Category Archives: Pop Culture

We Are Stardust

The sweet teenage suffering of 11 million fans hits the big screen

Poster Image

The Fault in Our Stars

Starring Shailene Woodley & Ansel Elgort

Directed by Josh Boone

PG-13, 125 min.

 

“What’s your story?” Augustus “Gus” Waters asks 16-year-old Hazel Grace Lancaster early in this highly anticipated movie adaptation of the wildly popular novel by author John Green that’s sold almost 11 million copies and been on the New York Times bestseller list for almost three years.

In answering the question about “her” story, then dissecting it, Hazel (Shailene Woodley), who’s fought cancer nearly her entire life, and Gus (Ansel Elgort), the 18-year-old fellow cancer survivor who becomes her soul mate, set the stage for a much bigger story—about two young people determined to make their story more than just a “cancer” story, refusing to let their disease rule their lives or their future.

A Fault In Our StarsGreen’s romantic, heart-aching, heartbreaking, poignant melodrama of two kids on a “star-crossed” course with fate has teen-DNA strands stretching all the way back to antiquity, running from Romeo and Juliet through the classic 1970s tear-jerker Love Story. The title, a twist on a quote from Shakespeare’s Julius Caesar, refers to the world as a “profoundly unjust place where suffering is unfairly distributed,” according to Green.

As Hazel, Woodley is sensational, especially given that she’s got a breathing tube in her nostrils constantly and she lugs around a canister of oxygen the entire movie, physical limitations that focus us even more on the breadth of emotions she can coax out of even the smallest of facial expressions.

There’s a marvelous scene when Gus tells her that he loves her, and we watch her eyes well with emotion in the soft glow of a restaurant’s hundreds of twinkling (star-like) lights. It’s a moment that taps into all that the movie has been about up until that point, much more complex and nuanced that it might sound, and the camera lingers on Woodley’s radiant face, empowering it to carry the entire weight of everything that goes unsaid.

Her handsome, hunkish co-star, Elgort, who also appeared with her earlier this year in Divergent, is a bit hammy by comparison. But the book’s legions of (mostly) female fans likely won’t be grading his acting chops between sighs and swoons.

A Fault In Our Stars

Gus (Ansel Elgort), Issac (Nat Wolff) and Hazel Grace (Shailene Woodley) engage in an egg-throwing prank.

Laura Dern and Sam Trammell play Hazel’s loving, protective parents, and Willem Dafoe is the scotch-swilling author of that book Hazel adores. Nat Wolff portrays Gus’ friend Issac, who’s losing his eyesight, but not his droll wit, to cancer.

Smarter, sharper and deeper than most movies aimed at teens, The Fault in Our Stars doesn’t dumb down its story, its dialogue, or its realities for its target audience, and it blends in some heady existential nuggets—and metaphors—on death, dying, living, suffering, religion, theology, ethics, miracles, time, space, infinity, eternity and oblivion.

For everyone who’s already fallen under the spell of Green’s book, this movie will complete a magnificent arc that began with words on a page, bringing beloved characters, places and conversations vividly, emotionally to life, larger than life, on a giant screen. For everyone else, well, climb on board, better late than never, and get ready to find out what all the fuss has been about—and why, for millions, Hazel’s tale has become so much more than just a cancer story.

—Neil Pond, American Profile Magazine

Tagged , , , , , , , ,

Hillybilly Haven

Fascinating documentary pulls back the curtain on Branson

27.5x40

We Always Lie to Strangers

DVD $19.95 (Virgil Films)

The tourism Mecca of Branson, Mo., with a visitor-to-resident ratio of nearly 900 to 1, is a conservative town with widespread traditional, patriotic, evangelical Christian values often reflected in its many “hillbilly” entertainment offerings. That’s what makes this eye-opening documentary, a film festival favorite five years in the making, so engrossing, as it peels back the curtain on a central cast of characters—performers, the city’s female mayor, and others—whose diversity (and humanity) reveal a town that defies easy local-yokel stereotypes. (And the title, if you’re wondering, comes from an age-old Ozarks expression about tall tales.)

