Tag Archives: Marvel Comics

Movie Review: “Spider-Man: Brand New Day”

Tom Holland swings into action again as pop culture’s top webslinger faces new threats—and a world that’s forgotten who he is

Spider-Man: Brand New Day
Starring Tom Holland, Zendaya & Jon Berthal
Directed by Destin Daniel Kreton
Rated PG-13

In theaters Friday, July 31, 2026

Packed with loads of action, gobs of heart and pantheon of familiar faces, Brand New Day will thrill Spidey fans—and spike Tom Holland’s stock as the Spider-Man of the “modern” era.

Hot off the heels of his other recent movie (a not-so-little IMAX thing called The Odyssey), Holland is now back in the swing for the fourth time as Peter Parker and his crime-fighting alter ego. This time around, he’s grappling with what happened in the previous movie, No Way Home, in which the only recourse for a multiverse Dr. Strange spell gone wrong was erasing everyone’s memories of Peter. And like that, whoosh, Peter Parker effectively ceased to exist.

Now, with all his past relationships gone, Peter buckles down on fighting crime as Spider-Man, using a wall of computers and a highly advanced AI assistant he calls Evie, to track transgressors. (A brand new day, indeed!) But it’s a lonely, angsty world, especially when it comes to his old love interest, MJ (Zendaya) and his nebbish best bud Ned (Jacon Batalon), who have moved on with their lives.

Things get further complicated when Peter’s arachnid hormones—remember, he became Spider-Man after being bitten by a radioactive spider—start spiking, giving him some startling new super-abilities. And there’s all those Big Apple baddies to deal with, like Scorpion (Michael Mando) and Tombstone (Marvin Jones III). Plus a new threat, a telekinetic power that can take over minds or unleash waves of destruction.

Part superhero saga, part love story, part detective-yarn mystery, it’s all Spider-Man facing a “brand new day” of reckoning with who he is, what he is and what he’s destined to become. If you’ve been following all the previous Spider-Man flicks, you won’t have any trouble keeping up with all the plotline of bread crumbs, the in-jokes and the winks and nods to characters and events in the past. But if this is your first Spider-Man movie, you may find it more challenging—especially when fanboys around you start laughing at something that flies, like Spider-Man, right over your head.

Fans debate who’s the best Spider-Man: Holland, Tobey McGuire or Andrew Garfield. Brand New Day may move Holland to the top of the pack; he’s pitch-perfect as a young man confronting the challenges and changes of adulthood, and the curveballs of life itself.And he and Zendaya, a couple in real life, have an easy, natural spark as Peter and MJ gradually re-discover their relationship. There are other characters pulled from the Marvel Cinematic Universe, the franchise built on comic-book stories largely from the ‘60s. No spoilers here, but one’s big and green, and another is a femme fatale operating from an unlikely office, in a spa pool. Marisa Tomei, who plays Peter’s late beloved Aunt May, appears in flashbacks. Stranger ThingsSadie Sink portrays a brand new character, one pivotal to the story.

But it’s Jon Bernthal who practically steals the show as Frank Castle/The Punisher, an underworld street tough who becomes Peter’s unlikely ally.

The action sequences are top-notch zing and zap, thrilling integrations of digital razzle-dazzle and whiplash editing, whether Spider-Man is swinging between skyscrapers, bouncing off buildings or battling a group of ninja assassins, Crouching Tiger, Hidden Dragon-style.

But it’s the movie’s softer, beating heart that sets it apart from most other Spider-Man flicks. It’s about the isolation of being gifted—or “special,” unique with powers no one else has—and how relationships are integral to everything. It’s about how men can become monsters, and vice-versa. It’s about growing up, as Peter Parker does, with mental and physical changes (as most of us also discover) as he finds, and claims, his place in the world.

And it’s about a movie franchise built on comic-book pulp that’s become one of the most successful film properties in the world, now part of the Disney empire. Over at the House of Mouse, it feels like this explosively entertaining and engaging new Spider-Man adventure will be another “brand new day” at the bank.

And if you wonder where it’s all headed next, stay for an after-credits scene that might give you a clue.

Neil Pond

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Super Raunchy

Marvel’s new superhero is fast, funny—and definitely not for kids

DEADPOOL

Deadpool

Starring Ryan Reynolds and Morena Baccarin

Directed by Tim Miller

R

For the past few years, there’s been some major comic-book movie buzz about one of the minor characters on the superhero-spandex spectrum.

Deadpool, a latecomer Marvel Comics anti-hero introduced onscreen in X-Men Origins: Wolverine (2009), had actually been making appearances in comic books since the early 1990s, later appearing in videogames, TV cartoons and in a line of promotional toy figures.

Originally a mentally unstable, mutated villain, he reforms a bit, morphing into more of a motor-mouthed, smack-talking, skull-cracking vigilante, for his first feature film.

Returning to the role after the X-men flick, Ryan Reynolds rips into the part with something-to-prove gusto—namely, that he can, indeed, headline a comic-book movie that doesn’t stink. The funky jade juju of The Green Lantern had been following him around since 2011, and he addresses it head-on—and crushes it—in the hilarious, snarky opening credits…and a couple of times later, too, just for good measure. The smart, razor-sharp script, from Zombieland scribes Rhett Reese and Paul Warnick, is a nonstop comic spray of R-rated barbs, f-bomb zingers, sarcastic spatter and wide-ranging pop-cultural riff-ery that often lampoons even itself.

This is clearly not your comic-book movie of yesteryear, or even yesterday, and Deadpool is no clean-cut Captain America. “I may be super, but I’m no hero,” he tells us in an opening scene, an extended, operatic clash in which he lays into an armada of bad guys like a psychopathic Spider-Man on speed, quipping nonstop as decapitated heads fly, brains splatter, bones snap and bodies are sliced, diced and impaled on his twin samurai swords like pieces of juicy kabob meat.

Deadpool (his name comes from a wager about who’d be the first to die) isn’t afraid of getting injured. Torturous laboratory experiments that left Wade Wilson, his real-life alter ego, hideously scarred and disfigured also gave him the “superpower” of cellular regeneration. That means when a body part gets shot through, smashed, hacked off, stabbed, incinerated or blown to bits, he just has to give it a little time—it’ll grow back.

Ryan Reyonlds and Morena Baccarin

Ryan Reynolds and Morena Baccarin

Of course, the movie has an obligatory cameo by Marvel’s founder, Stan Lee. Groundbreaking 1960s-‘70s singer-actress Leslie Uggams appears as Blind Al, Deadpool’s sightless roommate. Fanboys will be delighted to see lovely Morena Baccarin, from TV’s Gotham, The Flash and Homeland as Wade’s beautiful girlfriend Vanessa, who helps give the story a thumping romantic heart. And stay until the credits are over for one parting bon mot, a movie postscript that—unlike other Marvel outings—looks not to the future but instead to the past, to another memorable movie afterword.

Randy, raw and gleefully gritty, nastier, bloodier, more violent and riotously raunchier than any Marvel movie ever, Deadpool is just what a lot of fans have been waiting for—especially if they’ve been waiting for a “superhero” who swears, farts, babbles, jokes, listens to Wham!, loves unicorns, enjoys rough sex…and sure seems to get into his job a lot more than Thor, Batman or Superman ever did.

—Neil Pond, Parade Magazine

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