Monthly Archives: October 2023

Civil Righter

Bringing an anti-discrimination fighter on the sideline of history into the spotlight

Rustin
Starring Colman Domingo
Directed by George C. Wolfe
PG-13

In theaters Nov. 3, available on Netflix Nov. 17

Half a century before he was awarded the Presidential Medal of Freedom by President Barack Obama in 2013, Bayard Rustin made his mark as a ferociously dedicated anti-discrimination crusader. Though he’s been marginalized by history and somewhat shuffled into the sidelines of the bigger Civil Rights story, Rustin organized one of the largest peaceful protests ever, which in 1963 drew a crowd of some 250,000 to a massive demonstration on the National Mall in Washington, D.C., and provided the stage for Dr. Martin Luther King’s monumental “I have a dream…” speech. And it led, nine months later, to the passing of the landmark legislation of the Civil Rights Act, officially prohibiting discrimination based on sex, race, color or national origin.

Rustin’s planning for that historic day in D.C. is the framework of this stirring biopic (produced by Barack and Michelle Obama) starring Colman Domingo. The versatile Tony-winning stage actor—who’s also appeared on TV’s Fear the Walking Dead and Euphoria—gives a dynamic, Oscar-baiting star turn as the pacifist leader whose behind-the-scenes activism was often hampered by his open homosexuality, his former ties to the Communist Party and his non-mainstream (Quaker) religious background. As if being Black in America in that tumultuous era wasn’t perilous enough by itself, Rustin was sometimes slurred as a “pervert and a traitor.”

A large ensemble cast rounds out the story as various politicians, union heads and Black movers and shakers swirl—often contentiously—around Rustin. There’s Jeffery Wright as combative Harlem Congressman Adam Clayton Powell; lauded stage and screen star Audra McDonald is NAACP leader Josephine Baker; British thespian Amil Ameen plays MLK, the young firebrand Baptist preacher who became a Civil Rights icon. But Chris Rock seems a bit misplaced; the well-known comedian never really feels comfortable (or believable) in the stern and serious groove as Black activist Roy Wilkins.

The movie itself is mostly standard fare as biopics go; it’s a bit wordy, dialogue-heavy and stagey, like a play that decided to become a movie instead. But it gives plenty of room for Domingo—in real life an openly gay actor—to shine as the Black idealist on the margins of the Civil Rights movement, who believed in freedom for all through Gandhi-esque nonviolence even in the face of violence. Rustin, who’s conspicuously missing a molar from a beating by a cop, later tells someone else to hit him on the other side of his mouth, for “symmetry.”

Rustin hails this little-known racism fighter who worked from the sidelines to harness the power of peace to make walls fall, move mountains and work toward a world-changing “symmetry” of equality for everyone.  

—Neil Pond   

The Entertainment Forecast

Oct. 27 – Nov. 2

Emily Blunt hustles pain, a marathon of ‘Beetlejuice,’ a killer kid & heavy metal Halloween

FRIDAY, Oct. 27
Pain Hustlers
Emily Blunt stars in this new twisty movie (coming off its limited theatrical run tonight and onto streaming) as a jobless blue-collar mom who finds a lifeline—and more drama than she bargained for—when she meets a pharma sales rep (Chris Evans) and his boss (Andy Garcia) and finds herself in middle of a dangerous racketeering scheme, below (Netflix).

Shorsey
Jared Kelso stars in this new comedy series about a Canadian hockey team determined to never lose again (Hulu).

SATURDAY, Oct. 28
Beetlejuice
In the spirit of Halloween fun and a gonzo performance by Michael Keaton, settle in for 24 hours of the 1998 horror comedy costarring Geena Davis, Winona Ryder and Alec Baldwin (3 p.m., TBS).

Would You Kill For Me? The Mary Bailey Story
Melissa Joan Hart stars in this movie (above) based on the true story of an 11-year-old girl coaxed into killing her abusive stepfather by her mother and grandmother (8 p.m., Lifetime).
Lifetime).

SUNDAY, Oct. 29
The Guilded Age
Season two begins of the ornate period drama from Downton Abbey’s Julian Fellowes, about high life in the late 1800s. Carrie Coon, Cynthia Nixon, Jack Gilpin, Nathan Lane and Audra McDonald are among the sprawling cast, above (Max).

Hocus Pocus
Thirty years ago, Sarah Jessica Parker, Bette Midler and Kathy Najimy starred in this now-classic Disney Halloween film as a trio of Salem witches who stir up a cauldron of trouble. Now you can re-watch it on its anniversary (8 p.m., ABC).

MONDAY, Oct. 30
Mayflies
British dramatic series about life, love, dying and the passage of time stars Martin Compston and Tony Curran, in a touching story adapted from a novel by Andrew O’Hagan (Acorn TV).

Hellhouse LLC Origins: The Carmichael Manor
Horror flick about a group of young cold case investigators who dare to stay overnight at a place where a series of grisly and unsolved murders occurred in the 1980s (Shudder/AMC+).

