Author Archives: Neil Pond

Old Soldiers

Stallone & Co. are showing their age in third testosterone fest

The Expendables 3 - Final One Sheet

The Expendables 3

Starring Sylvester Stallone, Arnold Schwarzenegger & Mel Gibson

Directed by Patrick Hughes

PG-13

In the opening scene of this slam-bang, testosterone-fest reunion of aging action-movie icons, Sylvester Stallone’s character points to a frankfurter-sized finger of his meaty fist and a skull-shaped glob of silver—his Expendables “lucky ring.”

The Expendables franchise, about a group of super-covert, battle-scarred warriors hired to do the U.S. government’s dirty work, has indeed been lucky for Stallone. He’s had both his bank account and his ego fed by the success of the previous two movies, which he also had a big hand in either directing or writing.

In the movies, his team is “expendable” because their work is so dangerous, and their missions so secret, no one knows—or can afford to care—if they live or die.

How ironic—since the Expendables don’t seem expendable at all. They just keep coming back, again and again, and Stallone and his co-stars are a veritable, tried-and-true Hollywood guy-movie who’s who. These are some “dependable” Expendables.

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Sylvester “Rambo” Stallone (left) and Arnold “Terminator” Schwarzenegger are the alpha males in “Expendables 3.”

And if anything, they just keep getting more “expandable.” In this excursion, the grizzled, gung-ho wagon train links up former E-team stalwarts Arnold Schwarzenegger, Dolph Lundgren, Terry Crews, Wesley Snipes, Jason Statham, Randy Couture and Jet Li with new add-ons Harrison Ford, Mel Gibson, Kelsey Grammer (yes, Dr. Crane from Cheers and Frazier!) and Antonio Banderas, and a group of younger Expendables-in-training—Kellan Lutz, Glen Powell, boxing champ Victor Oritz and mixed martial arts fighter Ronda Rousey, the sole female invited into the boys’-club sandbox of bullet-spraying machine guns, missile-launching bazookas, exploding trains, airborne boats, dive-bombing helicopters and ka-booming army tanks.

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Mixed martial arts fighter-turned-actress Ronda Rousey is the only female invited to play in the boys-only sandbox.

There’s a wisp of a subplot about the old-school Expendables (with their knives and guns) vs. the new young high-tech Expendables (with their computers and cameras and drones). But now, four years and three movies into the franchise, the just-plain-old Expendables are beginning to wear visibly thin, the plots have ground down to near nothingness, the wisecracks aren’t wise or crack-y anymore, and the original stars mostly lumber around like middle-aged slabs of spa-toned beefcake. And this movie, in particular, is so bloated with actors, there’s not much space for any of them. Some, like martial arts champion Jet Li, are relegated to little more than a cameo.

When the first movie came out, in 2010, it was an homage to Hollywood’s long tradition of Dirty Dozen-style, action-caper, military-mission flicks, as well as an adrenaline shot of career-rejuvenating mojo for Stallone and some of his action-movie pals from the ’80s and ’90s. Now, as Neil Young’s “Old Man” plays and Stallone’s character proudly watches his young protégés carouse in a barroom, it seems like the original Expendable is thinking about finally easing out of the picture—or at least making much more room for a younger, leaner, greener set of espionage and counter-terrorism experts.

At one point, Trench (Schwarzenegger) tells Barney (Stallone) he’s through. “I’m getting out of this business,” he says, “and so should you.” Maybe it’s finally time for Stallone to take that Expendables advice to heart.

—Neil Pond, American Profile Magazine

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‘Sho’ Nuff

Epic ‘80s TV miniseries comes to Blu-ray loaded with bonus features

Shogun

Shogun

DVD $85 (CBS Home Entertainment & Paramount Home Media Distribution)

 

Now re-mastered in hi-def and released for the first time on Blu-ray, this award-winning TV three-part mini-series, based on the bestselling James Clavell novel, captivated viewers over five nights in 1980 with the exploits of a 17th century British navigator (Richard Chamberlain) shipwrecked off the coast of Japan and caught up in a deadly, epic struggle of love and war in the land of the rising sun. Almost two hours of bonus features include a 13-part making-of documentary, which detail the intricacies, controversies and complications of filming the entire production in Japan, and commentary by the director.

