Tag Archives: Spider-Man

Movie Review: “Spider-Man: Brand New Day”

Tom Holland swings into action again as pop culture’s top webslinger faces new threats—and a world that’s forgotten who he is

Spider-Man: Brand New Day
Starring Tom Holland, Zendaya & Jon Berthal
Directed by Destin Daniel Kreton
Rated PG-13

In theaters Friday, July 31, 2026

Packed with loads of action, gobs of heart and pantheon of familiar faces, Brand New Day will thrill Spidey fans—and spike Tom Holland’s stock as the Spider-Man of the “modern” era.

Hot off the heels of his other recent movie (a not-so-little IMAX thing called The Odyssey), Holland is now back in the swing for the fourth time as Peter Parker and his crime-fighting alter ego. This time around, he’s grappling with what happened in the previous movie, No Way Home, in which the only recourse for a multiverse Dr. Strange spell gone wrong was erasing everyone’s memories of Peter. And like that, whoosh, Peter Parker effectively ceased to exist.

Now, with all his past relationships gone, Peter buckles down on fighting crime as Spider-Man, using a wall of computers and a highly advanced AI assistant he calls Evie, to track transgressors. (A brand new day, indeed!) But it’s a lonely, angsty world, especially when it comes to his old love interest, MJ (Zendaya) and his nebbish best bud Ned (Jacon Batalon), who have moved on with their lives.

Things get further complicated when Peter’s arachnid hormones—remember, he became Spider-Man after being bitten by a radioactive spider—start spiking, giving him some startling new super-abilities. And there’s all those Big Apple baddies to deal with, like Scorpion (Michael Mando) and Tombstone (Marvin Jones III). Plus a new threat, a telekinetic power that can take over minds or unleash waves of destruction.

Part superhero saga, part love story, part detective-yarn mystery, it’s all Spider-Man facing a “brand new day” of reckoning with who he is, what he is and what he’s destined to become. If you’ve been following all the previous Spider-Man flicks, you won’t have any trouble keeping up with all the plotline of bread crumbs, the in-jokes and the winks and nods to characters and events in the past. But if this is your first Spider-Man movie, you may find it more challenging—especially when fanboys around you start laughing at something that flies, like Spider-Man, right over your head.

Fans debate who’s the best Spider-Man: Holland, Tobey McGuire or Andrew Garfield. Brand New Day may move Holland to the top of the pack; he’s pitch-perfect as a young man confronting the challenges and changes of adulthood, and the curveballs of life itself.And he and Zendaya, a couple in real life, have an easy, natural spark as Peter and MJ gradually re-discover their relationship. There are other characters pulled from the Marvel Cinematic Universe, the franchise built on comic-book stories largely from the ‘60s. No spoilers here, but one’s big and green, and another is a femme fatale operating from an unlikely office, in a spa pool. Marisa Tomei, who plays Peter’s late beloved Aunt May, appears in flashbacks. Stranger ThingsSadie Sink portrays a brand new character, one pivotal to the story.

But it’s Jon Bernthal who practically steals the show as Frank Castle/The Punisher, an underworld street tough who becomes Peter’s unlikely ally.

The action sequences are top-notch zing and zap, thrilling integrations of digital razzle-dazzle and whiplash editing, whether Spider-Man is swinging between skyscrapers, bouncing off buildings or battling a group of ninja assassins, Crouching Tiger, Hidden Dragon-style.

But it’s the movie’s softer, beating heart that sets it apart from most other Spider-Man flicks. It’s about the isolation of being gifted—or “special,” unique with powers no one else has—and how relationships are integral to everything. It’s about how men can become monsters, and vice-versa. It’s about growing up, as Peter Parker does, with mental and physical changes (as most of us also discover) as he finds, and claims, his place in the world.

And it’s about a movie franchise built on comic-book pulp that’s become one of the most successful film properties in the world, now part of the Disney empire. Over at the House of Mouse, it feels like this explosively entertaining and engaging new Spider-Man adventure will be another “brand new day” at the bank.

And if you wonder where it’s all headed next, stay for an after-credits scene that might give you a clue.

Neil Pond

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Captain Crunch

The Marvel gang’s all here in superhero-packed mega-movie

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Captain America: Civil War

Starring Chris Evans, Robert Downey Jr., Sebastian Stan & Scarlett Johansson

Directed by Anthony Russo & Joe Russo

PG-13

What do superheroes do when they’re not saving the planet? A lot of the same things everyone else does—they prattle around the house, do their best to get along and sometimes get on each other’s nerves.

“Who’s putting coffee grounds in the disposal?” Iron Man (Robert Downey Jr.) asks his houseguests, which include Captain America (Chris Evans), Black Widow (Scarlett Johansson), Scarlet Witch (Elizabeth Olsen), War Machine (Don Cheadle) and Vision (Paul Bettany). “Am I running a bed and breakfast for a biker gang?”

Crammed into a back of a tiny VW Beetle, the hulking Winter Soldier (Sebastian Stan) has a request of Falcon (Anthony Mackie). “Could you move your seat up?” Like a grumpy sibling on a family road trip that’s already over-stretched his patience, Falcon isn’t exactly in an agreeable mood. “No!” he snaps.

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Spider-Man (Tom Holland) gets in on the action.

Captain America: Civil War is a big, sprawling superhero mega-movie, with more spandex to the gallon than any flick that’s come down the pike in a long time. The latest in the multi-billion-dollar Marvel cinematic canon, it’s officially the third of the Captain America franchise, but it’s also a continuation of the Avengers movie arc, and it ropes in characters from other Marvel movie properties as well, including Iron Man, Ant-Man (Paul Rudd) and even the new Spider-Man (Tom Holland), whose movie won’t be in theaters until next summer.

