ ALL ABOUT

The British ‘rock scene comes alive in Dennis Morris: Music + Life (Thames & Hudson), a handsome retrospective of the lauded rock photographer’s exploration of music, race, culture and class, and his capture-the-moment lens work with Bob Marley, Oasis, The Sex Pistols, The Pretenders, LL Cool J, Oasis, Grace Jones, Patti Smith, Marianne Faithful and other British celebs.

Baseball season only lasts about half a year, but A Baseball Book of Days (McFarland) by Phil Coffin stretches out the saga of the game through an entire year—a chronically arranged compendium of trivia, facts, record-setting achievements, firsts, onlys and what-might-have-beens made to last from January thru December. It’s a grand slam of goodies for baseball fans of any stripe.

NOW HEAR THIS

Celebrated the 40th anniversary of David Lee Roth’s post-Van Halen debut as a solo act with The Warner Recordings 1985-1994 (Rhino), a splendid five-disc set with “Just a Gigilo,” “California Girls,” “Tobacco Road,” “Just Like Paradise” and much more music from Diamond Dave’s albums and EPs, including Crazy From the Heat, Eat ‘Em and Smile and Skyscraper.

BRING IT HOME

It brought home an armload of eight Oscars, and now you can see why all over again as Amadeus celebrates its 40th anniversary with a new 4K restoration. With star turns from F. Murray Abraham, Tom Hulse (fresh outta Animal House!) as the young musical genius Wolfgang Mozart, and Jeffrey Jones (the principal from Ferris Bueller’s Day Off).

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We Are Stardust

‘Rogue One’ is Rollicking Prequel to Original ‘Star Wars’ Saga

Rogue One: A Star Wars Story
Starring Felicity Jones, Diego Luno, Forest Whitaker & Riz Ahmed
Directed by Gareth Edwards
PG-13
In theaters Dec. 16, 2016

Space, science tell us, just continues to expand—endlessly, forever.

How else would it have room for Star Wars, the multi-billion-dollar franchise that just gets bigger all the time? It’s listed by Guinness World Records as the planet’s most successful movie merchandising series, a gargantuan, ever-growing realm of films, TV shows, games, comic books, toys and other products.

It all started back in 1977, sort of. As fans know, the first movie was really the fourth—or Episode IV—in the middle of a much bigger story arc to come, one that would play out over the following four decades. And now, the rollicking eighth film takes us back some 30 years, prequel-style, before the big bang.

Ben Mendelsohn

Ben Mendelsohn

In the new Rogue One: A Star Wars Story, Felicity Jones is a feisty fireball as Jyn Erso, the daughter of a brilliant scientist (Mads Milkkelsen) kidnapped by a fascist operations director (Ben Mendelsohn) of the Galactic Empire to complete his ultimate weapon of mass destruction, the Death Star. When Jyn finds out her father has built a secret booby trap, deep inside the device, by which it can be destroyed, she knows she has to help the Rebel resistance find and steal the blueprint of the weapon so the Death Star can be blown to smithereens.

These events, you may recall, preceded and set up the original Star Wars, and are summarized in that film’s iconic opening scroll: “It is a period of civil war… Rebel spies managed to steal secret plans…”

That alone should be enough to send goose bumps up and down the spine of any true fan. British director Gareth Edwards was only 2 years old when the original film—introducing the world to Luke, Han Solo and Princess Leia, and the loveable droids R2-D2 and C-3P0—came out, but he obviously immersed himself in the culture as he grew. While buzzing and humming with new characters, the visually splendid, dramatically stirring Rogue One remains steadfast to the legacy of the franchise and offers some delightful surprise appearances by “old” familiar faces—good, evil, human and droid.

Cassian Andor (Diego Luna) and K-2SO (Alan Tudyk)

Cassian Andor (Diego Luna) and K-2SO (Alan Tudyk)

Jyn gradually becomes part of a motley, multicultural, Dirty Dozen/Ocean’s 11-esque crew on a mission to steal the Death Star plans. Diego Luno is Capt. Cassian Andor, a veteran resistance spy, this movie’s version of Han Solo. Forest Whitaker plays Jyn’s mentor, Rebel insurgent Saw Guerra. Hong Kong action star and martial artist Donnie Yen is a blind warrior monk guided by the Force.

Riz Ahmed plays Bhodi Rook, a defected Imperial pilot seeking atonement. Alan Tudyk (the voice of the Duke in Frozen) provides the voice of K-2SO, or Kaytoo, a retooled, wisecracking Imperial droid who gets many of the movie’s best lines. Chinese actor-director Wen Jiang is fearless machine gunner Baze Malbus.

There are Imperial Destroyers, gigantic AT-ACT Walkers and fleets of Jedi Interceptors and X-Wings in pounding, eye-popping sky and land battles. Much of the action has strong military vibes, such as a rousing speech to the “troops” before a beach landing preceding a blistering assault with guns, grenades and aerial bombing. Filmed in the tropical island atolls of the Indian Ocean, the sequence is like a gritty, futuristic throwback to classic WWII cinema.

Off the battlefield, Rogue One works the themes of family, camaraderie and loyalty, and how—throughout time—the heavy hand of rule and repression has masqueraded as “peacekeeping.” When Jedha, a Jedi holy mountaintop city and rebel base, is attacked by the Death Star, it’s no stretch to think of the ancient Roman hammer coming down on Jewish cities like Jerusalem or Masada.