TUESDAY, Oct. 31
Heavy Metal Halloween
In addition to other spooky-entertainment programming throughout the day, tonight brings a trio of musical rock docs all in the spirit of the season: Songs about the devil, songs about murder and songs about magic. Happy Halloween! (AXS TV).

Live With Kelly and Mark
The daytime hosts put on their creative costumes and usher in a bunch of celebrity guests for this Halloween special (syndicated, check local listings).

WEDNESDAY, Nov. 1
Ancient Earth: Humans
How did we get here? Using cutting-edge animation, this eye-opening new documentary traces the history, evolution and spread of the planets’s most advanced mammals, the upright humanoids (9 p.m, PBS) 

Black Cake
Based on a bestselling novel by Charmaine Wilkinson, this new streaming drama series follows about a pair of modern-day siblings as they discover the legacy of the mother, who disappeared off the coast of Jamaica in the 1960s under suspicion of murder (Hulu)

Ryan Ashley is a judge on the tattoo competition series ‘Ink Masters.’

Ink Master
New season of the tattoo competition series begins tonight with host Joel Madden, the lead singer of the band Good Charlotte, returning to host more epic ink battles (Paramount+).

THURSDAY, Nov. 2
All the Light We Cannot See
Mark Ruffalo, Ari Mia Loberti and Hugh Laurie lead the cast of this limited series (below), based on the Pulitzer Prize-winning novel about a blind French girl and her father fleeing German-occupied Paris with a legendary diamond to keep it from falling into the hands of Nazis (Netflix).

Kingdom Business
Season two of the drama series further explores the lives of fictional gospel music characters in a state of chaos after lust, love and denial have created a rift in the “kingdom.” With Yolanda Adams, Michael Jai White, Loretta Devine, Louis Gossett Jr. and Michelle Williams (BET+).

READ ALL ABOUT IT

One of the most storied songwriters in all of music, Willie Nelson, tells all in Energy Follows Thought: The Stories Behind My Songs (William Morrow), in which the “Red Headed Stranger” digs into the details of 160 of his tunes, plus his superstar collaborators and friends, his extended musical “family” and the themes that have inspired him. It’s a must-have for Willie-philes!

BRING IT HOME

DC’s Blue Beetle, about a young man (Xolo Maridueña) gifted with extraordinary powers who decides to become a superhero, comes to DVD after its short theatrical run.

It’s bigger, fatter and Greek-er than ever. It’s My Big Fat Greek Wedding 3, writer/director Nia Vardolos’ latest installment of her quasi-autobiographical romcom trilogy, which comes to DVD loaded with bonus content, including commentary and behind-the-scenes features about making the picture on location in (where else?) Greece.

NOW HEAR THIS

Beatles fans will groove to the super new 2023 editions of the band’s career-spanning albums, 1962-1966 and 1967-70 (known as the “Red” and “Blue” LPs), which contain all the hits—plus, now, one last Beatles song, “Now and Then,” written and sung by John Lennon with contributions from Paul McCarthy, George Harrison and Ringo Starr, and finally finished as a post-Beatles single, 40 years later, by McCarthy and Starr. The Apple Corps/Capitol/UME release is available on CD and vinyl.

A Robo-Slasher Freak Show

Hit videogame franchise makes for disappointing horror flick

Five Nights at Freddy’s
Starring Josh Hutcherson, Piper Rubio and Elizbeth Lali
Directed by Emma Tammi
PG-13

In theaters and streaming on Peacock Oct. 27

Based on a hugely popular videogame franchise, this misguided monster mash is a muddled fright-night mess about buried trauma, lost childhood, disappearing kids, ghosts, and a group of animatronic animals going rogue at an abandoned pizzeria. Think Chuck E. Cheese as a crazy creepshow.

Hunger Games actor Josh Hutcherson stars as Mike, a down-on-his luck security guard at a long-abandoned pizza parlor, Freddy Fazbear’s, where night work has an unusually high turnover rate. Elizabeth Lail (from TV’s Once Upon a Time) plays a helpful cop with a deep secret, and young newcomer Piper Rubio is Mike’s little sister, Abby, at the center of everything with a copious amount of crayon artwork “from beyond.” Matthew Lilard, a solid character actor in dozens of TV shows and movies for more than two decades, chews the scenery in his small but pivotal part.

Mike wrestles with nightmares about something that happened long ago…maybe it’s got something to do with the haunted pizzeria and its fatal fun-zone arcade? Do ya think?

How does one movie tie all that together? Well, in the case of this off-kilter robo-slasher backed by horror producer Jason Blum, not very well. It seems aimed at young teens and diehard gamers, with a handful of jump-scare jolts and only a tepid degree of real terror; the dialogue is often stiff and (unintentionally) laughable, the actors seem to forget they’re in a horror movie, and this wannabe fright flick fumbles and stumbles sustaining tension or dread in its cavernous “spook house” setting—like a particularly odd scene in which little Abby makes a play fort for a sleepover with the overstuffed Frankenbots.

