Tag Archives: neil pond

True Grit

Mark Wahlberg stars in real-life tale of survival behind enemy lines

Lone Survivor

Lone Survivor

Blu-ray $34.98, DVD $29.98 (Universal Studios Home Entertainment)

 

Mark Wahlberg headlines the cast in this intense, action-packed tale about a covert mission by four U.S. Navy SEALs in Afghanistan that goes terribly awry when they’re forced to make a moral decision that leads to an enemy ambush. Based on a true story, it’s a powerful, gung-ho, gut-punch drama about brothers in arms, heroism, courage and the sheer will to survive. Bonus content include several behind-the-scenes, making-of features, and an in-depth look at Marcus Luttrell, the real-life SEAL who received the Navy Cross and the Purple Heart for his actions in the mission on which the movie is based.

—Neil Pond, American Profile Magazine

Tagged , , , ,

Pop-Rockin’ Horns

Chicago still cranking out the brassy, jazzy, snazzy tunes

Chicago XXXVI NOW

Chicago XXXVI (“Now”)

Chicago

CD $14.98 (Frontiers Records)

 

The iconic pop-rock “horn band,” which first came together in 1967 as the Chicago Transit Authority and went on to climb the charts with “If You Leave Me Now,” “Saturday In The Park,” “Feelin’ Stronger Every Day” and dozens of other hits, now clicks off album number 36 (and continues the tradition of naming each release with sequential Roman numerals). Anchored by founding members Robert Lamm, Lee Lougnane, Walt Parazaider and James Pankow, they sound as classy, brassy, jazzy and snazzy as ever, giving these eleven new tunes sharp contemporary sizzle, but also a solid grounding in the group’s suave, swingin’ instantly recognizable style.

—Neil Pond, American Profile Magazine

Tagged , , , , , , ,

Cosmic Cowboy

An intimate portrait of America’s most famous astronaut

Neil Armstrong-A Life of Flight

Neil Armstrong: A Life of Flight

By Jay Barbree

Hardcover, 364 pages

$27.99 / Kindle edition $12.74 (July 8, Thomas Dunne Books)

 

Barbree, an Emmy-winning broadcaster and space reporter, was also a longtime friend of America’s most famous astronaut, the first person to walk on the moon. His richly detailed profile of Armstrong, who died in 2012, is timed to coincide with the 45th anniversary of his subject’s historic 1969 mission and covers Armstrong’s life and career with intimacy, humor and heart, from his days as a U.S. Navy pilot through his training for the NASA space program, and ultimately into the commander’s seat of Apollo 11. Space hounds and history buffs will dig it, for sure, but even casual readers will be riveted by its comprehensive portrait of a real-life cosmic cowboy who broke the bonds of Earth and put the first American footprint where it had never been before.

—Neil Pond, American Profile Magazine

Tagged , , , , , , ,

Fire & Ice

High-flying DreamWorks sequel grows along with its young audience

HOW TO TRAIN YOUR DRAGON 2

How to Train Your Dragon 2

Starring the voices of Jay Baruchel, America Ferrera, Gerard Butler, Craig Ferguson, & Cate Blanchett

Directed by Dean DuBois

PG, 102 min.

 

A follow-up to the animated 2010 DreamWorks hit about a young Viking boy and his flying dragon, this soaring sequel has grown along with its audience.

This new Dragon reunites director Dean DuBois with most of the original vocal cast (Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Kristen Wiig, Christopher Mintz-Plasse) and takes place five years after the events of the first movie, as Vikings have learned to coexist with dragons instead of slay them. Now, as we see in the movie’s high-spirited opening, the feisty fire-breathers have become part of the everyday life of the mythical island of Berk, where they’re used for transportation, recreation, companionship and commerce.

“With Vikings on the backs of dragons,” says Hiccup (Baruchel), the son of the Berk’s burly tribal chief (Butler) grooming him for an eventual leadership role he doesn’t really want, “the world just got a whole lot bigger.”

