Taraji P. Henson gets inside guys’ noggins, but there’s not much there
What Men Want
Starring Taraji P. Henson, Richard Roundtree & Tracy Morgan
Directed by Adam Shankman
It’s a man’s, man’s, man’s world, according to James Brown’s hit single from 1967.
And that still rings all too true for Ali Davis (Taraji P. Henson, the star of TV’s Empire), a go-get-’em sports agent for an elite corporation repping the upper crust of NFL, NBA and MLB superstars. But Ali’s gone about as far as she can go within the ranks of the male-dominated, bro-centric culture of her company.
She can take the off-color humor, the “locker-room talk” and the constant stream of chest-puffed, testosterone-fueled camaraderie. But when she’s passed over—again—for a promotion to full partnership, she blows a gasket.
“How am I supposed to fight a system that’s rigged against me?” she rails to her father (Richard Roundtree), a boxing coach. Roundtree knows a thing or two about fighting a rigged system. As the prototypical black detective in Shaft, back in 1971, he fought the system, the Man, the black mob and the white mob to find a crime lord’s kidnapped daughter.
But Ali finds her answer at a bachelorette party, where she drinks a fortune teller’s funky tea, then falls and bonks her head. When she wakes up, she discovers she can hear men’s thoughts. At first, it totally freaks her out. But then she realizes she can use her new “gift” to get inside guys’ noggins to get a real leg up on her competition at work—particularly to woo aboard a new young basketball hotshot (Shane Paul McGhie) and his helicopter dad (Tracy Morgan).
Director Adam Shankman, whose previous films include the musicals Hairspray and Rock of Ages, plus the comedies The Pacifier with Vin Diesel and Adam Sandler’s Bedtime Stories, pours on the yuks. But he doesn’t seem to have much of a feel about how to make this raunchy comedy about workplace inequality much more than a broad, lazy swipe at an easy, timely target.
The f-bombs fly. There are jokes about gays, Christians, farts, various styles of sex and all kinds of body parts. In a movie like this, when you hear “nuts,” you can assume it’s not a reference to Super Bowl munchies. There are inflated phalluses, phallus necklaces, a bong shaped like a phallus. We get it: Ali is “surrounded” by phalluses. When she “accidentally” calls her boss “Dick” instead of his real name, Nick, it’s supposed to be really funny.
The movie, a gender flip on the 2000 Mel Gibson comedy What Women Want, presents almost everything as a punchline. But if a human resources director could hear the “thoughts” Ali hears when she walks through a thicket of her male coworkers—well, it would probably be more “actionable” than laughable.
There are sports figures peppered throughout. Former Seattle Seahawks star Brian Bosworth plays Nick; there’s a high-stakes poker game with NBA legend Shaquille O’Neal, former NCAA All Pro player Grant Hill, Minnesota Timberwolves player Karl-Anthony Towns and Dallas Mavericks owner Mark Cuban.
A subplot involves Ali’s gaggle of girlfriends (Wendi McLendon-Covey, Lisa Leslie, Phoebe Robinson, Tamala Jones) and how her ability to hear the thoughts of their husbands and boyfriends isn’t always such a good thing. A wedding scene becomes a raucous free-for-all when Ali decides she can no longer hold in the truth about the men in the wedding party.
Singer Erykah Badu hams it up as the kooky shaman who cooks up the concoction that expands Ali’s mind, and you’ll see a host of other familiar faces—most notably Josh Brener from HBO’s Silicon Valley as Ali’s swishy man Friday, Brandon; Saturday Night Live’s Pete Davidson; Max Greenfield of New Girl; The Detour’s Jason Jones; and Kellan Lutz, best known as Emmet from the Twilight movie series, as a hunky-hot neighbor.
What do men want? “To get paid and get laid,” says Ali. Seems like she’s after the same thing, especially when she’s in the hay doing the wild thing with Will (Aldis Hodge, who starred on TV’s Leverage). But maybe she wants something more, like a serious relationship, and perhaps a family…
Ali’s widower father, we find out, wanted a son, instead of a daughter. And he named her Ali after his favorite fighter, Mohammed Ali. We see a photo of the legendary prizefighter in the very first shot of the film, behind Ali as she’s working out on a treadmill, barking orders into her cellphone, swatting down text messages, sweating up a storm.
We get it: She’s a fighter.
Float like a butterfly, sting like a bee—that’s what Muhammad Ali said. Too bad this featherweight movie, too focused on easy, cheap laughs, is only content to float above the serious issues, at a very serious time. It skirts toxic workplace environments, racism, sexism, and wage discrimination and bias without ever sinking a flag into a solid statement about any of them.
Muhammad Ali knew you could dance around, but you had to land the punch, especially the big one. What Men Want has no such sting.
In theaters Feb. 8, 2019