Hey, there’s Mary Stuart Masterson, all grown up from the ‘80s and early ‘90s and her starring roles in Fried Green Tomatoes and Some Kind of Wonderful. And is the animatronic band really jiving to Lou Reed, and Johnny O’Keefe’s 1950s rockabilly hit “Wild One”? And singing The Romantics? Yep, and I gotta give the movie some props for making “Talking in Your Sleep,” the group’s biggest hit, sound even more ominous than it did back in 1983.  

The creatures—a motley, distressed-looking ensemble that resembles shipwreck survivors washed ashore from the island of misfit toys, or mangy mascots for teams playing in a Twilight Zone league—will be familiar to fans of the videogames. But everyone else will likely feel like they’re being introduced to murderous, mangy, misunderstood Muppets. Maybe that’s because they’re full-size creations designed by the late Muppet-master Jim Henson’s iconic puppetry company.  But I don’t remember Kermit the Frog ever opening his mechanized maw and chewing up someone’s face, Saw-style.

Five Nights at Freddy’s adds up to two hours of a clunky, junky pizzeria freak show, with an odd mix of toppings, extra carnage and served super cheesy.

Neil Pond

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Dirty Work

Michael Fassbender stars in this cold stare into the void of a hired assassin

The Killer
Starring Michael Fassbender
Directed by David Fincher
Rated R

In limited theatrical release Oct. 27, on Netflix Nov. 10

He travels the world, loves British rock band The Smiths, meticulously tracks his heart rate and limbers up every day with yoga. And he makes his living killing people—with rifles, pistols, nail guns, bombs, poison or whatever other means necessary. Michael Fassbender plays the unnamed professional assassin-for-hire in this stylishly chilling neo-noir drama from director David Fincher, who has plumbed the dark, cold depths of bleak nihilism before in movies like Seven, Zodiac, Fight Club, The Girl with the Dragon Tattoo and Gone Girl. It’s another stone-cold stare into the void as we watch “the killer” go about his work with icy, expressionless, amoral precision, purging himself of empathy and laser-focused on his job—until an assignment in Paris hits a snag, his bullet misses its target, and the hunter suddenly becomes the hunted. It’s a gripping riff on a fatalistic job and a guy who does it, with an aloof “procedural” tone that takes an abrupt shift into revenge-survival mode as Fassbender’s character tries to find out—and rub out—the parties assigned to clean up the loose ends of his botched hit. The grim goings-on are deadly serious, but there are a few glimpses of dark humor as the killer uses aliases (we never know his real name) from classic TV shows, employs a cheese grater in a brutally bruising fight scene, and has a fateful encounter with a rival (Tilda Swinton) who tells a fearlessly funny existential joke about a bear in the woods. We never get to know much about the killer, and that’s the way he wants it, going about his work in the shadows, an anonymous figure leaving a path of destruction on a career track where people want other people dead. A finely tooled exercise in dirty work, this is a lean, mean descent into a deadly “professional” underworld with dozens of ways to die—especially if you cross paths with The Killer.

—Neil Pond

The Entertainment Forecast

Oct. 20 – Oct. 26

Funny ‘Dads,’ serious ‘Bosch’ & a Wonder Woman two-fer

Bokeem Woodbine, Bobby Cannavale and Bill Burr are “Old Dads.”

FRIDAY, Oct. 20
Everyone Else Burns
Simon Bird and Kate O’Flynn star in this new British-based sitcom series about a puritanical family preparing for a big move—away from the woes of Earth, avoiding the fires of hell and basking in blissful eternity. Can they “save” themselves, and anyone else who’ll listen? (9:30 p.m., The CW).

Old Dads
Bill Burr, Bobby Canavale and Bookeem Woodbine star in this new comedy flick as a trio of guys who become fathers later in life and have a steep learning curve with school principals, millennial CEOs and a world that’s changed a bit since the 1980s (Netflix).

Bosch: Legacy
Titus Welliver returns (above) to the role of the former homicide detective, based on the lead character of crime novels by Michael Connelly, in season two of the hit procedural series as he seeks out a killer before he finds him first. With Mimi Rogers (Freevee).

SATURDAY, Oct. 21
NFL Icons
Season three of the pigskin docuseries profiles Pro Football Hall of Famers Jim Brown, Charles Woodson, Bill Cowher and Mike Singletary (MGM+).

Wonder Woman Day
Stretch out with your golden lasso and enjoy Gal Godot (above) in her two standalone films as the warrior princess, back to back in Wonder Woman and its sequel, Wonder Woman 1984 (12:45 p.m., TBS).

SUNDAY, Oct. 22
Fear the Walking Dead
In season eight, Madison (Kim Dickens) goes about making the old Stadium a safe haven, but it attracts some unwanted attention—of the walking dead kind! (9 p.m., AMC).

WB 100th Anniversary Movie Monster Marathon
Pick yous favorite monster and watch ‘em go in this all-day slate of three Godzillas, a Kong, one Meg and Dwayne Johnson’s Rampage (10:45 a.m., TNT)

Godzilla roars in three movies this Sunday.

AKA Mr. Chow
Find out how a lad from Shanghai would eventually triumph over childhood trauma, personal loss and systemic prejudice to forge a new identity and open the first of what would become his franchise of iconic Chinese restaurants (9 p.m., HBO)

MONDAY, Oct. 23
The Royals: A New Era
New documentary examines the state and future of the monarchy in the modern world a year after the death of Queen Elizabeth II, featuring interviews with palace confidants and royal experts (9 p.m, The CW).