HOW TO TRAIN YOUR DRAGON 2

And certainly a bit more complicated and dangerous—at least compared to the first movie. As Hiccup, now a gangly teenager, sails through the skies on his trusty night fury, Toothless, with his female friend, Astrid (Ferrera), he discovers a place where the inhabitants don’t see things—or treat dragons—the way they do back on Berk.

Hiccup’s discovery puts his entire village in peril and leads to yet another, even more startling revelation, an Armageddon-like, fire-and-ice showdown, and a life-changing decision. (I won’t reveal much more, but it’s connected to having Oscar-wining Cate Blanchett aboard as the voice of a new character.)

The first Dragon, praised by both critics and audiences, combined a rollicking, family-friendly story (adapted from Cressida Cowell’s British book series) with marvelously rendered, high-tech animation, plus a cast of colorful, amusing characters—and some dazzling scenes, especially if you saw it in 3-D. Dragon 2 upholds those high standards, even pushing them up a couple of notches. The whole movie looks fantastic—fluid, textured and alive.

HOW TO TRAIN YOUR DRAGON 2The dragons are things of whimsy, wizardry and wonder, intended to make you think of the bonds between people, nature and animals—at various times they mimic characteristics of puppies, ponies, birds, and butterflies. The returning supporting characters are a gaggle of loveable oddballs (Wiig, Hill, Mintz-Plasse), and a couple of new additions—especially hunky, comically inept Eret, Son of Eret (Game of Thrones actor Kit Harington) and the war-mongering dragon slave master Draco Bludvist (Djimon Hounsou)—both add depth and dimension to a story that’s grown up a bit over the elapsed years, just like many of its young audience members

But the real beauty of the first Dragon, and now this one, is how director DuBois and his team never approached them as purely “kids’ movies.” They always aimed higher than that, without ever losing sight of the children who’d find the most resonance in the fantasy-storybook-adventure elements of the tales. Witty, rousing, heartwarming, sensational-looking, and at times touching, uplifting and even moving, “How to Train Your Dragon 2” is another fine feather in DreamWorks’ cinematic cap, and proof that it is, indeed, still possible for Hollywood to make movies that virtually all ages can enjoy, appreciate and admire.

—Neil Pond, American Profile Magazine

Tagged , , , , , , , , , , , , , , , ,

Hey, Jude!

British actor takes robust dive into meaty role as blaspheming bully safecracker

image-bbf221f5-8c14-47f6-a643-99f3a603303c

Dom Hemingway

Starring Jude Law and Richard E. Grant

Directed by Richard Shepard

R, 93 min.

 

Jude Law, best known for playing sidekick Dr. Watson in two Sherlock Holmes movies, is a fine actor who’s risen steadily through the ranks, playing leading men as well as supporting roles in Alfie, Road to Perdition, Cold Mountain, Hugo, The Talented Mr. Ripley and the recent The Grand Budapest Hotel.

Generally, he’s been known for the ease at which he slides into the roles of mannered gents, well-spoken suitors and empathetic, heartthrob hunks. So it’s a bit jarring, certainly at first, to see him in the title role of his latest project as a beefed up, bellowing, blaspheming beast of a bully, a loud-mouthed safecracker just out of prison who’s looking to catch up on everything he’s missed after 12 years in the pokey—and collect on what he’s owed from the high-dollar heist that put him there.

In the opening sequence, Dom delivers a soaring, profanely poetic soliloquy on a certain private body part of which he’s glowingly proud; beats, kicks and bites an old acquaintance nearly to death; and robustly dives into an orgy of booze, sex and other formerly off-limits excesses.

image-2ecd19dc-de3a-4707-ba4c-210ab247d90b

Jude Law (left) and Richard E. Grant

“You can’t make up for twelve years in three days,” his old friend and criminal cohort Dickie (Richard E. Grant) cautions him later. “Well, I tried,” says Dom.

Dom is a smug, swaggering keg of dynamite, and you’d better stand clear when he blows. Law’s all-out performance is a brash Cockney explosion of verbiage, violence, deep, dark comedy and even soggy sweetness, as when he tries to reconnect with his now-adult daughter, whose childhood he completely missed, and her young son. It’s completely unlike any role he’s ever had before, and he bores into it so deeply, it’s almost hard to remember all those “nice guys” he portrayed before it.

