What’s Up, Doc(s)?

Film festivals offer movies for every taste—mine happens to be documentaries

LedZepPlayedHere

“Led Zeppelin Played Here”—or did they?

 

If there’s a film festival anywhere near you, by all means, check it out.

You may not consider yourself a movie buff or a “film connoisseur.” But film festivals aren’t necessarily the snooty, spotlight-drenched superstar art fests you might imagine them to be, and almost all of them offer real off-the-menu treats, opportunities to go beyond the usual fare of the local movieplex. And many, if not most of them, are ticketed events open to the public.

I recently spent most of 10 nights at the 2014 Nashville (Tenn.) Film Festival, a gathering that’s generated a big buzz over the years as a don’t-miss event for many upcoming filmmakers and actors—like Ray Liotta, Ashley Judd and Seth Green, who were there this year to promote their roles in The Identical, about a young man who grows up not knowing he’s actually the identical twin brother of a successful singing superstar, a la Elvis.

AliveInside

“Alive Inside: A Story of Music and Memory”

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“Brasslands”

At the Nashville festival—which screened more than 250 films from 50 different countries, to a record-breaking 42,000 attendees—as with most fests, there were films for just about any taste. I’ve always loved documentaries, and this year the NFF had another bountiful slate, with an especially strong emphasis—Nashville being Music City, you know—on musical topics. (Many of them were sponsored by Gibson guitars, one of the festival’s main sponsors. Thank you, Gibson!) Alive Inside: A Story of Music and Memory was an emotionally moving chronicle of a social worker, iPods and the use of music to “re-awaken” Alzheimer’s patients. In The 78 Project, two musicologists record a variety of performers the old-fashioned way—with a 1930s direct-to-disc recorder, one microphone, one blank disc, and one three-minute take. I smiled almost all the way through Brasslands, a joyous look at three groups—including one unlikely contender from New York City—competing to bring the trophy home from the world’s largest brass band competition in a Serbian village.

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“Johnny Winter: Down and Dirty”

It was a bit of a different vibe at Led Zeppelin Played Here, a serio-comic examination of a 1969 incident involving a certain about-to-be famous British rock band that may—or may not—have played at a youth center in Wheaton, Md. And Johnny Winter: Down and Dirty rocked me with a portrait of the journeyman albino blues guitarist who’s lived through a monstrous heroin addiction, partied with Janis Joplin and performed and recorded alongside his younger brother, Edgar.

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“Glen Campbell…I’ll Be Me”

But the highlight of the festival, especially for music lovers, was seeing the event’s crown jewel documentary, Glen Campbell…I’ll Be Me, about the country singing star’s valiant struggle with Alzheimer’s, receive the Grand Jury Prize in its category, and also the top-voted audience award.

Some of these films may come to a mainstream movie theater, or show up on Netflix or cable TV, or be released on DVD. But there’s just something about seeing them in a theater full of like-minded film fans, in a big, dark room—and seeing them first.

And they only way you can do that…is at a film festival!

—Neil Pond, Parade Magazine

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Books & Beauty

A photographic tribute to libraries and the treasures they hold

The Public Library

The Public Library

By Robert Dawson

Hardcover, 192 pages, $35 (Princeton Architectural Press)

 

Photographer Robert Dawson spent nearly 20 years crisscrossing the country and clicking away inside and outside public libraries of all shapes and sizes, from majestic urban cathedrals to humble remote house trailers. In addition to hundreds of evocative color and black and white images, this beautiful collection of his work features a foreword by Bill Moyers, an afterword by Ann Patchett, and essays, letters and poetry celebrating libraries and reading by Anne Lamont, Amy Tan, E.B. White, Dr. Seuss and others. It’s a literary feast for the eyes and food for the soul for anyone who loves books and appreciates libraries for the treasures they hold.