Rembember Milli Vanilli (above)? Find out what happened to the lip-synching pop duo in a new documentary.

TUESDAY, Oct. 24
Milli Vanilli
Girl, you know it’s true. This documentary tells the story of Rob Pilatus and Fab Morvan, two childhood friends who became superstars in the late-‘80s duo Milli Vanilli—before a career-ending lip-synching incident led to their downfall (Paramount+).

Help! I’m in a Secret Relationship!
Well, it won’t be secret much longer now that you’re disclosing it on season two of this reality show, in which people who think they’ve found the loves of their lives discover it’s really only a pack of lies (9 p.m., MTV).

WEDNESDAY, Oct. 25
Spy in the Ocean, A Nature Miniseries
Go deep into the seas and discover what it’s like to dive with sharks, leap high above the water with a dolphin or swim like an octopus in this new series, which uses high-tech cameras designed and disguised to look like marine animals (8 p.m., PBS).

Life on Our Planet
New documentary series shows the battle for adaptability and survival that has shaped our planet since the beginning of time (Netflix). 

THURSDAY, Oct. 26
American Horror Story
The bloody-good horror anthology returns for the fall with a four-episode “Huluween” event (Hulu). 

The Vanishing Triangle
New original psychological thriller series (above) is inspired by true events that shook Ireland in the 1990s, when several women disappeared, never to be seen again. With India Mullen and Allen Leech (Sundance Now).

READ ALL ABOUT IT

Fans of ‘80s rock will groove to Police Diaries (Rocket88), drummer Stewart Copeland’s firsthand account of the early days of The Police, the British trio that took over the charts with “Every Breath You Take,” “Roxanne,” “Every Little Thing She Does is Magic” and many more hits. Packed with photos from Copeland’s deep personal archive, “it’s a big, noisy book about one heckuva ride.”

It’s the fuel that keeps us going, but some of our food is disappearing. In Endangered Eating: America’s Vanishing Foods (WW Norton), food historian author Sarah Lohman points out the growing list of local comestibles in danger of extinction and the urgent efforts by farmers, shepherds and fishers to save them.

Afterlife is big business and a deep-set cultural touchstone, and author Greg Melville unearths the details in Over My Dead Body (Abrams), a colorful history of cemeteries, interment customs and other practices of saying our final goodbyes.

BRING IT HOME

You’re gonna need a MUCH bigger boat for Meg 2: The Trench (Warner Bros. Home Entertainment) in which Jason Statham returns to face an even bigger fin foe—and other monstrous creatures—from the deepest depths of the ocean.

Dracula hitches a ride on a merchant ship and makes his way from the Old World toward England in The Last Voyage of the Demeter (Universal Pictures Home Entertainment), the latest bloody adventure of novelist Bram Stoker’s iconic blood-sucker. Features include an alternate opening, commentary, and a look in the filmmaking process of conjuring up a nautical nightmare for the screen.

Scorsese’s Wild West

The acclaimed director tackles a dark chapter of American history, and makes another movie masterpiece

Killers of the Flower Moon
Starring Leonardo DiCaprio, Robert De Niro & Lily Gladstone
Directed by Martin Scorsese
Rated R

In theaters Friday, Oct. 20

“If you’re gonna make trouble, make it big.”

That’s what big-deal bigshot William Hale (Robert De Niro) tells his neophyte nephew (Leonardo DiCaprio) early in director Martin Scorsese’s sprawling, slow-burn neo-Western epic about a grim and horrific chapter of American history in the expanding frontier of the 1920s.

And indeed, there’s some very big trouble in this very big big-message movie, which clocks in at nearly three and a half hours.

DiCaprio’s character, Ernest Burkhart, is a young WWI veteran who returns from the battlefield to stake out a new life “out West” on the Great Plains of Oklahoma, where oil has been discovered on land settled and owned by the Native Americans of the Osage Nation. Ernest freely admits—a couple of times—that he “loves money,” and there’s certainly plenty of it here, bubbling and spewing in geysers from the ground…and making the Osage some of the most fabulously wealthy people on the planet.

And it’s also made a boomtown for carpetbaggers, non-indigenous “white” opportunists like Ernest’s uncle, thirsty for some of that black gold—or all of it. So, what will money-loving Ernest do to get filthy rich, far beyond what he can rake in playing poker or even pulling highway-robbery holdups?

Scorsese is probably best known for his crime sagas—Goodfellas, Casino, Gangs of New York, The Irishman, The Departed. This isn’t a “gangster” movie, as such, but it certainly has the feel of the director’s familiar wheelhouse, with a core group (yes, a gang) of bad men doing bad things. In the Osage Nation, they’re robbing the natives of their wealth by almost every means possible, including murder.

