Author Archives: Neil Pond

Made in America

Photographer’s journey reveals handmade treasures

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Portraits of the American Craftsman

Photographs by Tadd Myers

Hardcover, 275 pages ($29.95, Lyons Press)

Myers, an award-winning corporate photographer, began this project as a commercial assignment about the restoration about an historic building in his home state of Texas, but expanded it as he began to wonder about other work across America still done by hand. This chronicle of his ensuing journey—a collection of images of musical instruments, clothing, long rifles and carving knives, surfboards and boats, stagecoaches and carousel horses, Grammy Awards, suits for country stars, other hand-crafted wonders and the people who make them—will give you a whole new appreciation for the phrase “made in the U.S.A.”

—Neil Pond, American Profile Magazine

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Ahoy, Captain!

Tom Hanks stars in gripping true tale of modern-day piracy

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Captain Phillips

Blu-ray + DVD + Digital Combo $40.99 / DVD $30.99 (Sony Pictures Home Entertainment)

Tom Hanks stars in this gripping, critically lauded thriller about the hijacking of an American cargo ship by Somali pirates and its daring rescue by the U.S. Navy. Based on a real 2009 incident, it’s a knockout performance for Hanks, who adds yet another notch to his formidable acting belt—but it’s a propulsive breakout for Oscar-nominated newcomer Barkhad Abdi, who, as leader of the ragtag Somali hijackers, conveys an urgency and desperation essential to the movie’s emotional tug-of-war. Extras include a three-part, behind-the-scenes look at the production and the true events on which the story was based, and commentary by director Paul Greengrass.

—Neil Pond, American Profile Magazine

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Built to Last

Even this big B.C. cheese ball can’t bring down mighty Hercules

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The Legend of Hercules

Starring Kellan Lutz and Gaia Weiss

Directed by Renny Harlin

PG-13

He’s buff, he’s tuff, and he’s strong enough—to survive everything Greek and Roman mythology could throw at him, and then eons later, to withstand the whirring blades of the pop-cultural blender.

The mighty mythical Hercules, the son of a mortal queen mother and the Olympian god Zeus, has been portrayed on TV and in the movies by dozens of actors, including Arnold Schwarzenegger, Kevin Sorbo, Lou Ferrigno and Ryan Gosling (!), turned into a cartoon by Walt Disney and even made into a Three Stooges sidekick. Later this summer, he’ll return to the big screen in yet another incarnation, MGM’s Hercules, starring Dwayne “The Rock” Johnson.

But before that, though, there’s this: The Legend of Hercules, a 3-D action spectacle starring Kellan Lutz as the muscle-bound hunk with part of his DNA from the heavens.

A012_R001_0509JOFans of the Twilight movies might recognize Lutz as one of the lesser vampires from that franchise, but you’ll get eyestrain trying to spot many other familiar faces in this shaggy-dog, made-in-Bulgaria production. (Liam McIntyre, who stepped into the title role of Showtime’s Spartacus series in 2012, and Johnathon Schaech, who played the leader of the band in That Thing You Do!, have supporting roles.)

Your eyes won’t be the only things straining as you try to follow along with the hollow dialog, hammy acting and hackneyed digital effects that look like videogame graphics. Finnish director Renny Harlin, whose career never quite maintained the adrenaline high of Die Hard 2 and Cliffhanger in the early 1990s, here continues to work the shallows, although he’s still’s got some mojo for making good ol’ mano-a-mano mayhem look stylish, as when Hercules squares off in the gladiatorial arena against one (or more) opponents, or dusts it up with his own stepfather (who never liked him anyway).

B049_L001_05206L“Have you come to bring the wrath of Zeus upon me, boy?!” bellows the stepfather (Scott Adkins), sounding more like a modern-day brawler than an ancient Aegean warlord king. In other places, too, the movie seems to be confused about its era. Hercules and his princess girlfriend (Gaia Weiss) get lovey-dovey in a gauzy, fabric-draped woodland gazebo that looks like it came from a Bed Bath & Beyond in Athen’s Parthenon Plaza.