—Neil Pond, American Profile Magazine

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‘Sorcerer’ Returns

Roy Scheider stars in director William Friedkin’s ’70s cult thriller

Sorcerer

Sorcerer

Blu-ray $27.95 / DVD $12.96 (Warner Home Video)

 

This 1977 thriller from director William Friedkin, who was coming off an Oscar-winning hot streak of The French Connection and The Exorcist, wove together four desperate characters in a suspenseful saga about international refugees in a South American jungle hellhole who take on a dangerous job for hire because each of them had nothing else to lose. It was never a big hit, maybe because it only had one recognizable star (Roy Jaws Scheider), possibly because audiences were misled by the title to expect something “supernatural” from the director who’d just made a film about the devil. It did go on, however, to find a cult following, and this new Blu-ray restoration—which comes with a 40-page book of color photos from the production—brings it back to all its grungy glory and sweat-soaked ’70s splendor.

—Neil Pond, American Profile Magazine

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West Coast Wavelength

L.A.’s sizzling sounds in pop music’s formative years

Turn Up the Radio Final

Turn Up The Radio: Rock, Pop, and Roll in Los Angeles 1956-1972

By Harvey Kubernik

Hardcover, 336 pages, $45 (Santa Monica Press)

 

Fans of classic rock will flip over this treasure trove of photos, interviews and other insider info about how the sizzling sounds of Southern California spread to the rest of America—and the rest of the world. This lovingly detailed illustrated narrative shines the spotlight on the Doors, the Beach Boys, the Byrds, the Rolling Stones, Frank Zappa, Sonny & Cher, The Monkees, Elvis Presley and other acts that made the L.A. scene such a hotbed for performers of the era, plus the producers, recording engineers, studio musicians, DJs and others pivotal to the popular music’s formative West Coast years.

—Neil Pond, American Profile Magazine

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Itsy Bitsy Spider

Marvel Comics’ wall-crawling teen hero has to fight for his own spotlight

Andrew Garfield

The Amazing Spider-Man 2

Starring Andrew Garfield, Emma Stone & Jamie Foxx

Directed by Marc Webb

PG-13, 142 min.

 

The other night on TV, a show featured an urban-legend-ish conversation about someone who’d been bitten by a spider and then discovered little spiders crawling out of the bump on his neck.

I couldn’t stop thinking about that as I watched this, the latest in the ongoing Hollywood franchise about a nerdy teenager, Peter Parker, turned into a wisecracking, crime-fighting superhero by the bite of a radioactive arachnid. Not only is the Spider-Man empire, with its deep comic-book roots that go back to 1962, built on the bite of a spider, but this now marks the fifth big-screen treatment of the tale, and the second notch of the new cinematic arc following the original Spider-Man cinema trilogy, starring Tobey Maguire, that ended in 2007.

Andrew GarfieldThose little spiders—they just keep coming. The problem is, now they’re in danger of getting lost in their own enormous web: massive productions with king-size star sizzle, mega special effects and north-of-$200-million budgets. This time around, the iconic wall-crawler (Andrew Garfield, reprising his role from 2012) has to deal with multiple villains, Peter Parker’s complicated relationship with girlfriend Gwen Stacy (Emma Stone, also returning), and troubling questions about his deceased parents.

Director Marc Webb, who also directed 2012’s Amazing Spider-Man, throws a lot into the movie’s sprawling two hours and 20-plus minutes—eye-popping action, tender moments, romance, humor, and musings on life, death, love, longing, friendship, loss, hope and the importance of fighting “for what matters to you.”

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Jamie Foxx as Electro.

It’s jam-packed, stuffed with too much of everything, especially bad guys—do we really need three of them? Jamie Foxx plays an electrical engineer with serious self-esteem issues who gets turned, via a freak high-voltage mishap, into the rampaging super-villain Electro. Dane DeHaan is Harry Osborne, Parker’s rich, preppy high-school friend with a mutant family gene that morphs him into the monstrous Green Goblin. And Paul Giamatti, who opens the movie as a Russian prison escapee, later appears transformed into yet another one of Spidey’s archenemies from the good ol’ Marvel Comic book days.