 

—Neil Pond, American Profile Magazine

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Of Pens & Pigskins

A roundup of great writing & great writers on football

 Football_Great Writing

Football

Edited by John Schulian

Hardcover, 486 pages, $30 (The Library of America)

 

Half a century of legendary players, iconic moments and classic games come alive again in this collection of more than 40 magazine articles and book excerpts. Standouts include a selection from H.G. Bissinger’s Friday Night Lights; Frank Deford’s profile of Johnny Unitas; Michael Lewis on NFL kickers, the least respected players on the field; Bryan Curtis’ piece on Texas Youth Football; Roy Blount Jr. writing about his 40-year love affair with the Pittsburgh Steelers; George Plimpton’s first-person account of what it’s like to play as a Detroit Lion from his book Paper Tiger, plus many more insights, perspectives and observations sure to please any diehard pigskin fan.

 

—Neil Pond, American Profile Magazine

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Tour of Duty

Bullets fly in second action-packed ‘Jarhead’ military adventure

Jarhead 2

Jarhead 2

Blu-ray $34.98 (Universal 1440 Entertainment)

Inspired by the original Jarhead, based on U.S. Marine Anthony Swofford’s best-selling 2003 book about his experiences in Saudi Arabia and Kuwait, this fictional direct-to-DVD spin-off features an all-new cast in another dusty, nitty-gritty combat adventure, this time as platoon mates stationed in Afghanistan who risk their lives to help a woman escape her Tailban pursuers. The movie stars Stephen Lang, Esai Morales and Cole Hauser, and gets a extra dose of authenticity with Josh Kelly, who served as a U.S. Army Ranger in Afghanistan and Iraq before beginning his acting career.

—Neil Pond, American Profile Magazine

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Pass the Corn

Helen Mirren leads cast in yummy-looking food-centric tale

THE HUNDRED-FOOT JOURNEY

The Hundred-Foot Journey

Starring Helen Mirren, Om Puri, Manish Dayal & Charlotte Le Bon

Directed by Lasse Hallström

PG

If this movie were a recipe, its ingredient list would look pretty impressive.

Start with a highly praised debut novel, one especially loved by foodies for its taste-filled tale of a young Indian cook’s culinary journey across Europe. Stir in powerhouse producers Oprah Winfrey and Steven Spielberg, then Swedish director Lasse Hallström, whose 2000 film, Chocolat, made millions of moviegoers lust for something dark, warm and sweet.

THE HUNDRED-FOOT JOURNEYMarinate in deep-dish countryside vistas and luscious scenes of French and Indian food, all potently presented by Oscar-winning cinematographer Linus Sandgren. Steep in a Bollywood soundtrack by Slumdog Millionaire musical composer A.R. Rahman. Garnish with a frisky starring role by the venerable Helen Mirren—Dame Helen Mirren, no less—and season with humor, heart and message about learning to get along.

Taking some liberty with the novel’s sweeping historical narrative, the movie nonetheless covers the basics: Uprooted by war, political turmoil and the death of his wife, Mumbai restaurateur “Papa” Kadam (Indian movie veteran Om Puri) and his children wander across Europe, eventually settling in the south of France.

Mirren plays Madame Mallory, the widowed proprietress of a tony upscale eatery renowned far and wide for its world-class, award-winning cuisine. Her prim, perfectionist world is rocked when the colorful immigrant clan of Kadams opens a competing, very different dining establishment directly across the street—just 100 feet away.

THE HUNDRED-FOOT JOURNEYThings get even more complicated when Papa’s grown son, Hassan (Manish Dayal), begins showing an interest in learning how to cook something other than his spicy Indian family recipes—and also in Madame Mallory’s beautiful sous-chef in training, Marguerite (Charlotte Le Bon).

Hallström has some nice directorial flourishes, especially when it comes to making food a “character” in the story. But that’s not such good news for the actors, who must compete with all sorts of masterfully staged shots of immensely appealing dishes being discussed, made and consumed. Daval and Le Bon work valiantly to light a spark in their romantic subplot, but much of the heat that might have gone there seems to have been diverted to the stovetop.

Mirren and Puri likewise go through the moves of their characters discovering “something” that might be described as romance, but this overstuffed soufflé of a movie never finds room for them to ever do anything other than nibble around its edges. And none of the other characters—Hassan’s brothers and sisters, Madame Mallory’s other employees, a comically hapless mayor—are given much of anything to do, or even say.

THE HUNDRED-FOOT JOURNEYDespite being a bit too long, more than a bit predictable and a whole lot of corny, The Hundred Foot Journey has a lot of heart, and like a platter of yummy things presented by a hostess who relentlessly pours on the charm, it eventually wears down your walls of resistance. A sumptuous-looking confection about decent people living decently, guided by their palettes and their hearts, drawing closer as they celebrate their differences, it will likely go down most smoothly with older audiences who love food and love movies with somewhat equal measure.