 

—Neil Pond, American Profile Magazine

Tagged , , , , ,

Evil (?) Woman

Disney puts girrrl-power backspin on ‘Sleeping Beauty’ tale

maleficent536acd244e2df

Maleficent

Starring Angelina Jolie, Elle Fanning and Sharlito Copley

Directed by Robert Stromberg

PG, 97 min.

Disney turns one of its own stories inside out in this inverted fairy tale back-story about the “mistress of all evil” who put the deep sleep on Sleeping Beauty.

Long before slumbering princess comes along, we meet the tiny winged creature who’ll grow up to become Maleficent, “the strongest fairy of them all,” protecting her idyllic land of fluttering pixies, gnarled tree warriors and mischievous, mud-slinging gnomes from the greedy, marauding humans in the neighboring kingdom.

maleficentwingsAngelina Jolie plays the adult Maleficent, a baroque sight—with bright red lips, gleaming white teeth, jutting prosthetic cheekbones, a gigantic set of wings, and a pair of imposing dark antlers—as the flesh-and-blood incarnation of the cartoon character many grownups will recall from the classic 1959 Disney version of the age-old Brothers Grimm folk tale.

A cruel betrayal hardens Maleficent’s heart and sets her on a path of vengeance toward the vile new king (Sharlito Copley), which leads to the famous curse she puts on his infant daughter: When the princess turns 16, she’ll prick her finger on the spindle of a spinning loom and fall into a deep, death-like slumber from which she’ll never awaken. The only way to break the curse is with a kiss of “true love.”

MALEFICENTBut here’s the movie’s big twist: As princess Aurora (Elle Fanning) ages and becomes more adorable every year, Maleficent finds her own maternal instincts. Instead of waiting in wicked anticipation for the princess’ fateful 16th birthday, she begins to regret the horrible hex of doom she’s placed on the innocent girl.

A trio of fluttering fairy nannies provides comic relief, a fire-breathing dragon is as fearsome as you might expect, and there’s a shape-shifting young man (Sam Riley) who, depending on when you see him, may be a bird. And as the title character, Jolie is a campy composite of theatrics, costuming, makeup and special effects that create the movie’s swirling center of dramatic gravity.

Disney has shaken things up before, most successfully in last year’s Frozen, which stepped out from the company’s decades-old template to feature princesses that didn’t need princes to save them, complete them, or even make them interesting. Maleficent has a similar girrrl-power spin, but plays even looser with its own mythology and the possibilities for what “true love” can really mean.

First-time director Robert Stromberg is an award-winning set decorator and visual effects artist for major movies including Avatar, The Life of Pi and The Hunger Games, but his directorial inexperience shows. The movie practically spills over with lavish, flashy things to see, but overall it’sDisney's "Maleficent"..Ph: Film Still..?Disney 2014 a bit of a muddle, a Game of Thrones-meets-Lord of the Rings bedtime story with a confusing tone that will likely puzzle many younger viewers accustomed to clearer, cleaner motives for characters, and needing more distinct lines separating heroes and villains. And too often, the special effects seem like cartoons, or computer-game graphics, at odds with its live action.

“There is an evil in this world, and I cannot keep you from it,” Maleficent tells Aurora at one point. Alas, neither can Angelina Jolie’s star power stir up enough magic Disney pixie dust to keep this big fractured fairy tale from falling into its own cracks.

 

—Neil Pond, American Profile Magazine

Tagged , , , , , , , ,

The Russians Are Humming

Billy Joel rock ‘n’ rolls back the Iron Curtain

SONY DSCA Matter of Trust: The Bridge To Russia

Billy Joel

2-CD/Blu-ray, $34.88 (Columbia Records/Legacy Recordings)

In 1987, piano-man superstar Billy Joel was invited to take his show on the road—to Russia, becoming the first American act ever to bring a full-fledged rock ’n’ roll tour to the Soviet Union. His tour, regarded as playing a major role in helping thaw once-chilly international relationships, was documented by a film crew, recorded and widely reported a worldwide news event. Now all the elements of that historic excursion have been remastered and reassembled into one dynamic package: a full-length film of one of the concerts; two live audio CDs of the music; plus the recent two-hour Showtime documentary about the tour, and a book with photos and notes from writers and journalists who were there.