Andrew Garfield;Emma Stone

Garfield and Stone have natural chemistry as Peter Parker and girlfriend Gwen.

Garfield, 30, and Stone, 25, seem a tad old to be playing recently graduated high school seniors. But the two of them have great natural chemistry (they’re a real-life couple, too). And their scenes together, especially when Garfield is out of the Spidey spandex and playing plain ol’ Peter, provide the movie’s strongest human heartbeat. Webb, whose directing resumè also includes the indie charmer 500 Days of Summer, gives Pete ’n’ Gwen just as much of the story as Spider-Man, a wise move for making this movie resonate even more as a date flick.

Like most comic-based characters, superheroes never seem to age; Peter Parker/Spider-Man will always be eternally young. At least it’s that way in the movies, where time can be suspended, reset and rewound, and “old” actors, like Maguire, can be replaced by newer ones, like Garfield—who’s already signed on to star in the first of the two additional Amazing Spider-Man follow-ups.

Yes, those little spiders—they do just keep coming. Perhaps next time, the itsy bitsy spider won’t have such a hard time fighting for his own spotlight.

—Neil Pond, American Profile Magazine

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Dreaming & Doing

Ben Stiller directs & stars in charming rom-com-adventure remake

The Secret Life of Walter Mitty

The Secret Life of Walter Mitty

Blu-ray $39.98, DVD $29.98 (20th Century Fox Home Entertainment)

 

Most modern-day viewers are too young to remember the original movie with this title, a 1947 adventure-comedy romp starring Danny Kaye. Here Ben Stiller takes the same basic premise and runs with it, directing and starring in this delightful and fanciful tale of a timid LIFE magazine photo editor who gets a little too caught up in his daydreams—until his daydreams become an amazing, life-changing real adventure. Kristen Wiig, Shirley MacLaine and Sean Penn round out the cast, and the bounty of bonus content includes several deleted and alternate scenes and behind-the-scenes mini-features about the making of the movie.

—Neil Pond, American Profile Magazine

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Bicentennial Ball

In 1976, America’s pastime mirrored the celebration—and craziness—of the nation’s mood

Stars and Strikes

Stars and Strikes

By Dan Epstein

Hardcover, 400 pages, $28.99 / Kindle edition$12.74 (Thomas Dunne Books)

 

The author, who previously chronicled ’70s baseball in Big Hair and Plastic Grass, focuses here on one particularly distinctive year during that decade, looking at America’s pastime through a prism of current events and popular culture as the nation celebrated its 2000 birthday and the 1976 season unfolded in a colorful, often zany setting—changing fashions and hairdos on and off the field, disco-pop music, TV shows and movies, and news headlines about Patty Heart’s kidnapping, Legionnaires Disease and an election campaign that would lead to end of the Watergate era and a new president from the South. As the author says, it’s a tale “rich with electrifying moments, oddball events and unforgettable characters—all set against the star-spangled backdrop of the Bicentennial.”

—Neil Pond, American Profile Magazine

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British Invasion

Recalling the ’80s ‘new wave’ of bands from across the sea

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Mad World

By Lori Majewski & Jonathan Bernstein

Softcover, 320 pages, $19.95 / Kindle edition $9.99 (Abrams)

 

If you came of age the ’80s, you remember the impact of British “new wave,” as MTV introduced America to the sights and sounds of the synth pop, goth, industrial, electro and punk-alt-rock combinations that came from across the sea—and helped to define a generation. This sprawling, photo-packing oral history, featuring interviews with members of Tears For Fears (the title comes from one of their tunes) Duran Duran, Adam and the Ants, INXS, Simple Minds, A-ha, The Waitresses, Bow Wow Wow and many more acts of the decade, all talking about their music and their time in the spotlight, casts an entertaining, insightful retro glow on one of pop music’s most colorful, anything-goes eras.