—Neil Pond, American Profile Magazine

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One Man Show

Tom Hardy owns the road in intense, riveting ‘Locke’

LockeLocke

Blu-ray $24.99 / DVD $19.98

British actor Tom Hardy is outstanding in this one-man show as a Ivan Locke, a husband, father and by-the-books construction supervisor, alone in a car, driving at night—and confronting, over his phone, a situation in his life that for the first time can’t be easily, neatly managed. Intense, riveting and powerfully cinematic, it’s a journey in which Locke learns that the road to becoming a better man is a long, sometimes dark and lonely one, with both endings and beginnings. Bonus features include a making of feature, and director commentary.

 

—Neil Pond, American Profile Magazine

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Small-screen cut-ups

Marx Brothers celebrated in roundup of TV appearances

 The Marx Brothers TV Collection

The Marx Brothers TV Collection

DVD $39.97 (Shout! Factory)

 

Fans of classic television will flip over this roundup of more than 50 performances by the comedic trio of Groucho, Harpo and Chico on dozens of TV shows of the 1950s and ’60s (alongside Jack Benny, Dick Cavett, Dinah Shore, Red Skelton, Perry Como, Jackie Gleason, and many others), plus TV commercials and those-were-the-days episodes of Championship Bridge, Celebrity Golf and Celebrity Billiards, and a 40-page book of rare photos from the Marx Brothers family archive, program notes and an essay by a Marx Brothers historian.

 

—Neil Pond, American Profile Magazine

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Courting the King

Ginger Alden tells of life as Elvis Presley’s fiancé

Elvis and GingerElvis and Ginger

By Ginger Alden

Hardcover, 400 pages, $26.95, $10.99 Kindle edition (Berkley)

Much has been written about the late, great Elvis Presley, but none of it—until now—by the woman who was his last love, his fiancé at the time of his death, the 20-year-old native Memphis, Tenn., beauty who captured his heart and became a part of his home and his entourage for nine months, up until the fateful day she discovered his unresponsive body in the bathroom. Brimming with details and dish, this fascinating tale of Alden and the King’s courtship and life together, told against a backdrop of the final arc of Presley’s superstardom as it fell apart inside his claustrophobic castle walls, is one Presley fans have been waiting for—and about as “inside” as it gets.

 —Neil Pond, American Profile Magazine

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Across the Universe

Marvel’s newest superheroes are an inter-galactic gas

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Guardians of the Galaxy

Starring Chris Pratt, Zoe Saldana & Dave Bautista

Directed by James Gunn

PG-13

Marvel Comics gives their all-stars a breather with Guardians of the Galaxy. But Spider-Man, Iron Man, Thor and other tried-and-true, brand-name superheroes had better watch out: This flip, witty, wily, cheeky, action-adventure sci-fi yarn—which introduces an all-new Marvel team of cosmic crusaders—is all set to become one of the summer’s biggest, most buoyant mainstream hits.

Based on little-known Marvel characters that first made a brief appearance in the 1960s, the Guardians are a motley crew of space misfits led by Peter Quill (Chris Pratt from TV’s Parks andguardiansofthegalaxy530439f7bb98f Recreation), who was abducted from Earth by alien pirates as a youngster and taken to the far reaches of the galaxy, where he grew up to become a rogue smuggler with an intergalactic price on his head, a taste for retro FM rock and a weakness for extraterrestrial hotties.

When Peter swipes a silver orb that turns out to be something Very Powerful Indeed, it puts a series of events in motion that eventually congeal the other guardians around him—although not necessarily as teammates, at least at first.

Gamora (Zoe Saldana) is a genetically mutated, green-hued assassin sent to retrieve the orb. Rocket (voiced by Bradley Cooper), a motor-mouthed raccoon bounty hunter, is in cahoots with Groot (voiced by Vin Diesel), a tree-like creature that speaks volumes with the one sentence he can speak, “I am Groot.” And pro wrestler Dave Bautista is Drax, a hulking wall of red-tattooed muscle.

guardiansofthegalaxy5371066e4ab7aTheir adventures bounce them, like interplanetary pinballs, across the galaxy, racing away from—and sometimes into—an ever-growing cloud of trouble. Director James Gunn, at the helm of his first mega-budget, major studio project, creates a teeming sci-fi cosmos of colorful creatures, humanoid hybrids and dazzling digital effects for a totally immersive eye-candy experience. Everywhere the movie goes—and it’s constantly going somewhere—it’s a wild, exuberantly fun new kick.

The cast is first-rate, even down through the supporting ranks. Glenn Close plays the matriarch of a gleaming utopia on the brink of destruction; Michael Rooker is terrific as the swaggering scavenging scoundrel who abducted Peter all those years ago; Benicio Del Toro is The Collector, a mysterious curator of cosmic odds and ends.