Ernest falls in love and marries an Osage woman, Molly (Lily Gladstone), and then, one by one, all Molly’s sisters and other family members start dying. Who’ll be next? Maybe even Molly? Who blew up that house? Or left that dead body out in the woods? And what’s Ernest got to do with it? As the death toll rises into double digits, J. Edgar Hoover sends a federal agent (Jesse Plemons) from the Bureau of Investigation—which would later become the FBI—to nose around.

Based on the bestselling 2017 novel by David Grann, it’s a complex, complicated tale of systemic racism, white nationalism, greedy imperialism, income disparity, ethnic genocide and a conspiracy of silence and coverup, all folded into a love story that takes a wrenching wrong turn. DiCaprio has rarely been better, playing a scowling, morally compromised yahoo in an oversized Stetson, and Gladstone (who grew up in the Blackfeet Nation) has an almost Mona Lisa-like serenity, anchoring the story with a radiance and grace that will doubtlessly be recognized by the Oscars and other year-end awards. Their chemistry is lusty and palpable.

It’s all massive, majestically moving and monumental, but also intimate, richly detailed and finely tooled, full of authentic “period” touches—and enough violence, including an ad hoc autopsy with a handsaw, to meet minimum requirements for a Martin Scorsese movie.

DeNiro—who, like DiCaprio, is one of Scorsese’s favorite go-to actors—is great, as usual, craftily playing “King” Bill Hale, a dapper Osage benefactor and community builder whose smile masks a much more sinister side. There are dozens of other characters too, many played by authentically indigenous Osage actors, and small-part cameos by musicians Jack White, Sturgill Simpson, Pete Yorn and Jason Isbell, plus Brendon Frasier and John Lithgow.

But appropriately enough, it’s Scorsese, the virtuoso filmmaker who’s crafted yet another cinematic masterpiece of movie storytelling, who gets the last word, quite literally, in a final wrap-up epilogue that show how true crime became entertainment for the masses—like this all-star opus about “big trouble” that the modern-day Osage still refer to as their nation’s Reign of Terror.

Neil Pond

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The Entertainment Forecast

Oct. 13 – Oct. 19

Brie Larson cooks up science, a new ‘Goosebumps,,’ Disney turns 100, Frasier returns and ‘Barbie’ on DVD!

FRIDAY, Oct. 13
Lessons in Chemistry
Brie Larson stars in this new series (above) as a young woman in the 1950s who becomes the host of a cooking show, where she puts her dream of becoming a scientist to work in the kitchen (Apple TV+).

Raid the Cage
Damon Wayans Jr. hosts this new game show in which players compete to correctly answer questions and grab prizes from “the Cage” before time runs out and the doors close. (9 p.m., CBS)

Goosebumps
Inspired by R.L. Stein’s best-selling Scholastic books, this new series (above) follows a group of high schoolers investigating the death of a teenager and unearthing scary secrets along the way. With Justin Long, Zack Morris, Isa Briones and Will Price (Disney+).

SATURDAY, Oct. 14
The Murdaugh Murders
Bill Pullman stars in this two-part network movie (below) based on the highly publicized real-life details of the prominent South Carolina family at the center of a sordid murder mystery (Netflix).

Pets & Pickers
Catch up in season two with the workers at the Regional Animal Protection Society, motivated by their extraordinary compassion and their feeling that all animals deserve treatment (9 p.m., Animal Planet).

SUNDAY, Oct. 15
100 Years of Disney
Kelly Ripa hosts this blowout two-and-a-half-hour event celebrating the House of Mouse milestone, with previews of upcoming projects, the world premiere of a new short film and a full screening of the award-winning animated feature film Encanto (8 p.m., ABC).

Hotel Portofino
Season two of the glamorous period drama, about an English hotel in Italy in the 1920s—set against the rise of Benito Mussolini’s fascist regime—stars Natascha McElone, Oliver Dench and Louise Binder (8 p.m., PBS).

Billy the Kid
Season two (above) continues the tale of America’s most infamous outlaw as William “Billy” Bounty (Tom Blyth) and his allies square off against the corrupt oil barons of the Sante Fe Ring, which erupts into the bloody Lincoln County War (MGM+).

READ ALL ABOUT IT

MONDAY, Oct. 16
The Chase
This new dramatic series centers on a British veterinary practice where dogs bark, sparks fly and dark secrets come to light (Acorn TV).

The American Buffalo
Master filmmaker Ken Burns presents his latest project, a four-hour, two-part series, taking viewers on a 10,000-year trek across North America and tracing the history and heritage of the iconic Great Plains (8 p.m., PBS).

TUESDAY, Oct. 17
Frasier
Yes, Frasier. Kelsey Grammer reprises his role as psychiatrist Frasier Crane in this new—yes, new—comedy series (below) that picks up where the old one left off, some two decades ago. Watch the first two episodes back to back tonight (9:15 p.m., CBS).

The Devil on Trial
With firsthand accounts and a shocking crime, this new doc explores the first (and only) time a defense of “demonic possession” has be used in a U.S. murder trial (Netflix)

WEDNESDAY, Oct. 18
Living for the Dead
New series from the producers of Queer Eye and narrated by Kristen Stewart follows five fab queer ghost hunters helping the living by calming the dead in places of paranormal activity (Hulu).