“I got anger issues,” says Dom. “I just do.”

It’s too bad the rest of the movie isn’t quite as good as its star. Director Richard Shepard pulls off some nice cinematic touches—a volatile scene in a room full of oversized monkey portraits, a hyper-stylized car crash, a hallucinogenic nighttime celebration in a secluded French mansion. But the plot often feels imbalanced and indecisive in its tone, as if its individual pieces somehow couldn’t be put together in sync. We never really know whether to feel sorry for Dom, to root for him, or to recoil in terror that anyone like him could be walking among us.

image-c8ecc8fc-0a3d-4a34-b568-d00aefca8576

But what Law does with his role is reason enough alone to see it—if you can find it on its limited theatrical run. He’s far out of his zone of easy Hollywood familiarity, tearing into it with a rawness and ferocity no one has seen before, like one of Shakespeare’s most scabrous lost characters, somehow unleashed in the modern world, and clearly relishing the grit and the gristle.

Be prepared to be surprised, and maybe even shocked. “I’m Dom Hemingway!” he reminds others, himself, and us, several times. Anyone who sees Jude Law in one of the meatiest, most muscular roles he’s ever played will certainly remember.

—Neil Pond, American Profile Magazine

 

Tagged , , , ,

Nut Case

Classic Jerry Lewis Jekyll & Hyde parody celebrates 50th anniversary

The Nutty Professor 50th_contents

The Nutty Professor: 50th Anniversary Collector’s Edition

Blu-ray $54.99 (Warner Bros. Home Entertainment)

 

Jerry Lewis co-wrote, directed and starred in this 1964 parody, based on the tale of Dr. Jekyll and Mr. Hyde, about a bumbling chemistry teacher, Julius Kelp, who invents a magic potion that turns him into a smarmy nightclub singer named Buddy Love. A comedy classic that’s even been recognized by the Library of Congress, it now celebrates its half-century milestone with a load of bonus features, including a CD of Lewis’ private prank phone calls; a 44-page script with Jerry’s notes; a recreation of a 96-page “inspirational” booklet Lewis made to rev up his disgruntled cast and crew; bloopers, outtakes and screen tests; and two complete additional Lewis movie comedies of the era, The Errand Boy and Cinderfella.

—Neil Pond, American Profile Magazine

Tagged , , , , ,

Now That’s Cool

Exploring the elusive concept through attitude, style and pop culture

American Cool

American Cool

By Joel Dinerstein & Frank H. Goodyear III

Hardcover, 196 pages (Prestel Publishing, $49.95)

 

Who’s cool? What’s cool? We’re not talking air temperature, but the concept, the iconic designation of attitude, style and pop-cultural transcendence. This collection of 100 chronically displayed images of “cool,” (now all on display in a special exhibit at the National Portrait Gallery in Washington, D.C.), plus insightful essays, examines the ever-morphing concept of cool through a prism of personalities from early movie actors and actresses Veronica Lake, Humphrey Bogart and Greta Garbo, to contemporary stars including Johnny Depp, director Quentin Tarantino and late-night host Jon Stewart. Needless to say, it’s cool!

—Neil Pond, American Profile Magazine

Tagged , , , , , , , , ,

Of Man & Machines

He’s a little bit human, a lot of ’bot—and all cop

Robocop_2014Robocop

Bluray $39.99, DVD $29.98 (20th Century Fox Home Entertainment)

A rockin’, sockin’ remake of the ’80s sci-fi cult classic about a Detroit policeman transformed into a crime-fighting cyborg, this updated tale of men, machines, capitalism and corruption in high places stars Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Haley and Samuel L. Jackson, and comes packaged with nearly an hour of bonus content, including featurettes on the movie’s arsenal of heavy weaponry and the special effects behind the high-tech Robocop suit.

 

—Neil Pond, American Profile Magazine

Tagged , , , , , , , , ,

We Are Stardust

The sweet teenage suffering of 11 million fans hits the big screen

Poster Image

The Fault in Our Stars

Starring Shailene Woodley & Ansel Elgort

Directed by Josh Boone

PG-13, 125 min.