 

—Neil Pond, American Profile Magazine

Tagged , , , ,

More Lies

Secrets, scandals and surprises abound in ‘Pretty Little Liars’

Pretty Little Liars

Pretty Little Liars: The Complete Fourth Season

DVD $59.98 (Warner Home Entertainment)

 

A clique of teenage girls (Troian Bellisario, Ashley Benson, Tyler Blackburn and Lucy Hale) falls apart after the death of their “queen bee” leader. But is she really dead? Who is “Red Coat”? And is that really actress-singer Nia Peeples making a guest appearance? (Yes!) Welcome to the secrets, scandals and surprises in the fictional Pennsylvania hamlet of Rosewood and Pretty Little Liars, the hit ABC Family TV drama based on the popular young-adult fiction series by Sara Shepard. Now you can binge watch all 24 episodes of last season—just before the new one begins June 10—and catch up on all the lies, lies, lies!

—Neil Pond, American Profile Magazine

Tagged , , , , , ,

Xs & Os

This sassy little book wants to beat you at Tic Tac Toe

Tic Tac Tome

Tic Tac Tome

By Willy Yonkers

Softcover, 1,444 pages, $12.95 (Quirk Books)

 

Are you pretty good at Tic-Tac-Toe? Well, this saucy little “interactive” book thinks it’s better—and wants to prove it. Forget about the messy old traditional pencil “marking” game; this ingenious format asks you start on any page, then go to other pages according to the choices you want to make, up, down or diagonally. Chances are, the book will be one move ahead of you, every time—guaranteeing you’ll stalemate, if not lose. As you’ll learn in the book’s cheeky introduction: “I’m an artificially intelligent expert system with one purpose: to totally dominate you in Tic-Tac-Toe.” Think you can beat the book? Perhaps—and you’ll have hours of fun trying, regardless.

 

—Neil Pond, American Profile Magazine

Tagged , , ,

Oh, Magoo!

The theatrical roots of the TV cartoon grumbler-bumbler

Layout 1

The Mr. Magoo Theatrical Collection 1949-1959

DVD $34.93 (Shout! Factory)

Fans of the Golden Age of cartoons have been waiting for this roundup of all the cartoon “shorts” (made to be shown in movie theaters) starring everyone’s favorite bumbling, grumbling, visually impaired misanthrope. Voiced by actor Jim Backus, Mr. Magoo became an audience favorite who went on to have his own TV series in the 1960s. This generous collection, however, takes him back to his movie-house roots, with 53 original shorts, plus the 1959 animated feature film 1,001 Arabian Nights, two documentaries, an interview with film critic Leonard Maltin, and commentaries.

—Neil Pond, American Profile Magazine

Tagged , , , , , ,

Hear Him Roar

The King of the Monsters makes a rompin’, stompin’ comeback

GODZILLA

Godzilla

Starring Aaron Taylor-Johnson, Brian Cranston and Elisabeth Olson

Directed by Gareth Edwards

PG-13, 123 min.

 

At an age when some folks are thinking about retirement, the world’s most famous mega-monster is enjoying a roaring comeback.

First introduced in a 1954 Japanese flick as a metaphor for the nuclear weapons that had leveled Hiroshima and Nagasaki during World War II, Godzilla went on to become a worldwide pop-cultural phenomenon—and sometimes a parody. The gigantic lumbering lizard appeared in nearly 30 other movies, squared off against everyone from King Kong to Bambi, inspired a song by Blue Oyster Cult, shilled shoes for Nike, and received an MTV Lifetime Achievement Award.

If it sounds like show-business super-saturation turned the King of the Monsters—a title he’s held since the 1950s—into a softy and a sell-out, the latest movie returns him to his rockin’, rompin’, stompin’ roots.