But it’s the Guardians, the mismatched team of “losers,” who command the spotlight. And credit the zippy script, by Gunn and Nicole Perlman, for the steady stream of jaunty comedic banter that just keeps the laughs coming—along with a sprinkling of sweetness, a dash of sadness, and even a flash of romance, orchestrated to Elvin Bishop’s “Fooled Around and Fell in Love.”

Will it remind you of Star Wars, Indiana Jones and several other movies, some references to which it just goes ahead and hands you? Sure, but that’s just part of its big, fizzy, movie-lovin’ funhouseguardiansofthegalaxy53bd964656849 spirit. “It’s got a Maltese Falcon kinda vibe,” Peter says of the orb. One scene, when Groot gently gives a young girl a flower, is an obvious nod to a similar moment in the 1931 classic Frankenstein.

You may see classier movies this summer, and you’ll certainly see more serious, sensible ones. But you won’t see another one that takes you on such a rollicking carnival ride halfway across the universe and back, and leaves you with such a big, goofy, satisfied smile when it’s over.

—Neil Pond, American Profile Magazine

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Soul Man

Chadwick Boseman channels James Brown in explosively entertaining new biopic

Film Title: Get on Up

Get On Up

Starring Chadwick Boseman, Nelsan Ellas, Viola Davis and  Dan Aykroyd

Directed by Tate Taylor

PG-13

“When I hit that stage, people better be ready,” James Brown (Chadwick Boseman) says early in a scene from director Tate Taylor’s Get On Up, the explosively entertaining new movie about the Godfather of Soul. “Especially the white ones.”

Indeed—James Brown was something the likes of which the world had never seen in the early 1960s, a keg of black dynamite sizzling with unpredictability and danger: sexual energy, gospel fervor, hyperkinetic dance moves, combustive rhythms, and intense, screaming, searing vocals. As he made his way to the top, he rewrote the rules about could, and couldn’t, be done by black artists in a music business owned and controlled by white men.

Film Title: Get on Up

Chadwick Boseman is electrifying as James Brown.

Get On Up is a revelation, not only because it’s so well made, written and acted, but also because it shows—reveals—so much about its subject. Most viewers will know who Brown was, and will certainly know his hits—“I Got You (I Feel Good),” “Papa’s Got a Brand New Bag,” “It’s a Man’s Man’s Man’s World”. But the exceptionally sharp storytelling and direction take us inside, outside and all around Brown, across a span of nearly six decades, from his childhood of wrenching Alabama poverty and abuse, through his rocky adolescence and finally into adulthood.

And through it all, we see, hear and feel the rhythm, music and grooves that drove him forward. Taylor (a Southerner who also directed The Help) shows us an internal funk engine constantly churning, turning and burning—young Brown incurring the wrath of his father by tapping a stick on the edge of a table, unable to stop the beat inside him; seeing a dreamy, hallucinogenic vision of his step-and-groove future in the horns and drumbeat of a Dixieland jazz band; having a sweaty, stomping, out-of-body experience on the set of a cheesy, white-bread ’60s Frankie Avalon movie.

Film Title: Get on Up

Dan Aykroyd plays Brown’s manager.

And Taylor skips around, putting the events in Brown’s life on shuffle instead of play mode, juxtaposing events from childhood with moments later that show how, and why, they connect, against a backdrop of politics, civil rights and Vietnam.

The movie also doesn’t shy from Brown’s darker side: He was a complicated, preening, strutting egomaniac who beat his wife, wielded guns, did drugs, served time in jail and berated and fined band members for the slightest infractions.

Portraying Brown as a teenager through his final years (he died in 2006), Chadwick Boseman (who played baseball Hall of Famer Jackie Robinson in 42) is electrifying in a tremendous performance that captures his walk, talk, mannerisms, stage moves and morphing looks over the decades.

The movie also features some stellar supporting performances from Viola Davis (as Brown’s mother), Octavia Spencer (as his aunt, who raised him), True Blood’s Nelsan Ellas (as his longtime right-hand band mate Bobby Byrd), and Dan Aykroyd (as Ben Bart, the talent agent who became his manager).

Film Title: Get on UpBut this movie belongs to Boseman, and to Taylor—and to producers Brian Grazer and Mick Jagger (yes, Rolling Stone Mick Jagger), who persevered for eight years, even when this movie seemed un-makeable, because they believed in it. When you see it, you’ll believe, too. It’s a knockout. It feels good.

—Neil Pond, American Profile Magazine

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