Tag Archives: Kate Hudson

Movie Review: “Song Sung Blue”

Hugh Jackman and Kate Hudson shine in this true love story built on a foundation of Neil Diamond hits

Song Sung Blue
Starring Hugh Jackman and Kate Hudson
Directed by Craig Brewer
Rated PG-13

In theaters Thursday, Dec. 25

What, exactly, is a song sung blue? In Neil Diamond’s No. 1 hit single from 1972, it’s a singalong about shared sadness and turning something melancholy into a thing that makes you happy—even if you’re singing it “with a tear in your voice.”

This flick is based on the true story of a husband and wife who performed together as a tribute act, Lightning and Thunder, in the ‘80s and ‘90s. Hugh Jackman and Kate Hudson star as Mike and Claire Sardina, whose story was previously made into a 2008 documentary film with the same title.

The Sardinas were struggling singers—and divorcees with kids—before meeting each other, falling in love, joining forces and becoming a local sensation in Milwaukee, Wisc., harmonizing on Neil Diamond songs at state fairs and other events.

Diamond himself doesn’t appear anywhere, but the movie is built on his musical legacy and best-known hits, anchored by a love story about a couple who cared for each other, loved making music together and became regionally famous doing it. Jackman gets to flex the singing chops he displayed in The Greatest Showman and Les Misérables. Last year, Hudson released her own album, Glorious. Both are pitch perfect in roles that require them to sing, and sing a lot.

“You’re not a Neil Diamond impersonator,” Claire tells Mike, calming his initial intimidation about stepping into the shoes of the hitmaker who wrote The Monkees’ “I’m a Believer.”  “You’re a Neil Diamond interpreter.”

Music lovers will certainly love watching Jackman and Hudson interpret “Sweet Caroline,” “Cherry, Cherry,” “Play Me,” “Holly, Holy,” “Brother Love’s Traveling Salvation Show” and “Soolaimon,” a frequently mispronounced favorite of Diamond’s that he often used to open his shows. There are deeper cuts too, like “Crunchy Granola Suite.” And, of course, “Song Sung Blue.”

The movie does a great job of showing a stratum of the music biz that’s, well, a few layers below Taylor Swift…or Neil Diamond. Song Sung Blue effectively depicts the couple’s journey from casinos and barrooms to concert halls (opening for Pearl Jam!). It’s not always smooth ‘n’ easy; Mike works as a backyard mechanic to make ends meet.

And just when the showbiz future starts looking bright, wham—the real world comes crashing in.  

Michael Imperioli, Jim Belushi and Fisher Stevens all have supporting roles as Mike’s pals. And as impressive as Jackman and Hudson sound singing, she also does a great job of mastering a Midwestern accent. You’d never guess she grew up in L.A., not on the shoreline of Lake Michigan.

“I’m not a songwriter, I’m not a sex symbol,” Mike tells Claire early in the movie, as their relationship is just beginning to blossom. “I just want to entertain people.”

And Jackson and Grant certainly do that. Song Sung Blue is a Christmastime gem of a musical biopic to lift your holiday spirits, get your toes tapping, and make you smile through the melancholy…even if you don’t know your Neil Diamond from your Neil Sedaka.  

—Neil Pond

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Oh Mama

All-star cast sinks in overly sweetened, sentimental sap

Mother’s Day

Starring Jennifer Aniston, Julia Roberts, Kate Hudson, Timothy Olyphant, Jason Sudeikis, Britt Robertson & Shay Mitchell

Directed by Garry Marshall

PG-13

 

Mother’s Day the holiday is all about moms, and so is Mother’s Day the movie, which has them of every shape, style, size, temperament and hue.

And life sure looks beautiful, bountiful, wacky and whimsical when it’s played out against a picture-perfect backdrop of suburban affluence by Jennifer Aniston, Julia Roberts, Kate Hudson, Timothy Olyphant, Jason Sudeikis, Shay Mitchell (from TV’s Pretty Little Liars), Britt Robertson, Jennifer Garner, Jon Lovitz and comedian Loni Love.

This is the third holiday-themed ensemble comedy from Garry Marshall, the veteran TV writer/producer (Happy Days, The Odd Couple, Mork and Mindy) and movie director (Pretty Woman, Runaway Bride) who also previously brought us Valentine’s Day and New Year’s Eve. In both of those films, as in this one, an all-star cast of unrelated characters manages to somehow intersect with each other, as improbable as it might seem.

MOTHER'S DAY, l-r: Sarah Chalke, Jon Lovitz, Kate Hudson, Margo Martindale, Aasif Mandvi, 2016.Marshall is a maestro of this kind of comedic mixology, plied and played over the decades. But it seems to have run out of a lot of its steam, at least for contemporary times. Most of his movie gags feel like they’re waiting for a sitcom’s laugh track to back them up, and his bawdy, brusque, broad brushstrokes of humor aren’t what anyone would exactly call enlightened.

“I don’t get that joke, but I think it sounds racist,” says one character when another makes a crack about her ethnicity.

Young boys shock their mom (Aniston) by talking about their genitals; a teenage girl embarrasses her widower dad (Sudeikis) by asking him to buy tampons; a lesbian couple (Sarah Chalke and Cameron Esposito) makes a pink “womb” float for a Mother’s Day event—which another character refers to as a “parade of vaginas.”

Are you laughing yet?

Then maybe you’ll titter when a good-ol’-boy grandpa (Robert Pine) addresses his Indian son-in-law (Aasif Mandvi) as a “towelhead,” or when grandma (Margo Martindale) sizes up a situation by asking herself, “I put on a bra for this?”

MD-01174.CR2The large, talented cast is largely wasted with little do but go with the flow of the overly sweetened, sentimental twists and turns, the not-so-surprising surprises and the eventual resolutions and wrap-ups. But the sap eventually sucks all of them under.

Coincidence is one thing, but here, worlds collide like particles in some kind of bizarre cinematic quantum theory, where strands not only cross and overlap, they magically weave into a crazy Mother’s Day movie smock of American flags, a careening RV, a Tao-dispensing clown, soccer, Skype, llamas, teenagers, toddlers, babies, a cute guy in a comedy club, Aniston with her arm stuck in a vending machine and Sudeikis singing “The Humpty Dance.”

And Hector Elizondo, an actor you should recognize if only because he’s been in every movie Garry Marshall has ever made, all the way back to 1982.

I’d love to see what Garry and Hector—and who knows who else—could do with Election Day. Now that could really be fun.

—Neil Pond, Parade Magazine

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