_KF10258.dng

Aaron Taylor-Johnson and Elisabeth Olson

While this Godzilla has an all-new, modern setting and story, it still connects back to the tale’s 1950s Atomic Age roots. Opening in 1999 when a nuclear physicist (Brian Cranston) detects a seismic anomaly in the Philippines that turns out to be something much more ominous, it quickly jumps ahead to present-day San Francisco, the scientist’s now-grown son (Aaron Taylor-Johnson), and another Pacific rumble signaling something big and bad once again about to blow…

Godzilla fans may be somewhat disappointed that they have to wait an hour for the main attraction to appear. But director Gareth Edwards deftly plays out the build-up to the big guy. He develops his characters (although Elizabeth Olson, as the wife of Taylor-Johnson’s character, and Ken Wantanabe, a fine, pedigreed Japanese actor, are all but lost in the shuffle). We meet a couple of other creatures, the huge, gargoyle-like Mutos, and delve into a subplot of government conspiracy and cover-up.

GODZILLASo when Godzilla finally does show, we’re ready for the rumble. As monster-movie fans know, Big G’s not really a bad guy; in fact, he usually appears when some other monster gets seriously out of bounds. And when two—or more—mega-monsters are tussling, well, you can just expect some things—Tokyo, Las Vegas, San Francisco—to get a bit trampled in the process.

Godzilla is also an environmentalist, of sorts. As Wantanabe’s character explains, “Nature has an order, a power to restore balance. He is that power.”

GODZILLA

Edwards, cinematographer Seamus McGarvey, and the special effects team do a great job of integrating digital dazzle and live action, and several scenes have an almost trippy, hypnotic aura of amazement and awe, as soldiers parachute through battling behemoths into the wrecked cityscape below, or children on a school bus watch Godzilla rage alongside the Golden Gate Bridge.

Other monsters come and go. But a prehistoric creature that still has the atomic oomph to strut out of the ocean depths, make a 400-foot-tall, megaton statement, and set the world straight, well, there’s only one that comes to mind.

Godzilla is still da bomb.

—Neil Pond, American Profile Magazine

Tagged , , , , , , ,

Sweet!!!

‘Napoleon Dynamite’ celebrates 10th anniversary

Napoleon Dynamite 10th

Napoleon Dynamite: 10th Anniversary Edition

Blu-ray $19.98 (20th Century Fox Home Entertainment)

 

The quirky cult-classic comedy about a socially awkward Idaho teen with a tight ’fro, a fondness for tots (tater), a pet llama named Tina and a lamentable lack of “skills” (e.g., numchuck, bow hunting, computer hacking) celebrates “10 sweet years” with a Blu-ray + DVD combo (packaged in faux “liger”—lion plus tiger—fur) and a load of bonus features, including commentary with actor Jon Heder and director/writer Jared Hess, deleted scenes, and a making-of featurette. And hey, don’t forget: Vote for Pedro!

—Neil Pond, American Profile Magazine

Tagged , , , ,

Inside Spielberg’s Fantasy Factory

A guided tour of animated DreamWorks movies

The Art of Dreamworks Animation

The Art of DreamWorks Animation

By Ramin Zahed

Hardcover, 324 pages ($50, Abrams)

 

The movie studio created in 1994 by Steven Spielberg, Jeffrey Katzenberg and David Geffen quickly became a major Hollywood player, and this handsome, high-end coffee-table book celebrates the production company’s achievements in animated films including the Shrek, Madagascar and Kung Fu Panda franchises, as well as single releases such as Chicken Run, Puss in Boots, The Prince of Egypt and the recent Mr. Peabody and Sherman. More than 320 sketches, production designs, computer-animation graphics and still reproductions are accompanied by commentary from DreamWorks artists and movie directors, making for a gorgeous guided tour inside one of Tinseltown’s most successful fantasy factories.

 

—Neil Pond, American Profile Magazine

Tagged , , , , , , , , , , , , ,