Nature
The iconic everything-outdoors series opens its 42nd season opens with the true story of a Tasmanian man who makes friends with a platypus, tapping experts to learn all he can about the unusual egg-laying mammal’s secret world and protect it from urban encroachment (8 p.m., PBS). 

BRING IT HOME

Maybe you heard about this little movie called Barbie, which became the world’s highest grossing film of the summer. Now you can own it on DVD, Blu-Ray and 4k (Warner Bros. Home Entertainment), starring Margo Robbie and Ryan Gosling as Barbie and her guy friend Ken as two of the most iconic toys ever, who leave Barbieland and find a life-changing existential crisis in the “real world.” Includes five bonus featurettes!

THURSDAY, Oct. 19
Wolf Like Me
Season two kicks off tonight as Mary (Isla Fisher) and Gary (Josh Gadd) contemplate her pregnancy—will their offspring be a human, or a wolf? And will what happened in the outback come back to haunt them? (Peacock).

Smoky Mountain High

Taking in the awesome sights atop Ober Mountain

I got high in Gatlinburg.

Really, really high—on the longest, steepest, highest-altitude chairlift in Tennessee.

There are other ways to get elevated in Gatlinburg, the bustling tourist hotspot at the entrance to the Great Smoky Mountains National Park. But this ride is the OG. The appropriately named Scenic Chairlift was installed in the early 1960s for winter access to high-up ski slopes, then repurposed later for anyone to enjoy the spectacular view of the Smokies from the tippy-top of Mount Harrison, 3,455 feet above sea level. Up there, the air is thinner, the temps are cooler, and the majestic peaks of the surrounding mountains tower like silent sentinels as far as the eye can see. You can hear the crickets chirping, but little else.

Today, the Scenic Lift is part of the sprawling, ever-expanding amusement park and recreation complex at Ober Mountain, itself one of Gatlinburg’s oldest tourist attractions. What eventually became Ober was originally built as a private ski club in 1962, and members had to access the lift first by driving their own vehicles to the mountaintop “lodge.” Later, the cable-car gondolas of Ober’s Aerial Tramway, which became the attraction’s “signature” ride after opening to the public in 1973, were launched as an alternative, weather-proof way for snow enthusiasts to get to the slopes when higher-altitude winter driving was inadvisable.

When the Aerial Tramway opened, it was the largest in the world, with enclosed aerial lifts that could each hold up 120 passengers at a time. Initially called Ober Gatlinburg (which simply means “Over Gatlinburg”), the tramway and all its associated attractions were recently rebranded under progress-minded new management as Ober Mountain. But it’s always been one of the best, and most unique ways, to take in the sights going up, coming down and all around. In August, the Ober Tramway marked its 50th anniversary. And for decades, it’s been so much more the “ski lift” club that started it all.

If you’ve been to Gatlinburg anytime since the 1970s, you’re probably familiar with Ober, operating from its “base” on the southwest end of the downtown Gatlinburg main-drag parkway just a few hundred yards from the Tennessee-side driving entrance into the park via U.S. highway 441. Built on the site of a former motel, Ober’s street-level, lodge-like Tramway Mall houses the massive mechanics—the giant bullwheel and oversized spools of thick, Swiss-made steel cable—that pull along the twin gondolas. You can view the innards of the truly impressive operation through windows on the lower level. Inside the main Tramway, look up to the second interior walk-around level and you’ll see the building’s history along one side, where Ober offices were built into exterior rooms of the old Hemlock motel.

In the Tramway, you can stroll around and watch the suspended gondolas moving smoothly overhead, gliding along between huge steel towers. You can nibble on tasty treats at the Chocolate Monkey, buy souvenirs and coffee drinks, or get a relaxing aqua massage before you board a cable car for the trip across the treetops to Ober Mountain (elevation 2,687 feet).

There’ll you’ll find a mountainside hub of activities featuring a mall with an ice-skating rink, retail shops and snack bars with fudge (yes, more fudge!), ice cream, sandwiches and hot dogs. There are even lockers to stash your “stuff” while you do other things, inside or outside at the adjacent Adventure Park, like the tree-topping Tennessee Flyer mountain coaster, a kids’ play zone, an alpine slide, more food options and live entertainment. There are additional seasonal activities, like summer water tubing, snow skiing and snow tubing in the winter, and Friday-night movies on a huge, high-tech outdoor screen Friday nights through October.

There’s also mountain biking (all downhill, accessible on a chairlift specially fitted with bike racks), and the Scenic Lift, the cable-chair ride up the steep side of Mount Harrison, where you’ll rise almost 800 additional feet above and beyond the Adventure Park to a cleared-out plateau with restrooms, a viewing area, more snacks, and live bluegrass music on Gatlinburg’s highest stage May through November.

