Tag Archives: Ryan Gosling

Happy Feet

Gosling & Stone sweep you away in sweet sunshine of musical movie magic

La La Land
Starring Ryan Gosling & Emma Stone
Directed by Damien Chazelle
PG-13

I remember, when I was a kid, a Mad magazine parody of the classic movie musical The Sound of Music. That film’s regal Rodgers & Hammerstein theme song begins with the lyric, “The hills are alive…with the sound of music…”

In the Mad spoof, a character all by herself on a hilltop wonders in song, “How come I’m alone—and there’s so much music?”

That’s always been the thing with musicals—stories move along, then all of a sudden characters break out into song or dance. What? Why? And where does all that music come from? It’s all so phony, fabricated, fake—and fabulous, for people who love musicals: the songs, the spectacle, the perkiness and cheer, the sense of something bigger, grander, more expansive and more exuberantly alive than ordinary, day-to-day reality can contain or mere words can express. Movies have always been vehicles for escapism, but musicals crank it up to 11, sweeping viewers away to places where dreams can come true, everyone has magic feet and music comes out of nowhere.

Ryan Gosling & Emma Stone

Ryan Gosling & Emma Stone

In writer-director Damien Chazell’s enchanted, visually stunning La La Land (which recently received seven Critics Choice movie awards, including Best Picture), a struggling actress, Mia (Emma Stone), and an aspiring musician, Sebastian (Ryan Gosling), meet and fall in love in Los Angeles, where their courtship is wrapped into a tapestry of songs—composed by Justin Hurwitz, Chazelle’s Harvard University classmate, with lyrics by the Tony-nominated team of Benj Pasek and Justin Paul—eye-popping choreography, a visually sprawling love letter to the city and to cinema itself, and a snazzy subplot flowing with the funky fusion-juice of jazz.

A sumptuously old-fashioned movie musical set in stylish, contemporary settings, La La Land will sweep you off your feet with every sequence, beginning with the very first one. Less than a minute into the opening, a traffic jam on a gridlocked L.A. freeway overpass suddenly erupts into a jubilant, swirling celebration of Southern California weather, outlook and optimism, “Another Day in the Sun,” with dozens of dancers and vehicles stretching as far as the eye can see. Like many of the film’s other sequences, it’s one continuous, uninterrupted take, and it’s jaw dropping.

Stone and Gosling, who’ve appeared together in two movies previously (Gangster Squad and Crazy, Stupid, Love), are perfectly cast and couldn’t be more likeable, more adorable or appear more at ease in their roles. They dazzle in a Fred-and-Ginger-esque song-and-dance number, “A Lovely Night,” set against a Hollywood sunset, and quite literally soar into the stars in the breathtakingly lovely “Planetarium.”

Suffice it to say you will not have seen anything like La La Land in a long, long time. It’s a singing, swinging, prancing, swooping spectacular, full of hopes and heartaches, uplifts and downdrafts. Majestically, symphonically grand, yet intimately, elegantly tender, it’s piercingly sweet, rapturously lovely, fancifully wistful and achingly honest.

Gosling is terrific, but Stone has never been better—and her raw, close-up performance of “Audition (The Fools Who Dream),” the final vocal performance in the film, will make you want to stand up and cheer.

J.K. Simmons, who won an Oscar for his supporting role in director Chazelle’s critically lauded Whiplash (2014), appears as a nightclub owner who prefers Christmas ditties instead of jazz improv. Grammy-winning musician John Legend plays one of Sebastian’s former band mates whose offer of a gig and financial security comes with a downside of compromise.

La La Land, a nickname for Los Angeles, is a place where tradition and innovation—and dreams and reality—collide and comingle, where seasons morph into each other, where the days always seem warm and bright, but the nights can be cold and lonely.

LLL d 13 _2607.NEFIt’s a place where two people can come together, fall in love, and sing and dance and make music all over a crazy, classic town—at least in the movies.

It ends with one of the best scenes of any movie this year, bursting with emotion and built around a montage that zips through time and loops back on everything that’s gone before, and also everything that didn’t, hangs you in midair and finally slaps you back to “reality.” It’s beautiful, bittersweet and breathtaking.

La La Land is a lovely, lush reminder of old Hollywood, with a vibrant jolt of young, exciting energy, pizzazz and romance for audiences too young to remember when singing, dancing stars filled the silver screen. The (Hollywood) Hills are alive again with the sound of (new) music, and wherever it’s coming from, it’s impossible to not be swept up and away in the sweet sunshine of its movie magic.