 

—Neil Pond, American Profile Magazine

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A Great Escape

Wes Anderson’s latest romp is a quirky, colorful movie getaway

Digital Fusion Image Library TIFF File

The Grand Budapest Hotel

Starring Ralph Fiennes, Tony Revolori and Willem Dafoe

Directed by Wes Anderson

R, 100 min.

 

With director Wes Anderson, you either “get him” and his oddball characters, quirky plots and distinctive, whimsical visual style, or you don’t. A whole lot of people do, however, in his movies including The Fantastic Mr. Fox, Moonrise Kingdom and The Royal Tenenbaums.

Now The Grand Budapest Hotel offers a bustling movie getaway most Wes Anderson fans will find irresistible.

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Tony Revolori & Saoirse Ronan

A wild romp set in a 1930s Eastern European mountain resort, it features a colorful assortment of players and a story within a story within a story that keeps burrowing deeper into its own silly seriousness. As with most Anderson projects, he works with cavernous open spaces as well as delicate, meticulously detailed miniatures.

His sights, like scenes carefully colored with pastel crayons from a storybook, are often sumptuous, and his actors move, and speak, with a clockwork cadence that adds to the sense of comedic orchestration.

The plot unfolds backwards, as unspooled by the owner of the hotel (F. Murray Abraham) to one of its guests (Jude Law), relating his beginnings as the establishment’s bellboy, Zero (played by newcomer Tony Revolori in his first starring role). Zero and his mentor, the hotel’s longtime, ladies-man concierge, the ultra-dapper Monsieur Gustave (Ralph Feinnes), become friends and co-conspirators in a spiraling, sprawling misadventure that includes a murder, a missing will, a purloined painting, an outlandish prison break, and the outbreak of something that resembles World War II.

Along the way, they encounter a spectrum of characters, played by actors including many who’ve cropped up in previous Anderson movies (Owen Wilson, Edward Norton, Jason Schwartzman, Bill Murray—who’s appeared in every Wes Anderson film—Adrien Brody, Jeff Goldblum, Willem Dafoe, Bob Balaban, Harvey Keitel), as well as Saoirse Ronan, Tilda Swinton and Tom Wilkinson.

Digital Fusion Image Library TIFF File

Bill Murray

Everyone seems to be having a big old time in the big old hotel, and everywhere else, and several scenes are real hoots, like the scampering prison escape—which feels like a live-action re-enactment of something from the stop-motion animation antics of The Fantastic Mr. Fox—and an extended sequence in which a secret cadre of other concierges drop everything to help one of their own out of a jam.

The story is based on a book by little-remembered Austrian novelist and playwright Stefan Sweig, who was actually one of Europe’s most popular writers of the 1920s and ’30s. Anderson gives Sweig an “inspired by” credit at the end of the film.

Anderson’s detractors often think his movies are contrived, pretentious, gimmicky, too indy/arty or simply not nearly as funny as Mr. Anderson must think they are. OK, fair enough. But if you’re looking for a kooky, slightly off-kilter stopover in a place that can offer you an exhilarating, completely unique experience like nothing else at the multiplex, then I recommend you check in for a couple of free-wheeling hours—at The Grand Budapest Hotel.

—Neil Pond, American Profile Magazine

 

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The Heat on the ‘Hill’

A royal roundup of the classic ’80s TV series

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Hill Street Blues: The Complete Series

DVD, $199.99 (Shout! Factory)

 

In the early 1980s, there were no smarter, sharper cops on TV than the ones who worked the metropolitan beat of Hill Street, the ones who began each day hearing the encouraging words of Sgt. Esterhaus (Michael Conrad) telling them to “Be careful out there.” This superb, first-time roundup of all 144 acclaimed episodes, which received 26 Emmy Awards during its seven-year network run, includes a bounty of bonus content, including the original 1981 pilot episode, a 24-page commemorative book, commentary by some of the show’s outstanding ensemble cast, writers and creators, and on-set gags and practical jokes.

—Neil Pond, American Profile Magazine

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