Ober’s Wildlife Habitat, also atop Ober Mountain, features black bears, river otters, bobcats, and raccoons, plus flying squirrels, turtles, birds of prey and snakes. It’s the best way you can visit Gatlinburg and be guaranteed to get up close and personal with a spectrum of indigenous Tennessee creatures. All the animals there have been “rescued” and relocated from zoos, or from rehab facilities that took them in after injury or abandonment.  One of everyone’s favorite critters is a little albino racoon named Casper, whose lack of natural-camouflage coloration made him a target for predators, especially after his little paw was seriously injuring by a dog. Casper is so popular, says Amy Warner, Ober’s vice president of sales and marketing, that Ober gift shops will soon be offering “Casper” souvenirs and plush toys.

And everything (except snacks, retail purchases and souvenirs, and equipment rental for skis and mountain biking) is included in the $49 wristband you can buy down on the Parkway level, in the Tramway. It’s a terrific deal for the array of activities for all ages, year-round, plus some of the most awesome, unparalleled views in all of Gatlinburg, especially in the fall.

Warner also shared with me the plans for even more additions and renovations at Ober, including a mountaintop event space and a zipline from mountaintop to mountaintop. She envisions mountaintop wedding ceremonies after which the bride, groom and entire wedding party can cap off the event by strapping in and zipping down. It’s all part of Ober’s plans to “modernize” this iconic fixture of Gatlinburg, she says, while continuing to cultivate the unique nostalgia of its 50-year heritage of skiing, sightseeing and mountain tourism.  

And, of course, all while offering one of the best (natural) highs in all of Tennessee.

Photos except Aerial Tram courtesy Ober Mountain

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The Entertainment Forecast

Oct. 6 – Oct. 12

‘The Caine Mutiny’ goes to court, ‘The Price is Right’ Meets ‘Amazing Race’ & Edgar Allen Poe gets a modern spin

Keifer Sutherland digs into the case at the heart of ‘The Caine Mutiny Court-Martial.’

FRIDAY, Oct. 6
VHS/85
New fright flick from the director of Hellraiser about a “found footage” videotape that takes a group of viewers back to terrifying horrors of a former era (Shudder).

Shark Tank
The investment “sharks” hear pitches about reusable sandbags, leggings for men and a new twist on Latin American food (8 p.m., ABC).

SATURDAY, Oct. 7
Buying Back My Daughter
Vanderkpump Rules star Adriana Maddox plays a cop trying to track down a trafficked teen in this ripped-from-the-headlines movie also featuring Meagan Good (Lifetime)

Svengoolie’s Halloween BOOnanza
Kick off a month-long celebration of all things ghoul-y with TV’s iconic host, who ushers in a marathon of retro TV chills and thrills (above) beginning with a Bugs Bunny Halloween special, then galloping through episodes of classic TV westerns haunted by all sort of stranger things (9 p.m., MeTV).

NOW HEAR THIS

SUNDAY, Oct. 8
The Caine Mutiny Court-Martial
William (The Exorcist) Friedkin directs this riveting courtroom drama based on the Pulitizer Prize-winning novel by Howard Wouk, with an all-star cast (Jason Clarke, Jake Lacy, Keifer Sullivan, Monica Raymund) in a tense tale of naval officer standing trail for orchestrating a mutiny (9 p.m., Showtime).

The Circus
Political junkies, here’s the next dose of your fix. The award-winning, dirt-digging news series returns for season eight, with hosts John Heilemann, Mark McKinnon and Jennifer Palmeri (below) pulling back the curtain on the high-stakes drama of the emerging race for the White House (7 p.m., Showtime). 

MONDAY, Oct. 9
The Matthew Shepard Story
Subtitled “An American Hate Crime,” this two-hour documentary special examines the legacy of the torture and murder of a gay graduate student 25 years ago that continues to resonate today as a horrific example of the discrimination, danger and violence faced by many in the LGBTQ+ community (9 p.m., ID).

Harry Wild
The Irish mystery thriller series returns tonight for season two, with Jane Seymour as a retiree sleuth with a young PI partner (Rohan Nedd) as they pursue a deepening puzzle involving a long-missing mom who suddenly turns up (Acorn TV).

The Price is Right
On tonight’s new primetime edition of the iconic daytime game show, Phil Keoghan (host of TV’s The Amazing Race and Tough as Nails) invites fans of The Amazing Race to “come on down” and compete for prizes and trips (8 p.m., CBS).

READ ALL ABOUT IT

WEDNESDAY, Oct. 11
Ace Ventura: Pet Detective
Jim Carrey is so Jim-Carrey-ish as an over-the-top sleuth specializing in missing animals in this 1994 comedy costarring Sean Young, Courtney Cox and rapper Tone Loc (10 p.m., TruTV).

The Simpsons
TV’s longest running primetime scripted series returns to the streaming service for season 34 and more shenanigans, with all-star guest voices this time around by Fred Armisen, Anna Faris, Rob Lowe, Melissa McCarthy, Aubrey Plaza and more (Disney+)

The Big Vape: The Rise and Fall of Jule
Documentary about how the vaping company, at one time the fastest growing enterprise in the world, went down in flames as a cautionary tale (Netflix).

Awareness
Mind-tripping movie from Spain about a teen who uses his special ability—making people “see” things that aren’t really there—to con them…but then one of his scams hits a snag, and he becomes the target of people who want to exploit him (Amazon Prime).