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Naughty & ‘Nice’

Crowe and Gosling mix action and laughs in ‘The Nice Guys’

Ryan Gosling, Maddie Compton, Angourie Rice and Russell Crowe in 'The Nice Guys'

Ryan Gosling, Maddie Compton, Angourie Rice and Russell Crowe in ‘The Nice Guys’

The Nice Guys

Starring Russell Crowe & Ryan Gosling

Directed by Shane Black

R

The opening shot of The Nice Guys pans across the back of the iconic Hollywood sign, grimy and tagged with graffiti, as the lights of the city below glitter in the night like a gigantic box of jewels.

After the Temptations set a ’70s groove to “Papa Was a Rollin’ Stone,” we’re off and rolling ourselves on a raucous, retro-rollicking comedy-adventure romp as a pair of mismatched investigators-for-hire (Russell Crowe and Ryan Gosling) team up to look for a missing girl (Margaret Qualley of TV’s The Leftovers). But soon they find themselves in a much deeper drama involving porn stars, pinkie promises, menacing thugs, Kim Basinger in full L.A. Confidential mode, and a shocking conspiracy of catalytic converters and high-ranking collusion.

Writer-director Shane Black made his mark back in the late 1980s with the screenplay for Lethal Weapon, starring Mel Gibson and Danny Glover. He went on to refine his format—a high-octane mix of cheeky quips and pulpy, explosive action—behind the camera with Kiss Kiss Bang Bang (2005) and Iron Man 3 (2013).

TNG_Day#48_02022015-325.dngThe movie takes place in 1977, and it revels in the details of its smoggy, sometimes smutty setting. The background hums with tunes from Kiss, America, Rupert Holmes, the Band, Herb Alpert and Earth, Wind and Fire. Chevy Camaros, Caprice Classics and Dodge Coronets line up for 69-cent-a-gallon gas. Billboards trumpet the hottest movies: Jaws 2, Airport 77. Newspaper headlines spread the dread about killer bees from Brazil.

TNG_Day_#31_12092014-126.dng

Matt Bomer

You’ll recognize versatile character actor Keith David as a villain. Matt Bomer from TV’s American Horror Story plays John Boy, an assassin sharing a certain facial feature with the Waltons TV character of the same name. And young Angourie Rice, 14 at the time of filming, almost steals the show as Holly, the daughter of Gosling’s character. She’s the soft heart of this rough-and-tumble story, the tender conscience in the midst of its outbursts of casual violence.

But the real treat throughout is the pair-up of two actors not known for baring their funny bones. Crowe’s Jackson Healey is a rumpled, jaded tough guy who leads with his fists—often sporting brass knuckles. Gosling plays Holland March as a mopey, bottom-feeding P.I. with a drinking problem and a tattoo that reminds him, “You will never be happy.” Their oil-and-water styles initially clash, of course, but eventually smooth into some major movie mojo. (Pay attention and you’ll even catch their nod to classic Abbott and Costello.)

It all builds into a spectacular shoot-out showdown at a gleaming auto expo, where everyone is scrambling to get their hands on a canister containing a reel of film as it rolls, bounces and spins across the floor, out a window, down a street and into the flames of a burning car. That’s one hot movie, as it turns out, in more ways than one.

And so is The Nice Guys, a juicy, slam-bang action-comedy cocktail punched up, pimped out and powered down with rowdy, new-fangled film-noir fun. Hot stuff—catch it.

—Neil Pond, Parade Magazine

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Sparks of Love

Roundup features star-studded movies based on romance novels

Nicholas_Sparks_DVD_Collection

Nicholas Sparks Limited Edition DVD Collection

DVD $69.97 (Warner Bros. Home Entertainment)

Hey, lovebirds, here’s something to coo about: Seven star-studded movies based on the romance novels of Nicholas Sparks are now for the first time available together in this super-snuggly gift set. Sparks, if you don’t know, is the maestro of mushiness whose 17 books have been published in 50 languages and sold some 90 million copies worldwide—and turned into these flicks: Safe Haven (2013) with Julianne Hough; The Lucky One (2012) with Zac Efron; Dear John (2010) with Channing Tatum and Amanda Seyfried; Nights in Rodanthe (2008) with Richard Gere and Diane Lane; Message in a Bottle (1999) with Kevin Costner; A Walk to Remember (2002) with Mandy Moore; and The Notebook (2004) with Ryan Gosling and Rachel McAdams. Extras include a postcard set with images from each flick.

—Neil Pond, American Profile Magazine

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