THE LEGEND OF HERCULESBut even worse, The Legend of Hercules can’t seem to sort out its own hero from every other sword-and-sandal story of the past 2,000 years. It’s a mash-up of Gladiator, Ben-Hur, 300, The Passion of the Christ, the Samson saga from the Old Testament and many other narrative threads that have come before it, without much idea about how to use them to weave anything original.

But, through the centuries, the legend of Hercules has survived. It will undoubtedly survive the splat of this big B.C. cheese ball, too.

—Neil Pond, American Profile Magazine

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Inside Job

The riveting story of The Beatles’ loyal, longtime secretary

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Good Ol’ Freda

DVD ($29.98, Magnolia Home Entertainment)

Fans of the Fab Four will flip their Beatle wigs over this 2013 film-fest documentary hit about the shy Liverpool teenager who was hired to work for a local band with no idea that they’d go on to become legends—or that she’d remain their loyal, steadfast secretary until the end. For the first time in 50 years, Freda Kelly tells her story in director Ryan White’s riveting, revealing look at the unassuming young woman who rode out the hurricane of Beatlemania deep on the inside, the witness to a musical revolution whose job afforded her one of the most unique perspectives in all of rock and roll.

—Neil Pond, American Profile Magazine

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In Country

Photographic collection captures horror & humanity of Vietnam

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Vietnam: The Real War

Introduction by Pete Hamill

Hardcover, 304 pages ($40, Abrams)

Its release timed with the beginning of ongoing 50th anniversary observances of the beginning of the war in Vietnam, this sweeping, spectacular chronicle compiles the work of more than 50 courageous photojournalists assigned to the heart of the conflict. With 300 photos capturing both the horror and the humanity of America’s messy involvement in a bloody, protracted power struggle that stretched across two decades (presented chronologically with contextual highlights from distinguished war correspondents), it’s a reminder of the extraordinary power of imagery, an unflinching history from the sobering distance of half a century, and one of the most profound collected photographic legacies of the entire 20th century.

—Neil Pond, American Profile Magazine

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Fine-Tuning With Fred

Rounding up the best of Astaire’s movie music

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Fred Astaire

The Early Years at RKO

CD $11.88 (Turner Classic Movies/Sony Masterworks)

In a career that spanned more than 75 years, Astaire, the most sublimely debonair singer, dancer and actor to ever sweep through Hollywood, made 31 movie musicals. This splendid roundup features tunes that he sang in such classic 1930s films as Flying Down to Rio, Top Hat and Shall We Dance, often introducing audiences to the works of Irving Berlin, Jerome Kern and George and Ira Gershwin. Backed by big bands and orchestras, Astaire swings, bops and croons through “Night and Day,” “Cheek to Cheek,” “The Way You Look Tonight,” “Let’s Call The Whole Thing Off” and more than 25 other tracks, two (“The Yam” and “I Used to be Colorblind”) with his longtime onscreen partner Ginger Rogers.

—Neil Pond, American Profile Magazine

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Raging Bull Crap

De Niro, Stallone slug it out in clichéd boxing comedy

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Grudge Match

Starring Robert De Niro & Sylvester Stallone

Directed by Peter Segal

PG-13, 113 min.

What if the two boxers from two of Hollywood’s most iconic boxing movies of all time came together in one contemporary clash of the titans?

Well, Rocky and Raging Bull don’t show up, exactly, but you’ll have no trouble remembering the roles Sylvester Stallone and Robert De Niro played some 30 to 35 years ago watching them spar in Grudge Match, in which they both portray long-retired palookas lured back to the ring by the promise of a big payday—and the opportunity to settle a decades-old dispute about who’s king of the knock-outs.

Back in the day, “Razor” Sharp (Stallone) and Billy “Kid” Donnen (De Niro) were Philadelphia scrappers who battled their way to the top of the light-heavyweight heap, culminating in an epic slugfest that ended with a split decision. Razor called it quits, however, and announced his retirement before a tie-breaking rematch could be arranged, and Kid’s been obsessed with “what might have been” ever since.