THURSDAY, Oct. 12
Little Bird
Celebrated Canadian drama (below) is a six-part dramatic series featuring a cast of indigenous actors is set on a reserve in Saskatchewan and follows a young woman, Bezhig Little Bird (Darla Contois) on a search to find the truth about her birth parents, her adoption and her slblings (10 p.m., PBS).

Keke Wyatt’s World
She’s been in the music game for more than three decades, and now she’s ready to take her career to another level. Learn all about the R&B artist and how she juggles her career, home life and 11 kids! (WEtv).

BRING IT HOME

The Fall of the House of Usher
Bruce Greenwood, Carla Gugino, Mary McDonnell and Mark Hamill star in this new horror anthology series (below), which puts a contemporary spin on the Edgar Allen Poe classic about wealth, power and privilege—and dangerous family secrets (Netflix).

The Fall of the House of Usher. (L to R) Sauriyan Sapkota as Prospero Usher, Kate Siegel as Camille L’Espanaye, Rahul Kohli as Napoleon Usher, Matt Biedel as Bill-T Wilson, Samantha Sloyan as Tamerlane Usher, Mark Hamill as Arthur Pym in episode 101 of The Fall of the House of Usher. Cr. Eike Schroter/Netflix © 2023

The Devil Made Me Do It

New ‘Exorcist’ is a schlocky retread of shocks we’ve seen before, with diminishing returns of disturbia

The Exorcist: Believer
Starring Leslie Odom Jr., Jennifer Nettles & Ann Dowd
Directed by David Gordon Green
Rated R

In theaters Friday, Oct. 6

Fifty years ago, people all over the place were freaking out about director William Friedkin’s The Exorcist. I saw it in a downtown Nashville theater with one of my high school friends and her mom, who was progressive enough to take a couple of 16-year-old kids to a movie swirling with buzz about how deeply disturbing it was, and that anyone who saw it might be opening themselves up to dark, satanic forces.

Well, my friend, her mom and I and survived it, just fine. And The Exorcist went on to claim a rightful place as a horror classic, the gold standard of movies about the ancient belief in demonic possession. It became a brand name, a franchise of five films spread over as many decades.

Now there’s a sixth, and even though it’s an Exorcist movie, it’s no Exorcist. The new fright flick is a schlocky, hyperventilating return to the basics of the first movie, transplanting the original setting of D.C.’s leafy Georgetown neighborhood to the modern-day South (everything, it seems, is filmed in Georgia these days) with all-new characters joined by a couple of old ones, including Ellen Burstyn reprising her role from 1973. There’s someone else, too, but I won’t spoil it.

As Charlie Daniels once sang, the Devil went down to Georgia, and here he does, indeed. Hey, that must mean all the demonic scourge has been purged from Washington, right?

When a couple of young school chums (Lidya Jewett and Olivia Marcum) go missing for several days in their tight-knit, church-going community, their parents (Leslie Odom Jr., Jennifer Nettles) are understandably distraught, then overjoyed when the two little girls are found, disoriented and a bit worse for wear after their three-day trek in the woods. After a battery of medical procedures and psychological testing, their moms and dads—and a devout next-door-neighbor (Ann Dowd)—realize what the audience already knows: Some kind of demon has hitched a ride home inside the two little sweetums.

Norbert Leo Butz and Jennifer Nettles play parents of a real problem child (Olivia O’Neill)

Both girls get progressively weirder in this devilish two-fer before going head-spinning, feral-batshit crazy. The Exorcist: Believer retreads most of the shock-value stuff of the original film—writhing young bodies, blood-stained nightgowns, spooky levitation, a vicious act with a crucifix and droning incantations of religious mumbo jumbo. One of the girls has slash marks on her back spelling out a message that viewers of the 1973 movie will certainly recognize. “The body and the blood!” screams the other, stomping down the aisle of a church service in a ranting reference to the Christian ritual of communion. A character compares what the girls have been through with the sacred mythos of Christ descending into hell for three days between his crucifixion and resurrection.

Eventually, a Catholic priest is called in, but this exorcism becomes a grassroots all-in affair, with two little girls strapped into chairs, hissing and writing and spewing black bile as parents, friends and neighbors intone Bible verses and splash on “holy” water.

Only here, 50 years later, it’s not very frightening, and it’s certainly not terribly shocking anymore. This retread into familiar territory doesn’t do much of anything new, especially when it comes to deeply disturbing viewers, and it crowns it all with a tidy little bow of suggestion that the powers of demons and darkness can only be countered by being a “believer.”

Director David Gordon Green also steered three Halloween sequels, and he collaborated with Danny McBride on the gonzo pothead movie comedy Pineapple Express and TV’s East Bound and Down, Vice Principals and The Righteous Gemstones. McBride is also one of this film’s cowriters and producers, and this project was hatched during breaks in production of Gemstones, the profanely hilarious HBO comedy series in which he plays a comedically corrupt televangelist.

McBride doesn’t appear in this Exorcist, though, and that’s too bad. Having Jesse Gemstone do battle with a double-dipping demon—now that, I believe, would make for one fine holy hell of a movie.  

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