The “Civil War” in the title refers to the major rift that occurs within the Avengers when a United Nations panel wants to rein them in. The global community is concerned about the civilian deaths and wakes of destruction that accompany the superheroes’ bad-guy smackdowns—a theme that also cropped up a few weeks ago in another comics-character slugfest, Batman v Superman.

The Avengers divide into two camps about the issue—those who feel that some international oversight and cooperation is the way to go (led by Iron Man), and the rebels who refuse to sign the accord (team Captain America). That sets the stage for several spats, a couple of subplots, more than two hours of squabbles and one stupendous battle royale in an abandoned airport.

Marvel's Captain America: Civil War..L to R: Sharon Carter/Agent 13 (Emily VanCamp), Sam Wilson/Falcon (Anthony Mackie), Natasha Romanoff/Black Widow (Scarlett Johansson), and Steve Rogers/Captain America (Chris Evans)..Photo Credit: Zade Rosenthal..? Marvel 2016

Sharon Carter (Emily VanCamp), Falcon (Anthony Mackie), Black Widow (Scarlett Johansson) and Captain America (Chris Evans) have a serious huddle.

Directors Anthony and Joe Russo keep things moving along with style, substance and significant flair, and they give all their characters time to shine—no easy task when they are so many, including newcomers Chadwick Boseman as an African prince who becomes the Black Panther; Marissa Tomei as Peter Parker’s Aunt May; and Daniel Brühl as the Eastern European über-villain Zemo. There’s also Jeremy Renner as Hawkeye, Martin Freeman as a CIA official, Emily Van Camp (from TV’s Revenge) as Sharon Carter, and William Hurt as the U.S. Secretary of State. Oscar-nominated Alfre Woodard pops in as an aggrieved mom.

But through it all are the Avengers, the world’s coolest, most powerful cadre of superfriends—family, actually—being ripped apart, fractured from within, pulverizing each other as the divide between them, widened by treachery, becomes filled with distrust, dark secrets and deep wounds from the past.

There’s a whole army of frozen Winter Soldiers, a funeral and a sweet kiss between two characters that may point to future romance.

How does this wham-bam, jam-packed road trip on the superhero highway end? I won’t spoil it. But you shouldn’t be surprised to know that even when it does, it doesn’t, and that the Marvel movie map is still being drawn for Captain America, Iron Man, Spider-Man and other characters for years to come!

—Neil Pond, Parade Magazine

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Itsy Bitsy Spider

Marvel Comics’ wall-crawling teen hero has to fight for his own spotlight

Andrew Garfield

The Amazing Spider-Man 2

Starring Andrew Garfield, Emma Stone & Jamie Foxx

Directed by Marc Webb

PG-13, 142 min.

 

The other night on TV, a show featured an urban-legend-ish conversation about someone who’d been bitten by a spider and then discovered little spiders crawling out of the bump on his neck.

I couldn’t stop thinking about that as I watched this, the latest in the ongoing Hollywood franchise about a nerdy teenager, Peter Parker, turned into a wisecracking, crime-fighting superhero by the bite of a radioactive arachnid. Not only is the Spider-Man empire, with its deep comic-book roots that go back to 1962, built on the bite of a spider, but this now marks the fifth big-screen treatment of the tale, and the second notch of the new cinematic arc following the original Spider-Man cinema trilogy, starring Tobey Maguire, that ended in 2007.

Andrew GarfieldThose little spiders—they just keep coming. The problem is, now they’re in danger of getting lost in their own enormous web: massive productions with king-size star sizzle, mega special effects and north-of-$200-million budgets. This time around, the iconic wall-crawler (Andrew Garfield, reprising his role from 2012) has to deal with multiple villains, Peter Parker’s complicated relationship with girlfriend Gwen Stacy (Emma Stone, also returning), and troubling questions about his deceased parents.

Director Marc Webb, who also directed 2012’s Amazing Spider-Man, throws a lot into the movie’s sprawling two hours and 20-plus minutes—eye-popping action, tender moments, romance, humor, and musings on life, death, love, longing, friendship, loss, hope and the importance of fighting “for what matters to you.”

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Jamie Foxx as Electro.

It’s jam-packed, stuffed with too much of everything, especially bad guys—do we really need three of them? Jamie Foxx plays an electrical engineer with serious self-esteem issues who gets turned, via a freak high-voltage mishap, into the rampaging super-villain Electro. Dane DeHaan is Harry Osborne, Parker’s rich, preppy high-school friend with a mutant family gene that morphs him into the monstrous Green Goblin. And Paul Giamatti, who opens the movie as a Russian prison escapee, later appears transformed into yet another one of Spidey’s archenemies from the good ol’ Marvel Comic book days.

Andrew Garfield;Emma Stone

Garfield and Stone have natural chemistry as Peter Parker and girlfriend Gwen.

Garfield, 30, and Stone, 25, seem a tad old to be playing recently graduated high school seniors. But the two of them have great natural chemistry (they’re a real-life couple, too). And their scenes together, especially when Garfield is out of the Spidey spandex and playing plain ol’ Peter, provide the movie’s strongest human heartbeat. Webb, whose directing resumè also includes the indie charmer 500 Days of Summer, gives Pete ’n’ Gwen just as much of the story as Spider-Man, a wise move for making this movie resonate even more as a date flick.

Like most comic-based characters, superheroes never seem to age; Peter Parker/Spider-Man will always be eternally young. At least it’s that way in the movies, where time can be suspended, reset and rewound, and “old” actors, like Maguire, can be replaced by newer ones, like Garfield—who’s already signed on to star in the first of the two additional Amazing Spider-Man follow-ups.

Yes, those little spiders—they do just keep coming. Perhaps next time, the itsy bitsy spider won’t have such a hard time fighting for his own spotlight.

—Neil Pond, American Profile Magazine

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