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Kevin Hart (center) creates a major media event around the rematch of ‘Razor’ (Stallone) and ‘Kid’ (De Niro).

Now a motor-mouthed young promoter (Kevin Hart) sees an opportunity to make his name (and a lot of moolah) by setting up a long-overdue bout between the two rusty old steel-town foes and turning it into a major media event.

Will Razor agree to put on the gloves one more time? Will the Kid swap pancakes and scotch for salads and sit-ups? Will the press stop making cracks about Geritol and Life Alert necklaces? And who will the woman (Kim Basinger) who had to choose between Kid and Razor three decades choose this time around?

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Kim Basinger

Stallone mumbles, De Niro mugs. There are some funny bits, but director Peter Segal (50 First Dates, Anger Management, Get Smart) somehow manages to miss with most of his punches, comedic and otherwise. The jokes are lame and low; this is the kind of movie that thinks anything from the waist down is hilarious. The story trots out nearly every contrivance and cliché imaginable, and the performances are about as lazy as you can get in a movie that still requires people to get up and walk around.

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Alan Arkin

And walking around isn’t even required, at least not all the time, for Alan Arkin’s character, Razor’s “elderly” trainer, whose ability to self-ambulate comes and goes.

Ironically, one of the best moments of the whole movie happens after it’s finished. Stay for the credits and catch the snippet in which Hart’s promoter tries to tempt another couple of former boxing champs back inside the ring for his next Big Event.

By the time things get around to the “Grudgement Day” match you know is coming, you just want the scene—like the movie—to be over before either Stallone, 67, or De Niro, 70, gets hurt. If I had a towel, I’d have thrown it in long before the legacies of two great movies were slammed to the mat and ground into a crappy comedy like this one.

—Neil Pond, American Profile Magazine

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Yum Yum!

The tasty secrets of one of life’s guilty pleasures

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Candy: A Century of Panic and Pleasure

By Simira Kawash

Hardcover, 403 pages ($27, Faber and Faber)

The author, a professor at Rutgers University and founder of the website CandyProfessor.com, delves deep into the tasty secrets of the guilty-pleasure treats that most of us consider to be among the most unwholesome things we can eat. But is candy really so bad—especially when compared to other consumer goods laden with highly manipulated, processed products that have many of its same (non) nutritional qualities? Unraveling a tangled web of moral, ethical, cultural, corporate and historical threads with both academic insight and sly wit about a subject to which we all can relate, “Candy” is a book that can hit anyone’s sweet spot.

—Neil Pond, American Profile Magazine

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Meanwhile, Up in the Sky…

Matt Damon stars in gritty, gripping sci-fi parable

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Elysium

Blu-ray + DVD Combo Pack $40.99 (Sony Pictures Home Entertainment)

Matt Damon, Sharlito Copley and Jodie Foster star in this ripping, gripping sci-fi parable set in the year 2154, when the wealthy, healthy elite on a pristine,  space station, Elysium, are kept far and away from everyone else back on overpopulated, disease-ridden, used-up Earth. After an Earth worker (Damon) is exposed to a deadly dose of radiation, he risks what’s left of his life to get treatment on Elysium—then finds out there’s something even bigger, and more mind-boggling, at stake. Extras include an inside look at the dazzling special effects, at various stages of the mega-production.

 — Neil Pond, American Profile Magazine

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Lights, Action…History

Rare photos, other artifacts commemorate Hollywood ‘dream factory’

Once Upon a Time in HollywoodOnce Upon a Time in Hollywood

By Juliette Michaud

Hardcover, 288 pages ($60, Flammarion/Rizzoli USA)

Both a fact-filled history of Tinseltown and a fan-focused homage to all it represents, this photo-packed, box-encased tribute chronicles the biggest stars, classic films, iconic studios, shifting trends and the very evolution of American cinema from silent movies to the golden age of the 1960s. With previously unpublished interviews from acting legends, rare archival photos from movie sets and behind the scenes, reproductions of “glamour” headshots, posters and much more, it’s a sweeping, epic tour of the West Coast “dream factory” in all its 20th century-spanning glory.

—Neil Pond, American Profile Magazine

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