“We are stardust, we are golden, we are billion-year-old carbon,” wrote Joni Mitchell in her 1970 song “Woodstock,” her anthem for the hippie generation about how everyone is basically—elementally—connected. Science tells us stardust, originated from explosions billions of years ago, zillions of light-years distant, continues to swirl throughout the cosmos, regenerating in everything in the universe.

In Rogue One, “Stardust” is the nickname given to Jyn as a little girl by her father. It takes on a much deeper meaning as the movie progresses, and especially—quite literally—as it ends.

Who would have thought that a rollicking space opera so “long ago, in a galaxy far, far away,” back in 1977, could make such an impact, such a cultural explosion, still expanding and spreading? The next Star Wars, Episode VIII, is slated for December of next year, another—starring Alden Ehrenreich as young Han Solo—is tracking for spring 2018, and Episode IX is on the launch pad for May 2019.

In space, and just about everywhere else, the Star Wars stardust just keeps spreading, indeed. “We have a long ride ahead of us,” says Capt. Andor as he, Kaytoo and Jyn buckle up when their adventure gets underway. Fans will giddily enjoy every minute of Rogue One’s rousing journey spanning both yesteryear and tomorrow. And when it’s over, they’ll be ready to hop aboard again and again and again, for a ride that may just go on forever.

—Neil Pond, Parade Magazine

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Not So Far, Far Away Anymore

‘Star Wars’ comes roaring and soaring back in ‘The Force Awakens’

Star Wars: The Force Awakens

Starring Daisy Ridley, John Boyega and Oscar Issac

Directed by J.J. Abrams

PG-13

Deep into the most anticipated movie of the year, two central characters—one old, one new—are on a desperate mission and in a very tight spot.

“People are counting on us,” veteran smuggler Han Solo (Harrison Ford) growls. “The galaxy is counting on us.”

That pretty much sums up the lofty expectations placed on the movie, as well. The first new Star Wars film in nearly a decade, the seventh in the franchise, and the first since Disney bought the rights from founding father-director-creator George Lucas, it comes cloaked in secrecy and with a mothership of baggage. Diehard fans have been waiting for it for years. Speculation has been building for months. What will J.J. Abrams, the director of two Star Trek movies, bring to it—or do to it? It’s expected to be the biggest box-office moneymaker of the year, if not the decade, and maybe of all time.

So people—and perhaps the whole the galaxy—are indeed counting on this new Star Wars, and I don’t think they’ll be disappointed. It’s got everything any fan could want: powerful nostalgia, exciting new characters, rousing action, stirring emotion, spectacular scenery, eye-popping effects, and a plot that threads things that happened decades ago with things unfolding now—and points to things yet to come.

Harrison Ford as Han Solo

Harrison Ford as Han Solo

You probably already know that several iconic actors return. Harrison Ford’s Han Solo is still the coolest space cowboy of all time. Princess Leia (Carrie Fisher) has become a general. And Jedi legend Luke Skywalker (Mark Hamill)…well, everybody spends most of the movie looking for Luke, and so will you.

You’ll delight in seeing some very familiar other things again—X-Wings and TIE Fighters, the Millennium Falcon, two particular droids, a tall, hirsute biped and one very special light saber, in particular. And you’ll hear a couple of familiar phrases, too.

And there are some very impressive newcomers, as well. British actress is Daisy Ridley is terrific as Rey, a spunky junk scavenger on a desert planet who becomes a major player on a much larger stage—and provides young female Star Wars fans a rockin’ role model the likes of which they’ve never had before. Newcomer John Boyega makes a fine leading man as Finn, a stormtrooper who defects when his conscience won’t let him continue to fight for a cause he knows is wrong. Oscar Issac plays Poe Dameron, the cocky top-gun pilot of the Resistance.

Oscar Issac is Resistance          pilot Poe Dameron

Adam Driver is Kylo Ren, a disciple of Darth Vader, whose formidable powers were shaped by a treacherous past. Domhnall Gleeson drips evil as the fascist intergalactic general Hux. Lupita Nyong’o is cool but completely unrecognizable as the alien proprietress of a way-out-there interplanetary saloon frequented by a spectrum of crazy cosmic characters.

And the new little bleeping, beeping, cooing, purring “snowman” of a robot, BB-8, is a real scene-stealer.

With composer John Williams’ spectacular, swelling orchestral score once again providing the soundtrack, Star Wars has come roaring and soaring back, a fabulous, bountiful, richly rewarding payoff for anyone who’s been waiting, patiently or otherwise. You’ll cheer, you’ll chuckle, you’ll gasp, you’ll be giddy and you’ll maybe—likely—even shed a tear, or possibly two.

And come next December, when Disney’s eighth installment, Rogue One, hits theaters, you’ll be back in the ticket line again—won’t you?

—Neil Pond, Parade Magazine

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Shakespeare in Space

Another masterful mashup of the Bard and ‘Star Wars’

William Shakespeare's The Jedi Doth Return

William Shakespeare’s The Jedi Doth Return

By Ian Doescher

Hardcover, 168 pages $14.95 / $8.52 Kindle edition (Quirk Books)

 

Continuing the ultimate literary arc of geek-speak high homage, this third installment of author Ian Doescher’s parody of the entire Star Wars movie canon, re-told in the florid iambic pentameter “signature” of William Shakespeare, continues the interstellar adventures of Luke Skywalker, Han Solo and other familiar characters from “a long time ago in a galaxy far, far away”—all to a masterful mashup of English lit and pop culture that’s hilarious, dramatic and downright mesmerizing.

 

—Neil Pond, American Profile Magazine

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