 

“What’s your story?” Augustus “Gus” Waters asks 16-year-old Hazel Grace Lancaster early in this highly anticipated movie adaptation of the wildly popular novel by author John Green that’s sold almost 11 million copies and been on the New York Times bestseller list for almost three years.

In answering the question about “her” story, then dissecting it, Hazel (Shailene Woodley), who’s fought cancer nearly her entire life, and Gus (Ansel Elgort), the 18-year-old fellow cancer survivor who becomes her soul mate, set the stage for a much bigger story—about two young people determined to make their story more than just a “cancer” story, refusing to let their disease rule their lives or their future.

A Fault In Our StarsGreen’s romantic, heart-aching, heartbreaking, poignant melodrama of two kids on a “star-crossed” course with fate has teen-DNA strands stretching all the way back to antiquity, running from Romeo and Juliet through the classic 1970s tear-jerker Love Story. The title, a twist on a quote from Shakespeare’s Julius Caesar, refers to the world as a “profoundly unjust place where suffering is unfairly distributed,” according to Green.

As Hazel, Woodley is sensational, especially given that she’s got a breathing tube in her nostrils constantly and she lugs around a canister of oxygen the entire movie, physical limitations that focus us even more on the breadth of emotions she can coax out of even the smallest of facial expressions.

There’s a marvelous scene when Gus tells her that he loves her, and we watch her eyes well with emotion in the soft glow of a restaurant’s hundreds of twinkling (star-like) lights. It’s a moment that taps into all that the movie has been about up until that point, much more complex and nuanced that it might sound, and the camera lingers on Woodley’s radiant face, empowering it to carry the entire weight of everything that goes unsaid.

Her handsome, hunkish co-star, Elgort, who also appeared with her earlier this year in Divergent, is a bit hammy by comparison. But the book’s legions of (mostly) female fans likely won’t be grading his acting chops between sighs and swoons.

A Fault In Our Stars

Gus (Ansel Elgort), Issac (Nat Wolff) and Hazel Grace (Shailene Woodley) engage in an egg-throwing prank.

Laura Dern and Sam Trammell play Hazel’s loving, protective parents, and Willem Dafoe is the scotch-swilling author of that book Hazel adores. Nat Wolff portrays Gus’ friend Issac, who’s losing his eyesight, but not his droll wit, to cancer.

Smarter, sharper and deeper than most movies aimed at teens, The Fault in Our Stars doesn’t dumb down its story, its dialogue, or its realities for its target audience, and it blends in some heady existential nuggets—and metaphors—on death, dying, living, suffering, religion, theology, ethics, miracles, time, space, infinity, eternity and oblivion.

For everyone who’s already fallen under the spell of Green’s book, this movie will complete a magnificent arc that began with words on a page, bringing beloved characters, places and conversations vividly, emotionally to life, larger than life, on a giant screen. For everyone else, well, climb on board, better late than never, and get ready to find out what all the fuss has been about—and why, for millions, Hazel’s tale has become so much more than just a cancer story.

—Neil Pond, American Profile Magazine

Tagged , , , , , , , ,

Window on Early America

Vintage color photos reveal nation’s late-1800s beauty

 

An American Odyssey

By Marc Walter & Sabine Arqué

Hardcover, 600 pages (Taschen, $200)

ANDO_UPDATED_2010_XL_INT_3D.TIF

Yes, it’s pricey, and if it falls on your foot, you’ll know it—it’s one seriously big, heavy book. But it’s also a thing of beauty and wonder: a stunning collection of the first color photographs ever taken of America. Produced between 1988 and 1924 and marketed as picture-postcards by the Detroit Photographic Company, these images capture people, places and goings-on from nearly every state (at that time), in stunning clarity—wide open spaces, packed city streets, cowboys and Indians, miners and mill workers, railroads and rivers—a spectacular, century-old tapestry of the United States that unfurls, page by page, like a lost scroll of some of our nation’s earliest visual treasures.

 

—Neil Pond, American Profile Magazine

Tagged , , , ,